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How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?
Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.
By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In their landmark new translation of the Qur’an, The Qur’an: A Verse Translation (LIveright, 2024), M. A. R. Habib and Bruce B. Lawrence translate the entirety of the Qur’an in a fashion that beautifully and majestically captures the poetic sensibility of the Qur’an for contemporary English speakers and readers. The distinctive feature of this Qur’an translation is its close attentiveness to the literary possibilities opened by the versification of the text and to the oral and aural capacities of the Qur’an, punctuated by its rhythmic qualities. This book also includes a very helpful glossary and appendix, as well as a deeply erudite account of the translation theory and thought process that went into the composition of this Qur’an translation. This powerful, mellifluous, and often dazzling translation is sure to alternatively jolt and energize the reader; it will also work as a great Qur’an translation in courses on various topics concerning Islam and Muslim societies.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His second book is called Perilous Intimacies: Debating Hindu-Muslim Friendship after Empire (Columbia University Press, 2023). His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
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The enigma of William Shakespeare's religious beliefs has long tantalized scholars and enthusiasts alike. Vernon Press's latest publication, Christian Shakespeare?: A Collection of Essays on Shakespeare in His Christian Context (Vernon Press, 2022), dives deep into this mystery. The collection of essays, edited by renowned scholars Michael Scott and Michael J. Collins, invites a discourse on the profound impact of Christian faith and the religious controversies of Shakespeare’s era on his poetry and plays.
The contributors, unrestricted by any particular theoretical framework, freely explore the complex interplay between the medieval and the early modern, the Catholic and the Protestant, which colored Shakespeare’s England. This exploration reveals the openness of Shakespeare’s work to interpretation, highlighting the careful and sensitive readings by the contributors.
Despite the depth of analysis, the true nature of Shakespeare’s Christianity remains as indeterminate and elusive as ever. The essays collectively capture the breadth of opinions on Shakespeare’s stances, from being ambiguously evasive to taking definitive stances on the religious and political turmoils of his time.
Michael Scott, Fellow and Senior Dean at Blackfriars Hall, Oxford, is a distinguished Shakespearean scholar with numerous publications under his belt, including Shakespeare and the Modern Dramatist and Shakespeare: A Complete Introduction. He has delivered lectures globally, from the USA to China, enhancing the understanding of Shakespeare's works worldwide.
Michael J. Collins is a Teaching Professor of English and Dean Emeritus at Georgetown University. His editorial works include Reading What’s There: Essays on Shakespeare in Honor of Stephen Booth. Collins has contributed extensively to the academic dialogue on teaching Shakespeare and reviewing Shakespearean performances.
Vernon Press – Bridging Scholarly Ideas and Global Readership
Vernon Press stands out as an independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to make scholarly ideas accessible to a broader audience while maintaining high standards of originality and intellectual rigor. Through their diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse.
Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press.
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Palestinian writing imagines the nation, not as a nation-in-waiting but as a living, changing structure that joins people, place, and time into a distinct set of formations. Novel Palestine examines these imaginative structures so that we might move beyond the idea of an incomplete or fragmented reality and speak frankly about the nation that exists and the freedom it seeks. In Novel Palestine: Nation Through the Works of Ibrahim Nasrallah (U California Press, 2023), Nora E. H. Parr traces a vocabulary through which Palestine can be discussed as a changing and flexible national network linking people across and within space, time, and community. Through an exploration of the Palestinian literary scene subsequent to its canonical writers, Parr makes the life and work of Nasrallah available to an English-language audience for the first time, offering an intervention in geography while bringing literary theory into conversation with politics and history.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program, here.
Nora E. H. Parr is a Research Fellow at the University of Birmingham and at the Center for Lebanese Studies. She coedits Middle Eastern Literatures.
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Between the 1850s and World War I, about one million North Caucasian Muslims sought refuge in the Ottoman Empire. This resettlement of Muslim refugees from Russia changed the Ottoman state. Circassians, Chechens, Dagestanis, and others established hundreds of refugee villages throughout the Ottoman Balkans, Anatolia, and the Levant. Most villages still exist today, including what is now the city of Amman. Muslim refugee resettlement reinvigorated regional economies, but also intensified competition over land and, at times, precipitated sectarian tensions, setting in motion fundamental shifts in the borderlands of the Russian and Ottoman empires. Vladimir Hamed-Troyansky's Empire of Refugees: North Caucasian Muslims and the Late Ottoman State (Stanford University Press, 2024) tell this story.
The book reframes late Ottoman history through mass displacement and reveals the origins of refugee resettlement in the modern Middle East. Vladimir Hamed-Troyansky offers a historiographical corrective: the nineteenth-century Ottoman Empire created a refugee regime, predating refugee systems set up by the League of Nations and the United Nations. Grounded in archival research in over twenty public and private archives across ten countries, this book contests the boundaries typically assumed between forced and voluntary migration, and refugees and immigrants, rewriting the history of Muslim migration in the nineteenth and early twentieth centuries.
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The Port Authority of New York and New Jersey is everywhere in the New York metropolitan area. Founded in 1921, its portfolio includes airports, marine terminals, bus stations, bridges, tunnels, and real estate. But its history is not widely known and its inner workings are little understood by people who traverse its domain when they fly into John F. Kennedy International Airport, ride the PATH trains from New York to New Jersey, or drive across the George Washington Bridge.
Mobilizing the Metropolis: How the Port Authority Built New York (U Michigan Press, 2023), by Philip Mark Plotch and Jen Nelles, aims to fill this gap in public knowledge with a history of the Port Authority. Spanning 100 years, Mobilizing the Metropolis closely charts the evolution of the Port Authority as it went from improving rail freight around New York Harbor to building bridges and managing real estate. At the same time, the book explores the evolution of the authority’s internal culture in the face of actions by elected officials in New York and New Jersey that have reduced the agency’s autonomy and affected its operations. Mobilizing the Metropolis also extracts from the history of the Port Authority useful lessons about how organizations charged with solving governmental problems can win support and engage opposition.
Robert W. Snyder is Manhattan Borough Historian professor emeritus of Journalism and American Studies at Rutgers University. He is completing an oral history of the COVID-19 pandemic in New York City for Cornell University Press. He can be reached at rwsnyder@rutgers.edu.
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