51 min

I am an Artist (He Said): Live Readings & Discussion | Araya Rasdjarmrearnsook, Amanda Lee Koe, Heman Chong & Roger Nelson The Padang Sessions

    • Arts

“To be an artist is ... just like shit in a clogged toilet, stubborn shit that can’t decide whether it wants to be flushed or to stick around…”
Composed as an irreverent dialogue between masculine and feminine narrators, this book of essays by Araya Rasdjarmrearnsook is an uncategorisable fusion of art criticism, feminist theory, art pedagogy, gossip and autofiction. This first English translation of her essays was prepared by eminent translator Kong Rithdee and edited with an accompanying essay by Roger Nelson and Chanon Kenji Praepipatmongkol.
This event marked the launch of the new research publications imprint, National Gallery Singapore: Art Writing. This peer-reviewed imprint celebrates the diverse voices and genres of writing that create the discourse of art in Southeast Asia, both historically and in the present. Going beyond conventional art history, books in this imprint include compilations of artist writings, art criticism and experimental approaches to the image.
This live reading and discussion took place at National Gallery Singapore on 15 October 2022, as part of October Gathering.
This is a recording of a live reading of extracts from Araya’s compelling and humorous writings by artist Heman Chong, writer Amanda Lee Koe and Araya Rasdjarmrearnsook herself, and a sharing on the development of the book by Roger Nelson.
Disclaimer: The comments and opinions expressed are those of the speaker/s, and do not represent the views of National Gallery Singapore.
All copyright within this recording, without limitation, are retained by their respective owners.

“To be an artist is ... just like shit in a clogged toilet, stubborn shit that can’t decide whether it wants to be flushed or to stick around…”
Composed as an irreverent dialogue between masculine and feminine narrators, this book of essays by Araya Rasdjarmrearnsook is an uncategorisable fusion of art criticism, feminist theory, art pedagogy, gossip and autofiction. This first English translation of her essays was prepared by eminent translator Kong Rithdee and edited with an accompanying essay by Roger Nelson and Chanon Kenji Praepipatmongkol.
This event marked the launch of the new research publications imprint, National Gallery Singapore: Art Writing. This peer-reviewed imprint celebrates the diverse voices and genres of writing that create the discourse of art in Southeast Asia, both historically and in the present. Going beyond conventional art history, books in this imprint include compilations of artist writings, art criticism and experimental approaches to the image.
This live reading and discussion took place at National Gallery Singapore on 15 October 2022, as part of October Gathering.
This is a recording of a live reading of extracts from Araya’s compelling and humorous writings by artist Heman Chong, writer Amanda Lee Koe and Araya Rasdjarmrearnsook herself, and a sharing on the development of the book by Roger Nelson.
Disclaimer: The comments and opinions expressed are those of the speaker/s, and do not represent the views of National Gallery Singapore.
All copyright within this recording, without limitation, are retained by their respective owners.

51 min

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