37 min

Episode 2038: Daniel Bessner on how the existential crisis of Hollywood's film & tv writers is the canary in the coal mine for the rest of America's professional elites Keen On

    • Business

Harper’s has a great cover story this month entitled “The Life and Death of Hollywood” by the intellectual historian, podcast and general muckraker Daniel Bessner. Film & tv writers face an existential threat, Bessner told me, from a Hollywood now controlled by four financialized mega-companies operated by MBA touting execs. But is this really new, I asked him, or is today’s dismal story just another rerun of the standard anti-capitalist narrative of creatives getting screwed by the money men? Yes, it is new, Bessner insists, because today’s existential crisis of Hollywood’s film & tv writers is the canary in the coal mine for an entire professional elite of lawyers, journalists and academics about to be hit by the AI powered tsunami of 21st century techno-capitalism.



Daniel Bessner is currently the Annett H. and Kenneth B. Pyle Associate Professor in American Foreign Policy at the University of Washington. He is a member of the Henry M. Jackson School of International Studies and previously held the Joff Hanauer Honors Professorship in Western Civilization.  He is also a Non-Resident Fellow at the Quincy Institute for Responsible Statecraft, an Associate of the Alameda Institute, and a Contributing Editor at Jacobin. In 2019-2020, he served as a foreign policy advisor to Bernie Sanders’ presidential campaign; in 2024, for unclear reasons, the Russian government sanctioned him. Daniel is an intellectual historian, and his work has focused on three areas of inquiry: the history and contemporary practice of U.S. foreign relations; the history and theory of liberalism; and, most recently, the history and practice of the entertainment industry. He is the author of Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual (Cornell, 2018), which you may order here. He is also the co-editor, with Nicolas Guilhot, of The Decisionist Imagination: Sovereignty, Social Science, and Democracy in the Twentieth Century (Berghahn, 2019), which you may order here; and the co-editor, with Michael Brenes, of Rethinking U.S. World Power: Domestic Histories of U.S. Foreign Relations (Palgrave, 2024), which you may order here.



Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.





This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Harper’s has a great cover story this month entitled “The Life and Death of Hollywood” by the intellectual historian, podcast and general muckraker Daniel Bessner. Film & tv writers face an existential threat, Bessner told me, from a Hollywood now controlled by four financialized mega-companies operated by MBA touting execs. But is this really new, I asked him, or is today’s dismal story just another rerun of the standard anti-capitalist narrative of creatives getting screwed by the money men? Yes, it is new, Bessner insists, because today’s existential crisis of Hollywood’s film & tv writers is the canary in the coal mine for an entire professional elite of lawyers, journalists and academics about to be hit by the AI powered tsunami of 21st century techno-capitalism.



Daniel Bessner is currently the Annett H. and Kenneth B. Pyle Associate Professor in American Foreign Policy at the University of Washington. He is a member of the Henry M. Jackson School of International Studies and previously held the Joff Hanauer Honors Professorship in Western Civilization.  He is also a Non-Resident Fellow at the Quincy Institute for Responsible Statecraft, an Associate of the Alameda Institute, and a Contributing Editor at Jacobin. In 2019-2020, he served as a foreign policy advisor to Bernie Sanders’ presidential campaign; in 2024, for unclear reasons, the Russian government sanctioned him. Daniel is an intellectual historian, and his work has focused on three areas of inquiry: the history and contemporary practice of U.S. foreign relations; the history and theory of liberalism; and, most recently, the history and practice of the entertainment industry. He is the author of Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual (Cornell, 2018), which you may order here. He is also the co-editor, with Nicolas Guilhot, of The Decisionist Imagination: Sovereignty, Social Science, and Democracy in the Twentieth Century (Berghahn, 2019), which you may order here; and the co-editor, with Michael Brenes, of Rethinking U.S. World Power: Domestic Histories of U.S. Foreign Relations (Palgrave, 2024), which you may order here.



Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.





This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

37 min

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