24 min
Heinrich Schütz - A German in Venice #loveHandel - an occasional podcast dedicated to the great baroque composer George Frideric Handel
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- Performing Arts
To support the release of "Heinrich Schütz - A German in Venice" (First Hand Records FHR 145) , The Brook Street Band's new recording with tenor David de Winter, Tatty and David chat about the music, their love of the language Latin, the making of the CD and its varied instrumentation... and quite possibly...food!
One of the key German composers before Bach with more than 500 surviving individual pieces, Heinrich Schütz wrote mainly church music, and is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the early Baroque. Although he lived most of his long life in Germany, in his twenties Schütz made two visits to Venice. The first was between 1609 and 1613 when he was taught by Giovanni Gabrieli; and the second in the late 1620s to meet and possibly study under Monteverdi. The two trips greatly influenced Schütz’s music as he absorbed and began to combine the ornate and theatrical Venetian style with the more understated Lutheran tradition in which he grew up.
This album explores his solo cantatas alongside examples of the brilliant and virtuosic Venetian style instrumental music.
The CD is available here
To support the release of "Heinrich Schütz - A German in Venice" (First Hand Records FHR 145) , The Brook Street Band's new recording with tenor David de Winter, Tatty and David chat about the music, their love of the language Latin, the making of the CD and its varied instrumentation... and quite possibly...food!
One of the key German composers before Bach with more than 500 surviving individual pieces, Heinrich Schütz wrote mainly church music, and is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the early Baroque. Although he lived most of his long life in Germany, in his twenties Schütz made two visits to Venice. The first was between 1609 and 1613 when he was taught by Giovanni Gabrieli; and the second in the late 1620s to meet and possibly study under Monteverdi. The two trips greatly influenced Schütz’s music as he absorbed and began to combine the ornate and theatrical Venetian style with the more understated Lutheran tradition in which he grew up.
This album explores his solo cantatas alongside examples of the brilliant and virtuosic Venetian style instrumental music.
The CD is available here
24 min