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Few plays have been seen as a more fitting conclusion to a playwright's career than Shakespeare's The Tempest. Focusing on the aging sorcerer and rightful Duke of Milan, Prospero, we are transported to a remote island where magic and strange music fill the air, and the monstrous slave Caliban roams in bitterness. Seeing an opportunity to restore his slandered name, Prospero conjures a mighty storm to bring down a ship containing his wicked brother and the King of Naples, both of whom had driven him out of Milan twelve years before. 
By stranding them on a remote end of the island, and with the help of the airy spirit Ariel, Prospero sets out to right the wrongs that had been done to him, before renouncing his magic forever. Featuring some of the most powerful speeches in Shakespeare's canon, and with an incredible grasp on tone and the Neoclassical unities of time, place and action, The Tempest remains a formidable and moving farewell to both the Bard and the timeless works he left behind.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad "Hamlet" Filippone) and one woman (Sonia), determined to give you a performance of Shakespeare's final work that you will never forget. You thought you knew your Shakespeare? Well, think again!


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Few plays have been seen as a more fitting conclusion to a playwright's career than Shakespeare's The Tempest. Focusing on the aging sorcerer and rightful Duke of Milan, Prospero, we are transported to a remote island where magic and strange music fill the air, and the monstrous slave Caliban roams in bitterness. Seeing an opportunity to restore his slandered name, Prospero conjures a mighty storm to bring down a ship containing his wicked brother and the King of Naples, both of whom had driven him out of Milan twelve years before. 
By stranding them on a remote end of the island, and with the help of the airy spirit Ariel, Prospero sets out to right the wrongs that had been done to him, before renouncing his magic forever. Featuring some of the most powerful speeches in Shakespeare's canon, and with an incredible grasp on tone and the Neoclassical unities of time, place and action, The Tempest remains a formidable and moving farewell to both the Bard and the timeless works he left behind.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad "Hamlet" Filippone) and one woman (Sonia), determined to give you a performance of Shakespeare's final work that you will never forget. You thought you knew your Shakespeare? Well, think again!


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The Art of War (1521) is the only book published by Niccolo Machiavelli during his lifetime, and he saw it as one of his finest achievements. The Art of War develops many themes introduced in Machiavelli’s earlier works “The Prince” and “Discourses” and presents them as the collected wisdom of a fictional leader Lord Fabrizio Colonna. The book is constructed as a series of dialogues supposedly held during a summer afternoon spent in the Orti Oricellari gardens in Florence.
The stated aim is “To honor and reward virtue, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good, and other such things which could easily be added in these times.” 
As in “The Prince” Machiavelli develops the idea of limited warfare, where force is used as an extension of politics, but now also introduces elements of psychological warfare. In the first part of the book Machiavelli strongly warns that any state establishing a standing army must take special measures are taken to prevent military leaders gaining too much control. If the state ignores this it risks a military coup.
The Art of War was a standard text on military tactics for three hundred years, only losing favour when developments in the range and accuracy of firearms made the Linear Tactics it described obsolete.
This translation by Henry Neville was published in 1675 when The Art of War was still considered a practical military manual. 


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The Art of War (1521) is the only book published by Niccolo Machiavelli during his lifetime, and he saw it as one of his finest achievements. The Art of War develops many themes introduced in Machiavelli’s earlier works “The Prince” and “Discourses” and presents them as the collected wisdom of a fictional leader Lord Fabrizio Colonna. The book is constructed as a series of dialogues supposedly held during a summer afternoon spent in the Orti Oricellari gardens in Florence.
The stated aim is “To honor and reward virtue, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good, and other such things which could easily be added in these times.” 
As in “The Prince” Machiavelli develops the idea of limited warfare, where force is used as an extension of politics, but now also introduces elements of psychological warfare. In the first part of the book Machiavelli strongly warns that any state establishing a standing army must take special measures are taken to prevent military leaders gaining too much control. If the state ignores this it risks a military coup.
The Art of War was a standard text on military tactics for three hundred years, only losing favour when developments in the range and accuracy of firearms made the Linear Tactics it described obsolete.
This translation by Henry Neville was published in 1675 when The Art of War was still considered a practical military manual. 


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Privacy & Opt-Out: https://redcircle.com/privacy

The Art of War (1521) is the only book published by Niccolo Machiavelli during his lifetime, and he saw it as one of his finest achievements. The Art of War develops many themes introduced in Machiavelli’s earlier works “The Prince” and “Discourses” and presents them as the collected wisdom of a fictional leader Lord Fabrizio Colonna. The book is constructed as a series of dialogues supposedly held during a summer afternoon spent in the Orti Oricellari gardens in Florence.
The stated aim is “To honor and reward virtue, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good, and other such things which could easily be added in these times.” 
As in “The Prince” Machiavelli develops the idea of limited warfare, where force is used as an extension of politics, but now also introduces elements of psychological warfare. In the first part of the book Machiavelli strongly warns that any state establishing a standing army must take special measures are taken to prevent military leaders gaining too much control. If the state ignores this it risks a military coup.
The Art of War was a standard text on military tactics for three hundred years, only losing favour when developments in the range and accuracy of firearms made the Linear Tactics it described obsolete.
This translation by Henry Neville was published in 1675 when The Art of War was still considered a practical military manual. 


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Privacy & Opt-Out: https://redcircle.com/privacy

The Art of War (1521) is the only book published by Niccolo Machiavelli during his lifetime, and he saw it as one of his finest achievements. The Art of War develops many themes introduced in Machiavelli’s earlier works “The Prince” and “Discourses” and presents them as the collected wisdom of a fictional leader Lord Fabrizio Colonna. The book is constructed as a series of dialogues supposedly held during a summer afternoon spent in the Orti Oricellari gardens in Florence.
The stated aim is “To honor and reward virtue, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good, and other such things which could easily be added in these times.” 
As in “The Prince” Machiavelli develops the idea of limited warfare, where force is used as an extension of politics, but now also introduces elements of psychological warfare. In the first part of the book Machiavelli strongly warns that any state establishing a standing army must take special measures are taken to prevent military leaders gaining too much control. If the state ignores this it risks a military coup.
The Art of War was a standard text on military tactics for three hundred years, only losing favour when developments in the range and accuracy of firearms made the Linear Tactics it described obsolete.
This translation by Henry Neville was published in 1675 when The Art of War was still considered a practical military manual. 


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Privacy & Opt-Out: https://redcircle.com/privacy