Crit Club Crit Club

Surprise, surprise, the Crit Club is watching a French movie this week. The 1973 post-new wave drama The Mother and the Whore follows a young man named Alexandre as he talks, meets women, talks to them, and meets more. Written and directed by Jean Eustache, this movie is highly regarded as one of the best films of the 1970s and a unique meditation on youth, romance, and relationships. Come and hear what we thought!

Join us next week for a Coire pick, where we’ll watch the 1985 anti-war drama Come and See, directed by Elem Klimov.

You can follow the whole of our podcast with ⁠this helpful spreadsheet⁠, which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.

This week the Crit Club is traveling way back, and way forward, in time as we watch the 1936 science fiction film Things to Come. This early special effect juggernaut is looked decades into the future with a script by H.G. Wells, and posits questions about humanity, progress, and peace. Were we left wishing for futuristic art deco toga clothes, or did this movie make us want to be shot out of the space gun? Listen and find out!

Join us next week for an Angela pick! We’ll go back to France with 1973’s The Mother and the Whore.

You can follow the whole of our podcast, aided by ⁠this helpful spreadsheet⁠ which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.

The Crit Club is a brave bunch, no stranger to tackling any movie, whatever its reputation. To prove our courage, this week we’re watching the notorious 1987 box office bomb Ishtar, written and directed by Elaine May. Its plot is a goofy buddy comedy starring Warren Beatty and Dustin Hoffman as aspiring songwriters who somehow find themselves a gig in Morocco. But the film’s legacy is one of reported mismanagement, studio interference, and deep-seated grudges, which led to a reputation as being one of the worst movies ever made. Did we buy into that hype, or was there an oasis to find in the desert of Ishtar? Listen and find out. 

And join us next week for a Wizard Pick™, where we’ll watch the 1936 British science fiction film Things to Come.

You can follow the whole of our podcast, aided by ⁠this helpful spreadsheet⁠ which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.

It’s a real date night week here at Crit Club where we’re watching the often-banned, taboo-breaking In the Realm of the Senses from 1976. From Nagisa Ōshima, this fictionalized account of a Japanese true crime incident that happened in the 1930s follows two lovers as they fall down the well of each other’s hedonistic appetites.

That “date night” thing mentioned earlier was sarcasm, and all sorts of trigger warnings should be applied to a viewing and discussion of this cinematic curiosity. 

Next week should prove to be a bit more audience, though not box office, friendly. As Peter picks the Elaine May reputable disaster of a film that many believe destroyed her career. We’re watching Ishtar. You should watch it as well and listen along!

You can follow the whole of our podcast, aided by ⁠this helpful spreadsheet⁠ which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.

That train whistle blowing you hear is the Crit Club hustling their way to watch 3:10 to Yuma, Delmar Daves’ classic 1957 western based on an Elmore Leonard short story (which you can read here). This compact story puts a modest rancher in an unexpected position with an infamous gang leader, telling a timeless story of morality, humanity, connection, and dread. Did we find the ride comfortable or would we have rather been tied to the tracks? Listen and find out!

And join us next week for a Coire pick, where he has challenged us to watch the oft-banned 1976 erotic art film In the Realm of the Senses by Nagisa Ōshima.

You can follow the whole of our podcast, aided by ⁠this helpful spreadsheet⁠ which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.

The Crit Club spent this week trying to ward away dread with the 1981 Hong Kong martial arts, action, comedy/horror movie Dreadnaught. This physical masterpiece tells the story of two warring schools, a sheepish launderer, and, why not, a murderous, face-painted psychopath. Directed by the legendary Yuen Woo-ping, Dreadnaught is a full on, nonstop, slapstick bonanza. Did we find it as watchable as the film certainly thinks it is? Listen to find out!

And join us next week, where Angela is picking the original 1957 western 3:10 to Yuma. All aboard!

You can follow the whole of our podcast, aided by ⁠this helpful spreadsheet⁠ which documents all the scores we gave to the movies we have watched.

And drop us a line! You can email us at critclubpodcast@gmail.com or find us on Instagram or Threads with the handle @critclubpodcast.

Crit Club's theme song and art were made by co-host ⁠Peter Allen Clark⁠.