57 min

Ep.96 | Artist Serene Hui on meaning-making, the impossibility of communication in an unknown environment, and voice modulation‪.‬ The Last Supper - Art in Asia

    • Arts

Artist Serene Hui delved into meaning-making, the impossibility of communication in an unknown environment, the origins of scold, gossip and siren, voice modulation or how we understand voices within our body and how this impacts female leaders.



Serene Hui is a Hong Kong-born artist. Her practice is research-focused and multi-faceted, engaging primarily with installation, audio and live works, printmaking and text. Serene's work is involved in a discursive, artistic and political exploration of her own context, using the geographical distance from personal lived experiences to investigate the wider socio-political impact of how meaning is made and who has access to making it. Her practice is currently invested in epistemological colonialism for the ways it affects social structures, languages, psychology and its potential susceptibility for manipulation. In her works she addresses obscurity and nuances by creating an ontological shift of displacement - meaning to transform social conventions, normative ignorance, and language ambiguity into resistance, reflection and criticism of contemporary systems.



More on www.thelastsupper.asia



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Artist Serene Hui delved into meaning-making, the impossibility of communication in an unknown environment, the origins of scold, gossip and siren, voice modulation or how we understand voices within our body and how this impacts female leaders.



Serene Hui is a Hong Kong-born artist. Her practice is research-focused and multi-faceted, engaging primarily with installation, audio and live works, printmaking and text. Serene's work is involved in a discursive, artistic and political exploration of her own context, using the geographical distance from personal lived experiences to investigate the wider socio-political impact of how meaning is made and who has access to making it. Her practice is currently invested in epistemological colonialism for the ways it affects social structures, languages, psychology and its potential susceptibility for manipulation. In her works she addresses obscurity and nuances by creating an ontological shift of displacement - meaning to transform social conventions, normative ignorance, and language ambiguity into resistance, reflection and criticism of contemporary systems.



More on www.thelastsupper.asia



-----

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠

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Follow The Last Supper

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Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter


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Send in a voice message: https://podcasters.spotify.com/pod/show/thelastsupper/message

57 min

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