41 min
Igor x Moreno in conversation with Daniela Perazzo (guest curator) and Julia Pond DanceOutsideDance
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- Performing Arts
Part of the special curated series enDurANCE, curated and guest hosted by Daniela Perazzo, and supported by the Ivor Guest Research Grant and the Race and Gender Matters Research Group at Kingston University, we discuss notions of endurance, perseverance, repetition and what they really require in art and life. Discussing their new work KARRASEKARE (the Sardinian word for Carnival) the conversation probes ideas of what collectivity can offer to duration and asks how cultural traditions can speak to our contemporary world and art.
Keywords:
Endurance, contemporary dance, dance research, perseverance, tradition, carnival
As of publication in September 2023, Igor x Moreno are preparing for new tour dates in 2023/24 across the UK and Europe. All information can be found here:
http://igorandmoreno.com/calendar/
Igor x Moreno is the name under which the works created by choreographers Igor Urzelai and Moreno Solinas – in collaboration with an extended group of artists – are presented. Igor x Moreno’s works stem from a fascination for people and what makes us such special animals. They use choreography and mostly non-verbal languages to create experiences which can surprise, energise and unsettle. Their works – highly constructed whilst deeply concerned with liveness – visit and escape different genres and styles.Igor x Moreno’s creative processes favour questions over answers, action over narration, communication over expression, alterity over diversity, patience over productivity. They don’t see entertainment as their duty, but as a useful communication tool. They work with rigour and playfulness. They value pointlessness. The team – based across Europe – gathers in Sardinia and London, from where Igor x Moreno’s works have toured extensively in Europe and also in North and South America, Africa and Asia. Awards and recognitions include the Rudolf Laban Award and National Dance Awards and Total Theatre Awards nominations; their works have been selected for Aerowaves (2011, 2013 and 2015), NID Platform, British Council Showcase and British Dance Edition. Moreno Solinas and Igor Urzelai are affiliate artists of The Place (London), co-directors of Sardinian production company S’ALA (www.s-ala.com) and members of the Cultural Advisory Board of British Council Italy.
Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. She received a PhD in Dance Studies from the University of Surrey, funded by a university scholarship (2004-2007). Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019 in the "New World Choreographies" series. Other recent publications include articles in Dance Research Journal, Performance Philosophy, Performance Research, Choreographic Practices and Contemporary Theatre Review.
Part of the special curated series enDurANCE, curated and guest hosted by Daniela Perazzo, and supported by the Ivor Guest Research Grant and the Race and Gender Matters Research Group at Kingston University, we discuss notions of endurance, perseverance, repetition and what they really require in art and life. Discussing their new work KARRASEKARE (the Sardinian word for Carnival) the conversation probes ideas of what collectivity can offer to duration and asks how cultural traditions can speak to our contemporary world and art.
Keywords:
Endurance, contemporary dance, dance research, perseverance, tradition, carnival
As of publication in September 2023, Igor x Moreno are preparing for new tour dates in 2023/24 across the UK and Europe. All information can be found here:
http://igorandmoreno.com/calendar/
Igor x Moreno is the name under which the works created by choreographers Igor Urzelai and Moreno Solinas – in collaboration with an extended group of artists – are presented. Igor x Moreno’s works stem from a fascination for people and what makes us such special animals. They use choreography and mostly non-verbal languages to create experiences which can surprise, energise and unsettle. Their works – highly constructed whilst deeply concerned with liveness – visit and escape different genres and styles.Igor x Moreno’s creative processes favour questions over answers, action over narration, communication over expression, alterity over diversity, patience over productivity. They don’t see entertainment as their duty, but as a useful communication tool. They work with rigour and playfulness. They value pointlessness. The team – based across Europe – gathers in Sardinia and London, from where Igor x Moreno’s works have toured extensively in Europe and also in North and South America, Africa and Asia. Awards and recognitions include the Rudolf Laban Award and National Dance Awards and Total Theatre Awards nominations; their works have been selected for Aerowaves (2011, 2013 and 2015), NID Platform, British Council Showcase and British Dance Edition. Moreno Solinas and Igor Urzelai are affiliate artists of The Place (London), co-directors of Sardinian production company S’ALA (www.s-ala.com) and members of the Cultural Advisory Board of British Council Italy.
Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. She received a PhD in Dance Studies from the University of Surrey, funded by a university scholarship (2004-2007). Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019 in the "New World Choreographies" series. Other recent publications include articles in Dance Research Journal, Performance Philosophy, Performance Research, Choreographic Practices and Contemporary Theatre Review.
41 min