1 hr 4 min
Episode 12 The International Imagination: Exploring World Politics in the Fantastic Beasts Films Marginally Fannish
-
- Society & Culture
In this episode, Parinita talks to Lorrie Kim about how people of colour are represented in the Potterverse and how much Lorrie loves and identifies with Nagini. We also discuss the real-world parallels in Crimes of Grindelwald. This includes mentions of rape, exploitation and human trafficking so please consider this a content warning. Lorrie proposes that the Harry Potter books – written for children - and the Fantastic Beasts movies – written for adults - deal with similar themes in very different ways. The allegory of fascism is ever-present but is less escapist. The international politics in Crimes of Grindelwald draw from historical as well as contemporary colonial, racial and sexual violence in the real world.
A book authored by a single creator reflects their cultural, social, and political limitations. However, in movies, the actors and crew become co-creators of the story, which can sometimes make up for the author’s blind-spots. Deleted scenes in movies marginalise female characters of colour whose stories are seen as expendable. Fans’ discomfort against how these characters are portrayed can end up erasing them from the story entirely. Many fans dislike the Fantastic Beasts movies and Nagini’s story arc for lots of different reasons. While fan interpretations often differ, mainstream fandom discourse isn’t always nuanced and inclusive of multiple perspectives. Fandom has tremendous potential to promote critical thinking, but fan opinions can also influence people in limiting ways.
In this episode, Parinita talks to Lorrie Kim about how people of colour are represented in the Potterverse and how much Lorrie loves and identifies with Nagini. We also discuss the real-world parallels in Crimes of Grindelwald. This includes mentions of rape, exploitation and human trafficking so please consider this a content warning. Lorrie proposes that the Harry Potter books – written for children - and the Fantastic Beasts movies – written for adults - deal with similar themes in very different ways. The allegory of fascism is ever-present but is less escapist. The international politics in Crimes of Grindelwald draw from historical as well as contemporary colonial, racial and sexual violence in the real world.
A book authored by a single creator reflects their cultural, social, and political limitations. However, in movies, the actors and crew become co-creators of the story, which can sometimes make up for the author’s blind-spots. Deleted scenes in movies marginalise female characters of colour whose stories are seen as expendable. Fans’ discomfort against how these characters are portrayed can end up erasing them from the story entirely. Many fans dislike the Fantastic Beasts movies and Nagini’s story arc for lots of different reasons. While fan interpretations often differ, mainstream fandom discourse isn’t always nuanced and inclusive of multiple perspectives. Fandom has tremendous potential to promote critical thinking, but fan opinions can also influence people in limiting ways.
1 hr 4 min