Good Weather

Good Weather Podcast

Good Weather is a contemporary art gallery located five minutes from downtown Little Rock, Arkansas that has transformed a single-car garage into a participant-guided gallery. The project stems from an investigation of the American suburban garage and its vast flexibility. Often times, garages transcend their original function (i.e. storage for cars) by morphing into domestic galleries indicative of vastly different tastes and socio-economic conditions. This reveals an unpretentious curation of an individual’s ideas and interests: a wood shop, a miniature railroad museum, a cereal box collection, an indoor patio, a makeshift living room, an aviary, and so on. Good Weather follows this phenomenon through the understanding and use of these resources: the economy of space, a curatorial vernacular, and an open structure that allows participants to direct the content and shape of their exhibitions. The gallery has reciprocal objectives. The first revolves around the gift of space, which serves as a catalyst for artists to develop new work. The second is rooted in exposure, which allows the artist to exhibit this work to a wider audience and in return, the audience is exposed to pertinent and challenging works of art. Both are integral in aiding in the artist’s professional growth. In promoting the reciprocal relationship between maker and audience, Good Weather facilitates a greater awareness of contemporary art, which plays a vital role in defining and challenging our current local and national ethe. Alongside all of these concerns, Good Weather considers the creation of possibility as its principal pursuit, embodying an earnest desire to positively impact the environment in which it lives.

Episodes

  1. Dylan Spaysky 'Wicker And Diapers'

    04/12/2017

    Dylan Spaysky 'Wicker And Diapers'

    Quack quack quack. Quack. Quack. Quack quack quack quack quack. Quack quack. Quack. Quack quack. 1' 8" Duck (2017) A matter-of-factness sits on the storeroom shelves: a series of wicker woven busts of friends in Dylan Spaysky’s current milieu; each portrait with individualizing facial and cranial details. These substantial visible traits dovetail with an unassuming exploration of commonness shaped through idiosyncrasy. The basket-weavings and foam carvings in 'Wicker and Diapers' take a hobbyist’s approach to the endeavor of sculpture-making and the works magnanimity and craft—by dint of its materials, content, and genuineness—preserve, in a way, a balance between the individual and group. Like the Hopi people, in Spaysky’s practice there is value for giving which fosters community. Sumi’nangwa and Nami’nagwa which mean “to live with mutual concern toward one another.” This way of life is inspired. It is an important generator of hope and sharing that has a social impact which can resolutely address the dubious constructs of a post-truth epoch. Dylan Spaysky is a sculptor that currently lives and works in Hamtramck, Michigan. He earned his BFA from the College for Creative Studies in Detroit in 2007. He has had solo exhibitions at Cleopatra’s (Brooklyn) in 2014; Popps Packing (Detroit) and Clifton Benevento (New York) in 2015; and CUE Arts Foundation (New York) in 2016. He has red hair. He has participated in group exhibitions at Hannah Hoffman (Los Angeles), What Pipeline (Detroit), MOCA Cleveland, nGbK (Berlin), and Susanne Hilberry Gallery (Ferndale, Michigan), among others. Visit www.spayskyfineart.com for more information about the artist and his work.

    33 min

About

Good Weather is a contemporary art gallery located five minutes from downtown Little Rock, Arkansas that has transformed a single-car garage into a participant-guided gallery. The project stems from an investigation of the American suburban garage and its vast flexibility. Often times, garages transcend their original function (i.e. storage for cars) by morphing into domestic galleries indicative of vastly different tastes and socio-economic conditions. This reveals an unpretentious curation of an individual’s ideas and interests: a wood shop, a miniature railroad museum, a cereal box collection, an indoor patio, a makeshift living room, an aviary, and so on. Good Weather follows this phenomenon through the understanding and use of these resources: the economy of space, a curatorial vernacular, and an open structure that allows participants to direct the content and shape of their exhibitions. The gallery has reciprocal objectives. The first revolves around the gift of space, which serves as a catalyst for artists to develop new work. The second is rooted in exposure, which allows the artist to exhibit this work to a wider audience and in return, the audience is exposed to pertinent and challenging works of art. Both are integral in aiding in the artist’s professional growth. In promoting the reciprocal relationship between maker and audience, Good Weather facilitates a greater awareness of contemporary art, which plays a vital role in defining and challenging our current local and national ethe. Alongside all of these concerns, Good Weather considers the creation of possibility as its principal pursuit, embodying an earnest desire to positively impact the environment in which it lives.