Can't Get Enough of Keanu Patrick (H) Willems

Retaining our previous form as WHH, we venture into "The Valley of the Gods" by Lech Majewski, respected Polish director and video artist the boys have absolutely no priors with. And so, as if from the void, comes this strange art film that Pat and Jake found pleasantly surprising, Matt not so much. Josh plays John Ecas, a frustrated copywriter and would-be novelist freshly cuckolded by his wife's hang gliding instructor and in the midst of an existential meltdown. What we get from this is a *groan* "tone poem" of sorts as reality and fiction blend and John Ecas, through the creative act of writing (?), achieves escape from his own mind. High points are The Richest Man in the World played by John Malkovich and his absurd palace, and the weird interweaving of Navajo mythology resulting in someone f*****g and impregnating a mountain. Intrigued? Press play and we'll explain!

We're doing another cheeky switch-em-up and putting on our other hat as We Heart Hartnett to cover Josh's latest: Most Wanted (2020), a journalism thriller with twin timelines, based on a true story (with some dramatization ;-)) directed by Daniel Roby. An extremis Quebecois junkie  named Daniel Leger (Antoine Olivier Pilon) gets embroiled in a power play between small-time crook Glen Picker (Jim Gaffigan) and some crooked cops at the RCMP looking for an easy drug bust to justify their budget. This ultimately lands Leger in a Thai prison. And the only one who cares? You guessed it! Sexy, intrepid, righteous reporter Victor Malarek (Hartnett). It's a solid movie and the best we've seen from Josh in a WHILE. Listen up. See if you agree.

And now…a time travel episode. In October 2019, Kendra James joined the boys to discuss a film starring Keanu and Sandra Bullock and a time traveling mailbox. The episode was scheduled to drop in April 2020, and so a lot of time was spent trying to predict what would be happening in the future. Some predictions were correct! Most were totally wrong! It’s a loopy episode and boy oh boy it is weird to listen to it now! Time travel!

The boys are back and discussing Keanu's latest, "Bill and Ted Face The Music." Look, we're a little rusty and it maybe took us a bit to get to the film, but we DO get there. Jake and Matt annoy Patrick their opinions and...should nicecore even be a description of something? Either way, all agree this was a nice movie and the bonhomie of Bill and Ted lives on, even in their progeny. 

Ok folks, we've reached it. The big one. The crucial juncture. The Matrix (1999)! What to really say about this film? We live in a simulation created by machines in order to keep us blind to our captivity and usefulness merely as an energy supply for said machines. As a metaphor, consistently apropos. And if you haven't seen this film and are listening to this podcast you are a statistical outlier. Mostly the brothers Torpey give Patrick the space he needs to wax poetic about one of the biggest films of his young life. This is another long one, as we anticipated it being from the beginning. And that's good since we've burned through our banked episodes from our previous hiatus and there is a distinct lack of addressing certain "current affairs." So enjoy this nice long conversation about a seminal movie in Keanu's career that's deservedly praised and rad as hell.

Big episode, big movie, big acting! Scott Thomas returns to join us for "The Devil's Advocate" (1997). Keanu plays hotshot Florida criminal defense attorney Kevin Lomax, who ain't never lost a case. His bona fides (as well as a preternatural ability to choose a jury) get him an offer at a prestigious firm in NYC. There, Kevin and his young wife (Charlize Theron) are given a lavish parkside Manhattan apartment and go up a great many tax brackets. But could this have been....a deal with the DEVIL? Obviously we're all here for one of the great big Pacino roles of his career as John Milton, head of said firm. For whichever stragglers have not seen this I'll keep it spoiler-free, but obviously it all goes to shit. Pacino is surprisingly quiet and sinister in this, rising into a fiery crescendo only at the end. We discuss the lamentable decline of the big-budget "high concept" drama, and take many, many tangents. In the words of John Milton (the fictional one of this film): live deliciously.