God's New Covenant Prescription for Singing in the Church Christ Covenant Church

Scholars agree that the subject of Paul’s instruction in Ephesians 5:19 and Colossians 3:16 is corporate worship on the Lord’s Day (Sunday). What many also agree on is the interchangeability of the terms “psalms”, “hymns” and “spiritual songs.”[1] IOW: these terms do not refer to different types of songs but rather function as “overlapping near synonyms”[2] meant to emphasize the imperative of congregational singing.[3] With that in mind, here (then) is God’s prescription for our congregational singing:

1. The focus must be on God and His work not us or ours.
1.1. (Eph 5:19, “singing…to the Lord”; Col 3:16 “singing… to God”)
1.2. Too many songs in MCW (modern Christian worship) are guilty of placing the focus on us (what we are feeling, doing or going to do for God) w/very little – to no communication in respect to God (Who He is and what He has done or is doing). IOW: they are heavy on us and light on God.[4]
1.3. Compare: 1) (Psa 8, 46) = Words focused on God: Who He is and what He has done.[5] 2) Crown Him With Many Crowns (“the Lamb upon the throne…Awake my soul and sing of Him Who died for Me; And hail Him as they matchless King thru all eternity…Crown Him the Lord of heaven; One with the Father known…His glories now we sing; Who died and rose on high; Who died eternal life to bring; And lives that death may die.”) = The focus is on God (Jesus): Who He is and what He has done (not us or what we are going to do).
to [Last week’s top 20 worship songs, CCLI]: 1) I Speak Jesus (“I just wanna speak the name of Jesus, Over every heart and every mind, Cause I know there is peace within Your Presence, I speak Jesus, I just wanna speak Jesus”) = The focus of this song is what we are going to do – not Jesus or His work. 2) How Great Is Our God (“sing with me, how great is our God and then the world will see how great is our God…name above all names worthy of all praise, my heart will sing…”) = Besides being entirely about what we are doing or singing (we are the primary acting agent), the song makes no mention of Who God is or what He has done or is doing, nor speaks any of words directly to God. Consider also [the 7 top cliches in MCW]: 1) I want you, 2) I need you, 3) I lift you up, 4) I lay it down, 5) I’m in awe, 6) I’m alive in you, 7) I am living for you. = All focused on us as the primary acting agent.
1.4. PNTM: We are here to sing to God – or about God not ourselves (i.e., bows not vows is how we give praise to God).[6]
2. The words (and music) must communicate God as our King not our girlfriend.
2.1. (Eph 5:19) “Lord” = A term used to confer majesty to those in positions of authority. Our songs must therefore communicate this majesty. IOW: the songs we sing must sound like an expression of majesty to a king versus a solicitation for intimacy with our girlfriend.
2.2. Example: All Hail The Power Of Jesus’ Name (“All hail the power of Jesus’ name let angels prostrate fall, to Him ascribe all majesty and crown Him Lord of all, to Him all majesty ascribe and crown Him Lord of all!”).
2.3. Compare: The Secret Place by Phil Wickham (“Where are you going to run my soul…How you gonna keep this flame alive…In the fading light when night is breaking, I know you will always be waiting, You’ll always be there, I running to the secret place. Where you are…you stole my heart, stole my heart. Better is a moment I spend with you…I’m running, I’m running to the secret place.”).
to The Secret Place by RC Sproul (“He who dwells within His most secret place, Is never far from His blessed grace…The secret place of God Most High, The shadow of our Mighty King, The dwelling place where angels cry, Is where our praise will forever ring.”).
2.4. Examples from other MCW songs: 1) “Capture my heart again, your love is extravagant, your friendship, intimate.” (Your Love Is Extravagant by Casting Crowns), 2) “As I feel your touch, yo