Christian Wiman / Finding Home Through Exiles' Eyes

For the Life of the World / Yale Center for Faith & Culture

"To be a poet is to be an exile," says poet Christian Wiman. He echoes the most influential writer on his early life and work, Simone Weil, who wrote in her Gravity & Grace: "We must take the feeling of being at home into exile. We must be rooted in the absence of a place." Wiman spent most of the 2020 leg of the pandemic curating a story about home using 100 poems, seamed with prose from some of the wisest denizens of our species to narrate the tale. He joins Evan Rosa to read some of the poetry from the collection, talk about the connection between poetry and faith, and continue to examine the meaning of home through exiles' eyes. 

This episode was made possible in part by the generous support of the Tyndale House Foundation. For more information, visit tyndale.foundation.

Show Notes

  • Home: 100 Poems
  • Joseph Brodsky, exile from Russa
  • Defining "Home"
  • Mahmoud Darwish, "I Belong There"
  • "I have learned and dismantled all the words in order to draw from them, a single word: home."
  • Josef Pieper on tautology
  • Poetry as a way of inhabiting rather than defining
  • The epigraph from He Held Radical Light: "The world does not need to come from a god. For better or worse, the world is here. But it does need to go to one (where is he?). And that is why the poet exists." (Juan Ramon Jimenez)
  • Why does the poet exist?
  • "Existence is not existence until it's more than existence."
  • Jack Gilbert, "Singing in My Difficult Mountains"
  • "My fine house that love is."
  • "To be a poet is to be an exile."
  • Simone Weil: "We must be rooted in the absence of a place." (Gravity & Grace)
  • A traveling place
  • Modern humanity in exile, a secular notion
  • Weil, The Need for Roots
  • "I think all poets though, experience the feeling of displacement that comes with perception."
  • W.B. Yeats on Maude Young, "I might have thrown poor words away and attempted to live."
  • "Life is the thing. Words are always a kind of displacement."
  • Wendell Berry's Sabbath: "There is a day when the road neither comes nor goes, and the way is not a way, but a place."
  • Frantically nomadic
  • Restlessness and the pull toward security
  • Rooted in relationships
  • "In my 20s, Simone Weil was the most important writer in my life. ... But now in my fifties, I feel a little differently. I still love Simone Weil, but I appreciate very much the work that someone like Wendell Berry has done to secure an existence against all the odds, secure a kind of existence in one place, and make it out of language as well."
  • Vincent Van Gogh and Gaston Bachelard
  • Stabilizing and Destabilizing
  • Van Gogh: Life is round
  • Bachelard: Dwelling in images and words
  • Some real element of the past, brought into the present with metaphysical power: "I think there's some real element of the past of memory, that is made alive and volatile and even salvific, and it's not an image of youth. It is the actual thing being brought into the present."
  • He Held Radical Light: seeking, through poetry, "those moments of mysterious intrusion, that feeling of collusion with eternity, of life and language riled to the one wild charge.”
  • Poetry: the main way faith sustains Wiman
  • "All poets are Jews." (Maria Sativa)
  • "All poets are believers." (Christian Wiman)
  • Something in poetry itself to further existence
  • "If you do not believe in poetry, you cannot write it." (Wallace Stevens)
  • Glory to God for dappled things
  • The role of mystery in poetry and faith
  • Following the music of poetry in a physical, physiological, improvisational way
  • Wendell Berry on the Kingdom of God: "We contain that which contai

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