Music For Small Audiences Matthew Belleghem

Sometimes it’s important to play to your strengths. Sometimes it’s important to work on your weaknesses. For some reason the former always sounds much more appealing than the latter.
After a nearly ten year break, I have returned to study. I am hoping some of the topics covered will be within my existing areas of knowledge. At the same time, I both look forward to and fear the parts that are at the moment completely foreign to me. Time will tell I suppose.
This is the 116th installment of Music For Small Audiences. At just under four hours, it was recorded live on March 2024. As befits my current headspace, it contains within at least one unveiled reference to the connection between effort and reward. As always, perspective is everything. I hope you enjoy.

Never trust a thought that occurs indoors, the saying goes.
We are into the final third of summer here in Australia, and at the risk of tempting the sun gods, I daresay the weather has started to stabilise – as far as Melbourne weather ever does, anyways. The combination of pleasant weather and still-long-enough evenings makes for plenty of time to be outdoors and introspective, while the ever-shortening days also serve as a reminder that soon enough we’ll be back to heaters and scarves.
Some quality tunes in this one. I hope you enjoy.

As the year comes to a close, it seems natural to reflect on the year that has passed, and where it has taken us. Are we where we intended to be? Where we wanted to be? Or are we somewhere else, somewhere better defined as the logical destination given the decisions we made over the course of the year?
So I suppose too that it’s natural to cast a critical eye to the year ahead. What needs to change – and what needs to continue – if we are to hit closer to the mark of optimistic intent, come twelve months from now? As always, the answer (for me at least) lies in balancing the needs and wants of those two eternally uneasy acquaintances – my present and future self.
In line with the spirit of reflection and relaxation that is generally intended to accompany one’s summer holiday, this is an extended, exploratory mix. In its latter half it has a number of modern takes on some timeless clubland classics that I hope spark some positive nostalgic memories for you as they do for me. Enjoy, and here’s to our 2024.

I have recently returned from a few weeks in Canada. The trip included a weekend with some very good friends, during which I was lucky enough to be given the opportunity to play an extended set on what is probably my favourite pair of speakers in the world.
Set up well in a great sounding loft conversion in Toronto’s inner west, it was a chance to reconnect, recharge, and recycle the same stories that seem to get funnier each time they are told.
This is the live recording of the set that I played on that Friday night a few weeks ago. It includes a few of the vinyl records I took as gifts, a record I was given in return, a few classics both original and reworked, and a lot of the music that kept me company on the 32,000km round trip.
As always, good friends with good records makes for a good weekend indeed.

I’ve long been intrigued by the end user experience of modern medicine, and what can at times feel to the layperson like a focus on only fixing what is broken. If we are unwell past a certain arbitrary threshold, we receive medical intervention until we are back to baseline. We heal, we rehabilitate, we repair, and we focus on eliminating the negative to bring things back to where they should be, wherever ‘should’ is, and that’s it. If the symptoms aren’t serious enough to warrant intervention, we ride them out.
But there is an argument to be made that health – both physical and mental – exists on a continuum. At any given moment we’re neither well nor unwell, but somewhere in between, doing the best we can. As such, we take in stride the odd intermittent symptom or mood that shows up while we are trying to get through the day in one piece. In that regard, I reckon both Seal and Gnarls Barkley had it right with their take on things – that we’re all a bit not-quite-right at times, just to varying degrees.
This is Episode 112 of Music For Small Audiences. Recorded a few days ago on the last weekend of the southern winter, it leans heavily on a few bits of vinyl that have recently arrived in the post, and contains much of the music that has been keeping my boat afloat in recent weeks.

Much has been said about the importance of time management. When time is tight and competing priorities overlap, it can be easy to succumb to a sense of guilt that things may be missed or not prioritised appropriately.
I had a bit of an epiphany from an article I read a few years ago – a lightbulb moment after years of reflecting on how to best manage my time, where I realised that it was just as much my energy that I needed to better manage.
Doing stuff is hard, and is made harder by not being in the right headspace for the task or project at hand. Determining what needs to be done against both objective priority and in-the-moment capacity is as much art as it is science, and the reality of knowledge work is that there is never enough time or energy to get everything done to the standard it deserves. Sometimes all we can do is work to the moment as best we can, and hope we are leaving the right things undone.