36 min

ep35 | the artisan podcast | rickie ashman | experiential design the artisan podcast

    • Design

Rickie is a seasoned Creative Director & Design Director who successfully leads 360-degree campaigns for high-profile clients and turns big-picture ideas into compelling multi-platform campaigns.  Together we talk about experiential design and what it takes to be an artisan in this field.
Find Rickie here: IG @littlecountryfox |  Linkedin | rickieashman.com
Katty
Rickie, so excited to have you here on the Artisan Podcast. I know we've known each other through Artisan for a long time, but this is the first time you and I are actually sitting down to have a chat.
 
Rickie
Yeah, I'm very excited to be here. Thank you for having me.  
 
Katty
How did you get started as a creative? And when did you know that being a creative was a passion for you? 
Rickie
I was always a doodler and a daydreamer, according to my teachers, and I got special permission when I was in middle school to doodle because the teacher saw that my grades were good.
In fact, I was at the top of my class in middle school, so they knew that it wasn't impeding my learning abilities. But, their one rule was that I had to doodle in a separate notebook and not in my class notes or in my textbook, which I was fond of doodling in. And flash forward to the beginning of my career I missed out on the opportunity to go to art school.
It was something that I had wanted to do, but I grew up in New Orleans and Hurricane Katrina hit towards the tail end of my high school year.
So, I think my parents were thinking practically when they guided me into going to business school for college. So, when I graduated, I think I ended up moving into a creative career through sheer force of will.
On my first job, I began to teach myself Photoshop through my early interest in art where I was learning how to color-correct photography and illustrations. And then, in my first job, our designer left the company and there was a hole to fill, and I volunteered to take it on and thus began my early career as a designer.
Katty
So that's pretty amazing that your teachers recognized the importance of doodling and didn't curtail that but actually gave you permission, if you will, to be able to do that.
Rickie
Yeah,  I think so. And I think, what also has really helped throughout my career is the ability to tell a story. And starting off as a wannabe illustrator, as a kid where I would draw out stories and plot lines in a linear comic book-like format, has always stuck with me.
I had a brief stint getting into creative writing in high school as well. So working on more of the advertising front, where oftentimes a lot of what we do is storytelling in a sense for both the client and the consumer to get the buy in. I think that's also helped ground me and my approach.
So doodling led to a good overall process for creative thinking. And I think it's a great mental exercise particularly, when you're having writer's block, shall we say, sometimes it's good to just, do something with your hands while your mind is working away.
While I doodle less these days, sometimes I find myself scribbling. In my work notes.
Katty
Love that. Yeah, I'm reading this book right now. Actually, not that far into it, but even in the first few chapters, it's called Your Brain on Art it talks a lot about just the connection of art and just, even the doodling piece of it, but the importance of just allowing your brain to travel and be able to do that.
It helps with writer's block. It helps with anything, really any kind of block but just that physical process, just what it does, the chemicals in your brain,  pretty amazing. 
So you moved from your love of illustration and you built on that and your love of design and you built on that. How did you get into experiential design? And how would you describe experiential design versus traditional creative work? 
Rickie
Yeah, I think  Again, really through happenstance when I began my career, I was working brand side. So I handled everything from print to digital to occa

Rickie is a seasoned Creative Director & Design Director who successfully leads 360-degree campaigns for high-profile clients and turns big-picture ideas into compelling multi-platform campaigns.  Together we talk about experiential design and what it takes to be an artisan in this field.
Find Rickie here: IG @littlecountryfox |  Linkedin | rickieashman.com
Katty
Rickie, so excited to have you here on the Artisan Podcast. I know we've known each other through Artisan for a long time, but this is the first time you and I are actually sitting down to have a chat.
 
Rickie
Yeah, I'm very excited to be here. Thank you for having me.  
 
Katty
How did you get started as a creative? And when did you know that being a creative was a passion for you? 
Rickie
I was always a doodler and a daydreamer, according to my teachers, and I got special permission when I was in middle school to doodle because the teacher saw that my grades were good.
In fact, I was at the top of my class in middle school, so they knew that it wasn't impeding my learning abilities. But, their one rule was that I had to doodle in a separate notebook and not in my class notes or in my textbook, which I was fond of doodling in. And flash forward to the beginning of my career I missed out on the opportunity to go to art school.
It was something that I had wanted to do, but I grew up in New Orleans and Hurricane Katrina hit towards the tail end of my high school year.
So, I think my parents were thinking practically when they guided me into going to business school for college. So, when I graduated, I think I ended up moving into a creative career through sheer force of will.
On my first job, I began to teach myself Photoshop through my early interest in art where I was learning how to color-correct photography and illustrations. And then, in my first job, our designer left the company and there was a hole to fill, and I volunteered to take it on and thus began my early career as a designer.
Katty
So that's pretty amazing that your teachers recognized the importance of doodling and didn't curtail that but actually gave you permission, if you will, to be able to do that.
Rickie
Yeah,  I think so. And I think, what also has really helped throughout my career is the ability to tell a story. And starting off as a wannabe illustrator, as a kid where I would draw out stories and plot lines in a linear comic book-like format, has always stuck with me.
I had a brief stint getting into creative writing in high school as well. So working on more of the advertising front, where oftentimes a lot of what we do is storytelling in a sense for both the client and the consumer to get the buy in. I think that's also helped ground me and my approach.
So doodling led to a good overall process for creative thinking. And I think it's a great mental exercise particularly, when you're having writer's block, shall we say, sometimes it's good to just, do something with your hands while your mind is working away.
While I doodle less these days, sometimes I find myself scribbling. In my work notes.
Katty
Love that. Yeah, I'm reading this book right now. Actually, not that far into it, but even in the first few chapters, it's called Your Brain on Art it talks a lot about just the connection of art and just, even the doodling piece of it, but the importance of just allowing your brain to travel and be able to do that.
It helps with writer's block. It helps with anything, really any kind of block but just that physical process, just what it does, the chemicals in your brain,  pretty amazing. 
So you moved from your love of illustration and you built on that and your love of design and you built on that. How did you get into experiential design? And how would you describe experiential design versus traditional creative work? 
Rickie
Yeah, I think  Again, really through happenstance when I began my career, I was working brand side. So I handled everything from print to digital to occa

36 min