Dig Me Out - 90s Rock Review Dig Me Out

After a string of indie label seven inch releases, Velocity Girl from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic.
This episode is dedicated to Steven Jon, who passed away on November 23rd, 2023. RIP.
 
Songs In This Episode
Intro - Crazy Town
19:15 - Audrey's Eyes
26:09 - Here Comes
30:49 - Pop Loser
38:29 - A Chang
Outro - Void I: Thousand Year Drift by Hollow Earth
 
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It's our fourth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2023. There's a wide array of bands and artists, new and old, that helped make 2023 a great year for music. New albums from 1980s, 90s and 00s artists like Slowdive, The Hives, Louise Post of Veruca Salt, Depeche Mode, Drop Nineteens, Samiam, Gaz Coombes of Supergrass, Madder Rose, Juliana Hatfield, The Hold Steady, Brad, Ash, OMD, Allen Epley of Shiner and The Life And Times, The Church, PJ Harvey, Blur, DJ Shadow, and many more all released great late career records, while newer bands like Crown Hands, Spotlights, Houston, Vast Robot Armies, and several others landed on our radar. We also spend an inordinate amount of time rambling about the new Andre 3000 album, New Blue Sun.
 
Songs In This Episode
Intro - Scapa Flow by Drop Nineteens
5:30 - Ghosts Again by Depeche Mode
20:43 - In The Moment That You're Born by Brad
35:40 - Graveyard Love by Mutoid Man
57:30 - Ants To You, Gods To Who? - Andre 3000
Outro - Countdown to Shutdown - The Hives
 
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Elastica burst onto the scene in 1995 with their highly acclaimed self-titled debut album, showcasing the band's distinctive blend of punk-inspired energy and catchy pop hooks. Elastica's minimalist sound and frontwoman Justine Frischmann's laid back vocals separated the band from their Britpop counterparts Blur, Suede, Oasis and Pulp. To help us revisit their freshman effort, we're joined by Rob Harvilla, host of the 60 Songs That Define the 90s podcast and his new corresponding book, out November 14th.
 
Songs In This Episode
Intro - Connection
27:09 - Car Song
35:05 - Blue
39:43 - Indian Song
Outro - Line Up
 
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Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the Dirty Three accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.
 
Songs In This Episode
Intro -Sue's Last Ride
19:39 - At The Bar
28:03 - Warren's Lament
Outro - Red
 
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Superdrag first gained recognition with their debut album, "Regretfully Yours," which featured the hit single "Sucked Out." Elektra records upped the dough for a sophomore album hoping the band would follow-up the hit with more radio friendly singles. Instead, "Head Trip in Every Key," marked a significant departure from their freshman effort. The band continued to deliver their trademark catchy melodies, but this time, they incorporated more diverse musical elements, like psychedelic rock and Beach Boys-esque pop. The album featured a broader range of instruments and experimental sounds, showcasing the band's evolving musical maturity. The band's sound became more intricate and layered, reflecting a greater musical complexity in their compositions. Despite these changes, Superdrag's unmistakable energy and John Davis' distinctive vocals remained at the core of their sound, making "Head Trip in Every Key" an important milestone in their musical evolution.
 
Songs In This Episode
Intro - Do The Vampire
19:32 - I'm Expanding My Mind
30:36 - Pine Away
42.25 - Mr. Underground
Outro - Hellbent
 
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Dark, brooding atmospheres with intense, pulsating rhythms complemented by searing guitar work and haunting, enigmatic lyrics roughly sum up the wild ride that it is self-titled debut album by Course Of Empire. If an album can be called "dystopian," which is usually reserved for science fiction novels and movies, Course Of Empire may qualify. Thanks to hypnotic, almost tribal percussion via a pair of drummers, the band stretches from tabla jams to industrial beats to ambient drone guitar to poppy new wave, all drenched in a very specific moodiness. Defined by its experimental and uncompromising nature, the album is a great example of the 1980s/90s crossroads that alternative music found itself as college rock rose to prominence on MTV and radio, resulting in the band re-releasing the album in 1992 via a major label deal with Zoo Entertainment.
 
Songs In This Episode
Intro - Ptah
17:40 - Peace Child
23:14 - Copious
27:01 - Dawn Of The Great Eastern Sun
35:58 - Sins of the Fathers
Outro - Mountains Of The Spoken
 
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Listen to the episode archive at DigMeOutPodcast.com.