Open: filmmakers talk Edgar Dubrovskiy

This episode's guest is Matthew Libatique ASC, the cinematographer of many films including Requiem for a Dream, Black Swan, Native Son, Mother!, Straight Outta Compton, A star is Born. We recorded this over an insta-live in June 2020.
In this episode we talk about Matty's views and stories on race issues and look at his less-discussed projects (Rashid Johnson's 'Native Son', Alex Prager's short films and Spike Lee's Mike Tyson standup).


---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message

Anton Dolin is a dear old friend of mine. Coincidentally he's also the biggest Russian film critic and author.
He's one of the nine critics to vote on the Screen International's jury award at the Cannes Film festival. Anton's the author of a dozen books on film and directors (Dogma 95, Jarmusch, Roy Anderson and other auteurs), as well as the editor-in-chief of the bi-monthly 'The Art of the Film' magazine.
The man is well-read and well-watched. So I grilled him on the trials and tribulations of the critic's job, the best way to enjoy a film festival and why does he have this ONE STRANGE CHOICE OF A FILM in his top-10 list of the greatest films ever shot.

Recorded in the lockdown over an instagram-live, excuse the quality of the sound! 


---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message

15 questions answered. A bonus episode based on the questions sent in by my Instagram followers.
Apprentice-mentror schemes, are these too archaic? What do most cinematographers overlook when shooting? What's the best way (and the worst) to meet new directors?


---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message

Cinematographer Edgar Dubrovskiy interviews producer Jenni Haberstock and the managing director/executive producer of Pulse Films US commercials arm Hillary Rogers. How do directors get (or not get!) signed? Do we need showreels? Why is digital better than film for the young directors?

Jenni: https://www.instagram.com/jennihabs
Hillary: https://www.instagram.com/hils.alive
Edgar/Open: https://instagram.com/edgardubrovskiy



---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message

Benedict Spence has shot The End Of The F***ing World (season 2), In My Skin, Charlie Brooker’s Wipe, commercials for Visa, Samsung, Playstation, Microsoft and Mastercard.
Edgar Dubrovskiy has shot feature documentaries including The The Mystery Of DB Cooper (HBO/BBC), Mark Ronson: From the Heart (BBC), Running in North Korea (Vice/Olympic Channel), commercials for Bentley, Adidas, Cos, Swarovski and Beats.

I've recently discovered Ben has a file where he writes down his fails and mistakes. I also have a file where I've been writing down my fails and mistakes. We needed very little encouragement (a couple of beers each + the lockdown) to open them files and delve into the worst fails and the lessons we've subsequently learnt.

Ben: @benedict_spence_dop
Edgar/Open: @edgardubrovskiy


---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message

Cinematographer Edgar Dubrovskiy interviews Paul Dugdale, multiple Grammy nominated director of music feature documentaries, concert films and global live events. He studied at Central Saint Martins School of Art in London. How many cameras angles does it take to film Taylor Swift at the stadium, what's Ed Sheeran's Groundhog Day like and why does he include audience shots in his films.

Paul: @pauldugdale
Edgar/Open: @edgardubrovskiy


---

Send in a voice message: https://podcasters.spotify.com/pod/show/openfilmmakerstalk/message