Classics Read Aloud

Ruby Love

You're never too young or too old to enjoy being read to. classicsreadaloud.substack.com

  1. OCT 24

    The Legend of Sleepy Hollow

    “The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal.” When Washington Irving published “The Legend of Sleepy Hollow,” he cleverly chose a well-known British publisher, John Murray, despite being an American himself. This credentialing, paired with the captivating nature of the tale, helped skyrocket both Irving’s popularity and the reputation of American writing more broadly. The story was quickly picked up by broad audiences of all ages and never went out of print. Now imagine being the fellow named Ichabod Crane, in real life, while all this breathless storytelling of a gangly, lovelorn schoolmaster by that very name was gaining traction on both sides of the Atlantic. Such a fellow existed! He and Irving met while Crane was stationed at Fort Pike during the War of 1812. It seems that Irving borrowed only the man’s fantastic name for the tale and not his personality or physical traits, but the real Mr. Crane was apparently none too pleased all the same. Irving stitched together colorful details from all over in patching together this charmingly frightful tale. From elements of Dutch folklore, plotlines from friend Sir Walter Scott’s “The Chase,” which itself was based on a translation of the German poem “The Wild Huntsman,” to historical happenings of the Hudson Valley region, and the very character of Ichabod Crane, who was modeled after a Kinderhook schoolmaster named Jesse Merwin, whom he met while visiting the area in 1809. Mr. Merwin reportedly did not mind the association. Please enjoy… Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    1h 17m
  2. The Turn of the Screw, Part 2

    OCT 17

    The Turn of the Screw, Part 2

    Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe The Turn of the Screw, Part 2, Henry James Henry James was raised as a member of the American elite—shuttling between the New and the Old Continent—under the watchful attention, customary to the time, of governesses and household staff. How titillating it must have been to reflect these attentions back in devising a plot for “The Turn of the Screw.” This renowned ghost story unfolds on the grounds of a refined English estate, home to two orphaned children. Here, James pushes the question of sanity onto their governess, and the question of propriety onto two prior members of the estate’s staff, both since deceased under suspicious circumstances, and the question of collusion onto the young wards. How deliciously twisted. So quietly terrifying is this tale that James, rather marvelously, scared even himself in its preparation, telling poet Edmund Gosse, “I had to correct the proofs of my ghost story last night, and when I had finished them I was so frightened that I was afraid to go upstairs to bed!” It is quite a feat, frankly, that James was able to develop such an authentic scare given that he rather regretted having to write it. Despite his well-heeled upbringing, the author found himself in financial straits. To solve for this, he lowered himself to taking on serialized magazine work, acknowledging his pained reluctance in a letter to friend William Dean Howells: All thanks for your appreciation, & your wife’s, of my Literature drivel. I have succumbed, in that matter, purely to the pecuniary argument, backing H. Harper’s earnest approach. It means £40 a month, which I simply couldn’t afford not to accept. But I am too out of it all, & too ignorant. Perhaps, indeed, that helps & is a merit. You’re delightful about the T. of the Screw-the most abject, down-on-all-fours pot-boiler, pure & simple, that a proud man brought low ever perpetrated. He will do it again & again, too, even for the same scant fee: it’s only a question of a chance! Drivel! History certainly doesn’t think so. “T. of the Screw,” as he called it, became one of those stories that refused to fade away, largely because its many ambiguities prompt continued intrigue and interrogation, and James eventually came to appreciate it as a valid pillar of his catalog. Please enjoy… Help Classics Read Aloud grow by “♡ Liking” this post and sending it to a friend—word of mouth is more powerful than any algorithm. Thank you! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    2h 4m
  3. The Turn of the Screw, Part 1

    OCT 17

    The Turn of the Screw, Part 1

    Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe The Turn of the Screw, Part 1 , by Henry James Henry James was raised as a member of the American elite—shuttling between the New and the Old Continent—under the watchful attention, customary to the time, of governesses and household staff. How titillating it must have been to reflect these attentions back in devising a plot for “The Turn of the Screw.” This renowned ghost story unfolds on the grounds of a refined English estate, home to two orphaned children. Here, James pushes the question of sanity onto their governess, and the question of propriety onto two prior members of the estate’s staff, both since deceased under suspicious circumstances, and the question of collusion onto the young wards. How deliciously twisted. So quietly terrifying is this tale that James, rather marvelously, scared even himself in its preparation, telling poet Edmund Gosse, “I had to correct the proofs of my ghost story last night, and when I had finished them I was so frightened that I was afraid to go upstairs to bed!” It is quite a feat, frankly, that James was able to develop such an authentic scare given that he rather regretted having to write it. Despite his well-heeled upbringing, the author found himself in financial straits. To solve for this, he lowered himself to taking on serialized magazine work, acknowledging his pained reluctance in a letter to friend William Dean Howells: All thanks for your appreciation, & your wife’s, of my Literature drivel. I have succumbed, in that matter, purely to the pecuniary argument, backing H. Harper’s earnest approach. It means £40 a month, which I simply couldn’t afford not to accept. But I am too out of it all, & too ignorant. Perhaps, indeed, that helps & is a merit. You’re delightful about the T. of the Screw-the most abject, down-on-all-fours pot-boiler, pure & simple, that a proud man brought low ever perpetrated. He will do it again & again, too, even for the same scant fee: it’s only a question of a chance! Drivel! History certainly doesn’t think so. “T. of the Screw,” as he called it, became one of those stories that refused to fade away, largely because its many ambiguities prompt continued intrigue and interrogation, and James eventually came to appreciate it as a valid pillar of his catalog. Please enjoy… Help Classics Read Aloud grow by “♡ Liking” this post and sending it to a friend—word of mouth is more powerful than any algorithm. Thank you! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    2h 6m
  4. OCT 8

    The Shadows on the Wall

    Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe The Shadows on the Wall by Mary E. Wilkins Freeman, 1903 Mary Wilkins Freeman was the grande dame of writers, recording “quiet” New England life at the turn of the twentieth century. As the first recipient of the William Dean Howells Gold Medal for Distinguished Work in Fiction and one of the first women to receive membership in the National Institute of Arts and Letters, it is a shame she isn’t better remembered! Hard to compete with Mark Twain, I suppose. Alas, she was prodigious, and her work is widely available on Gutenberg for those who care to find it. Or, you can simply rely on me to bring you some highlights of her oeuvre, including this outstanding, well-paced ghost story, “The Shadows on the Wall.” In this narrative, we are privy to the private conversations and evening life of the Glynn siblings, who are mourning and puzzling over the sudden death of their brother, Edward. I will brook no spoilers, but will instead stay mirthful in the knowledge that many of you will experience an “ah ha” moment when it dawns on you that the biggest spoiler is hiding in plain sight! Please enjoy… This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    27 min
  5. OCT 3

    The Fall of the House of Usher

    Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe The Fall of the House of Usher, by Edgar Allan Poe Outside of his writing, Edgar Allan Poe led a rather unremarkable life. It was an existence that would give any mother cause for concern. Not his, for Poe was an orphan. As a young adult, Poe engaged in indiscriminate gambling, such that his debts forced him to drop out of the University of Virginia. He subsequently enlisted in the army and was then accepted to West Point, where his insubordination led to expulsion. It was at this time that Poe committed himself to life as a writer. A short life it was, for he was discovered unconscious in a Baltimore gutter at the age of 40 and died shortly thereafter. Poe chased the themes of isolation and despair into his work as well. In “The Fall of the House of Usher,” these motifs are entwined not only with the psychology of the characters—ailing siblings Roderick and Madeline Usher—but also into the setting itself: “the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had at length brought about upon the morale of [Roderick’s] existence.” Here, the house and its inhabitants are solely confined. All is Usher…and Poe’s ability to fold the reader into a secretive envelope of haunting intrigue is unmatched. Please enjoy… Before you float off to enjoy the story, please help Classics Read Aloud grow by “♡ Liking” this post and sending it to a friend—word of mouth is more powerful than any algorithm. Thank you! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    46 min
  6. SEP 24

    The Anatomy of Anguish

    Subscribe to Classics Read Aloud to receive future readings, including commentary and interesting "et cetera" tangent links, right to your inbox: https://classicsreadaloud.substack.com/subscribe "The Coup de Grace" by Ambrose Bierce & "Araby" by James Joyce Suffering is a fact of the human condition. Shaping it has been the basis of many religions, and coming to terms with it the lifeblood of many a writer’s work. This unavoidable state of anguish is, mercifully, both temporary and varied. In today’s pair of stories, we’ll take a voyeur’s seat to anguish through equally varied eyes: first, through those of a soldier confronted with the brutal injury of a dear friend and sergeant under his command; and second, through those of a teenage boy yearning for recognition and affection in a world he is only just beginning to sort through. Ambrose Bierce, author of our first story, fought for the Union in the US Civil War. Much of his work flows from that experience, and his writing is characterized by the intensity of the psychological toll extracted on the battlefield. In “The Coup de Grâce,” published in 1889 in the San Francisco Examiner, Bierce reflects on an impossible decision presented to him during the war, leading the story’s Captain Madwell to take action he himself could not. You’ll be left with no question as to why this remains one of Bierce’s most enduring works. In our second narrative for this reading, James Joyce brings us into the intimate thoughts of someone no longer a boy, and not yet a man. Pulled from The Dubliners, a collection of short stories Joyce wrote to commemorate the phases of Irish life at the turn of the century, “Araby” oozes with pathos and understanding. Completed in 1905, The Dubliners was left unpublished for nine years on the grounds of indecency. Those days are long gone, and readers for generations have been the better for it. Please enjoy… Before you float off to enjoy the story, please help Classics Read Aloud grow by “♡ Liking” this post and sending it to a friend—word of mouth is more powerful than any algorithm. Thank you! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit classicsreadaloud.substack.com

    30 min

Ratings & Reviews

5
out of 5
6 Ratings

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You're never too young or too old to enjoy being read to. classicsreadaloud.substack.com

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