44 min

Carnivale: Season 1 Episode 5 - Babylon The Rotating Cast Files: Carnivale

    • TV Reviews

Babylon is finally upon us. Will it swallow us whole as Lodz warned or will we just have a nice time with the creepy bartender? Only time will tell. (No it won't, leave immediately).
Produced by Kristen Riley and Daive ReedEdited by Daive Reed
Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out. 
Find us on Twitter and Instagram @CastFiles
We also auto-post on YouTube, if that’s your streaming service of choice, or if you like closed captions. 
And finally, email us at TheRotatingCastFiles@gmail.com
 
Content Warnings: Death, adult themes
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“...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…”
The carnival rolls into Babylon, a tapped-out silver-mining town with a luckless history - and few visible inhabitants. Samson looks to raise morale by treating the troupe to a night at a local car in town, while Sofie and Libby take in a film. Finally, a group of restless miners arrives just in time for the evening cooch show - and the latest tragedy to befall Carnivale. 
 
We open with Justin squatting and praying in the wreckage of the ministry/orphanage. In his prayer, he mentions Babylon as we fade to a man walking down the road as the carnival approaches. Jonesy and Samson stop to talk to the guy and it’s apparent something is amiss. 
The roadman has an Irish accent and Samson asks if he’s from Babylon. He looks taken aback but reconsiders and says yes. Jonesy tells him there’s nothing behind them but 50 miles of sand and sidewinders, which is the way the man is headed. He asks if they’re a carnival and when they confirm he says they’ve been waiting for them for a long time. Samson asks “how’s that?” but he just smiles and walks off. 
Welcome to Babylon. We should not stop here even for a moment. 
Rita Sue being Rita Sue hollers “hey handsome” at him as they pass. 
The carnival arrives in Babylon and it's clear that no one is happy about being there. Dora Mae says Rita Sue says Babylon is cursed. Ruthie says it’s just a place. Gecko counters with “just a place no other carnival will play.”
Samson tells them to set up, but Rita Sue rightly points out there’s no one around for them to play to. He counters that if that were true they wouldn’t be here, would they? 
Immediately Samson goes to confront Management about why they’re there. He demands management tell him something he can share with the crew, but management is silent. 
Jonesy and his crew are setting up. Gecko is begging to stop by El Paso, which isn’t going to happen apparently. The crew is telling Jonesy they’re going to wire to another show for work and Jonesy calls them some 1930s name that showcases how little he cares. Ben’s working, but sees Lodz’s trailer and beelines it past Jonesy to the trailer. It’s like he was pulled to it. Lodz is shaking in his bed. They call it “the clangs”. 
“You have an infallible, if irritating, gift for stating the obvious.”
Ruthie breaks it up by telling Ben to go back to work. She calls Lodz on his bullshit and threatens him if he keeps messing with Ben. “I will tear your pecker off like a piece of French bread.”
Sofie argues with Apollonia over her recent sexual encounter during the dust storm. Sofie says she liked it, liked the way he held her. Which, I saw that scene, did not occur. Apollonia warns or threatens or suggests she might be pregnant. Sofie says he didn’t knock her up because that only happens in dime novels. Wouldn’t that be great if true?
But, of course, now she’s worried that she may be pregnant. 
Fortunately, when Sofie leaves the trailer she sees the Dreyfuss women practicing. They’re also bickering because everyone is on edge and that’s what you do with families. Also fortunate, as Sofie approaches Dora Mea storms off and Rita Sue is distrac

Babylon is finally upon us. Will it swallow us whole as Lodz warned or will we just have a nice time with the creepy bartender? Only time will tell. (No it won't, leave immediately).
Produced by Kristen Riley and Daive ReedEdited by Daive Reed
Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out. 
Find us on Twitter and Instagram @CastFiles
We also auto-post on YouTube, if that’s your streaming service of choice, or if you like closed captions. 
And finally, email us at TheRotatingCastFiles@gmail.com
 
Content Warnings: Death, adult themes
---------
“...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…”
The carnival rolls into Babylon, a tapped-out silver-mining town with a luckless history - and few visible inhabitants. Samson looks to raise morale by treating the troupe to a night at a local car in town, while Sofie and Libby take in a film. Finally, a group of restless miners arrives just in time for the evening cooch show - and the latest tragedy to befall Carnivale. 
 
We open with Justin squatting and praying in the wreckage of the ministry/orphanage. In his prayer, he mentions Babylon as we fade to a man walking down the road as the carnival approaches. Jonesy and Samson stop to talk to the guy and it’s apparent something is amiss. 
The roadman has an Irish accent and Samson asks if he’s from Babylon. He looks taken aback but reconsiders and says yes. Jonesy tells him there’s nothing behind them but 50 miles of sand and sidewinders, which is the way the man is headed. He asks if they’re a carnival and when they confirm he says they’ve been waiting for them for a long time. Samson asks “how’s that?” but he just smiles and walks off. 
Welcome to Babylon. We should not stop here even for a moment. 
Rita Sue being Rita Sue hollers “hey handsome” at him as they pass. 
The carnival arrives in Babylon and it's clear that no one is happy about being there. Dora Mae says Rita Sue says Babylon is cursed. Ruthie says it’s just a place. Gecko counters with “just a place no other carnival will play.”
Samson tells them to set up, but Rita Sue rightly points out there’s no one around for them to play to. He counters that if that were true they wouldn’t be here, would they? 
Immediately Samson goes to confront Management about why they’re there. He demands management tell him something he can share with the crew, but management is silent. 
Jonesy and his crew are setting up. Gecko is begging to stop by El Paso, which isn’t going to happen apparently. The crew is telling Jonesy they’re going to wire to another show for work and Jonesy calls them some 1930s name that showcases how little he cares. Ben’s working, but sees Lodz’s trailer and beelines it past Jonesy to the trailer. It’s like he was pulled to it. Lodz is shaking in his bed. They call it “the clangs”. 
“You have an infallible, if irritating, gift for stating the obvious.”
Ruthie breaks it up by telling Ben to go back to work. She calls Lodz on his bullshit and threatens him if he keeps messing with Ben. “I will tear your pecker off like a piece of French bread.”
Sofie argues with Apollonia over her recent sexual encounter during the dust storm. Sofie says she liked it, liked the way he held her. Which, I saw that scene, did not occur. Apollonia warns or threatens or suggests she might be pregnant. Sofie says he didn’t knock her up because that only happens in dime novels. Wouldn’t that be great if true?
But, of course, now she’s worried that she may be pregnant. 
Fortunately, when Sofie leaves the trailer she sees the Dreyfuss women practicing. They’re also bickering because everyone is on edge and that’s what you do with families. Also fortunate, as Sofie approaches Dora Mea storms off and Rita Sue is distrac

44 min