“Explain Me”, an art podcast that talks about the latest art news and exhibitions through the lens of politics, money and the moral of responsibility of artists. To do this, we bring together the point of view of an artist and a critic, a perspective you won’t get anywhere else. Expect honesty. Expect opinions. And expect freewheeling conversation fueled by camaraderie and a general disappointment with the ways are turning out for us all.
The NFT Explain Me with Marina Galperina and Amy Whitaker
On this episode of Explain Me we do a deep dive on Non-Fungible Tokens, NFTs, pronounced Nifty, by also N-F-T. Joined by guests Marina Galperina, features editor of Gizmodo, and former curator and writer on digital art, and Amy Whitaker, author and assistant professor of visual arts administration, hosts William Powhida and Paddy Johnson navigate the headlines generating news around this new digital currency, the basic definitions, and the potential and dangers it poses to artists.
6' 21'' Explain Me's episode Related Utopias: Bitcoin and the Artworld with Kevin McCoy.
7' NFT definitions and the blockchain
13 Do artists need to care?
21' The Guardian features Marina Galperina's Vine Show. 26' Beeple Mania and aesthetics discussion - Liberal Jon McNaughton or early digital art maximalism in the style of Cliff Evans and Kenneth Tin-Kin Hung?
40' NFT platforms and markets. Massimo Franceschet and Sparrow Read's The Inconvenient Truth About Secondary Markets, Part II 43' Legacy Russell tweets about the toxic white male culture dominating NFT conversation. Follows up with a shout out to QTPOCIA+ and female-identified people engaging NFTs.
44' Who is the face of NFTs? Kenny Schachter. His NFT article on Artnet.
47' Kenny Schachter's "Scam Likely" on Nifty Gateway.51' Alternatives - Casey Reese's Artist-to-artist exchange with Bitmark.com, Feral File. Goes live March 19.
Also relevant: Reese's Medium article, Collecting Art in the Age of Digital Reproduction
57' - NFT and blockchain carbon footprint1 hour 10' Reasons for optimism
1 hour 16' Art pricing and Greg Allen's Facsimile Objects
1 hour 22' Amy Whitaker discusses valuation and commensuration sociological studies
Read and Watch
Amy Whitaker, A New Way To Pay Artists, TEDXfoggybottom
Amy Whitaker and Roman Kraussl, Fractional Equity, Blockchain, and the Future of Creative Work, Management Science, July 2020
Amy Whitaker, Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts, Artivate: A Journal of Entrepreneurship in the Arts. Summer 2019
Amy Whitaker, Hannah Grannemann, Artists’ Royalties and Performers’ Equity: A Ground-Up Approach to Social Impact Investment in Creative Fields, CMSE Vol 3, no 2, pg 33-51.Memo Atkin, The Unreasonable Ecological Cost of #Cryptoart, Dec 14 2020Rea McNamara, How Crypto Art Might Offer Artists Increased Autonomy, March 2, 2021
Explain Me With Art Critic Ben Davis: The Year That Wasn't, Part Two
Immersive Van Gogh
In this episode of Explain Me, we continue our conversation with Artnet's National Critic Ben Davis as we take stock of 2020.
In this episode:
We discuss the biases of algorithm sorting
Ben Davis coins the term cultural inflation, a term that refers to franchise media properties.
We examine the relevance of ART CLUB 2000 the recent subject of Ben Davis' review, Why the New ART CLUB2000 Retrospective Offers Lessons for Today’s Artists That Transcend Pure ’90s Nostalgia
We name check Davis' The State of Culture, Part One.
Explain Me with Art Critic Ben Davis: The Year That Wasn't, Part One
"Immersive Van Gogh"
In this episode of Explain Me, we take stock of the year in art with Artnet's National Critic Ben Davis.
What happened in the art world in 2020? We ask this knowing that we obviously have not seen a lot of art or attended anything remotely like a normal opening. But, a lot happened this year, even if we experienced it all at a distance.
We know that, with the vaccine slowly rolling out now, the art world will return, but what are the implications of the pandemic for the art world this coming fall and beyond?
In part one of this episode we discuss:
The few upsides of the pandemic.
Ben Davis on Phillip Guston Show Postponement
Baltimore Museum Deaccessioning, two opposing views.
Three Tech Companies Locked in a Battle to Capture Your Attention With the World’s Best Immersive Van Gogh Experience. Brian Boucher, Artnet
The Boundless Optimism of BTS, Esquire
Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State
Image via: Andy Adams instagram.
In this episode of Explain Me we talk to Andy Adams (FlakPhoto on instagram), a culture producer and long time digital director. Andy is the founder of FlakPhoto Projects, an international community of photographers that operates in a parallel path to the one Powhida and Johnson come from—the New York based studio and museum world. Andy, William, and Paddy began working online around the same time—2003-2005, so we start our conversation there. We track through the exuberance and possibility we saw online in the early aughts, the economic collapse of the late aughts, and fraught political environment we’re now navigating. Subjects include: The signature Flak Photo style, the ethics of documentary photography, and the the postponed Guston show at the Tate.
References and reading:
Instagram: @photographersvote #photographersvote
Two Museums Tried to Sell Art. Only One Caught Grief About it. New York Times
Guston Can Wait. Nikki Columbus, N+1
Contra-Internet, Zach Blas, e-flux Journal
Zombie Figuration Isn't a Thing: A Critical Autopsy with Antwaun Sargent
In this episode of Explain Me, critic and curator Antwaun Sargent joins us to discuss the effects of the pandemic and Alex Greenberger's Zombie Figuration, a confusing essay that appeared earlier this month in ARTnews. In the first half hour we discuss the disparate effects of the pandemic and general politics. Then we move on to art, zombies, race, and why art has limits.
Antwaun Sargent is an art critic and a writer who has contributed to The New York Times, The New Yorker, Vice and more, as well as essays to multiple museum publications. His first book, “The New Black Vanguard: Photography between Art and Fashion” (Aperture) is out now. In April he announced a new partnership with Gagosian that will include working on four exhibitions and contributing features to their magazine. Follow him on Twitter and Instagram.
LISTENER ADVISORY: In this episode, Paddy Johnson occasionally repeats Antwaun Sargent's words when his audio cuts out. This leads to periodic moments when Johnson and Sargent speak at the same time.
First There Was Zombie Formalism, Now There is Zombie Figuration
Met Apologies to Glenn Ligon
Jordan Casteel at the New Museum
EARLY WHITNEY BIENNIAL REVIEWS
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Institutional failure, Trump's Agenda, and Meme-Driven Conservative Movements: A Talk with Nayland Blake
Artist Nayland Blake joins the podcast to discuss the murder of George Floyd at the hands of a white police officer, mass protests, and the resurgence of COVID as the backdrop for public art and how museums are addressing diversity. Spearheaded in large part by Blake, we discuss all of these issues through the lens of what people need and how art makers, art workers and arts institutions answer that need.
We started the conversation with Blake's recent twitter thread on art criticism.
"Art criticism is the activity of thinking with and through art objects," they wrote. "If you constantly reach for the same few objects to think with, you stagnate as a critic and simply reinforce your own bias."
Other relevant links mentioned in the show:
Nayland Blake's website
Julie Mehretu's Goldman Saks mural
What is the Boogaloo movement?
Dread Scott's Rebel Reenactment
Marblecake Also the Game
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Currently listening to the mid-career artist show and felt compelled to write a review because I realized how much I missed this show. So refreshing to hear an honest discussion of the business and politics of art today. Thank you! Keep going
The Best Contemporary Art Podcast in Existence
There ain’t much competition, but these two really bring it. Opinionated and well-informed, Paddy and Bill are your point of access to the New York “art world” regardless of where you are in the world. Listen, learn, laugh, and do other things that begin with “L.”
I have been listening to many of the fine interview art podcasts out there, but this is serving another slot that has been missing. Great back and forth between the hosts and covers many topics from an angle I might not always agree with, but makes a good case for other viewpoints, and that aint easy to get right. A strong start, and I look forward to it evolving