100 episodes

News and information about the WGAw, and interviews with screenwriters from the worlds of movies, television, and new media.

3rd & Fairfax: The WGAW Podcast Writers Guild of America West

    • TV & Film
    • 4.4 • 67 Ratings

News and information about the WGAw, and interviews with screenwriters from the worlds of movies, television, and new media.

    - Lulu Wang | Ridiculousness Writers Get First Contract

    - Lulu Wang | Ridiculousness Writers Get First Contract

    Timed to celebrate Asian American and Pacific Islander Heritage Month, WGAW Asian American Writers Committee Chair Kristina Woo speaks with Expats creator-showrunner & filmmaker Lulu Wang about her Amazon series, authentic representation, transitioning to television, and more. (1:00) Next up, WGAW member Jonterri Gadson talks with Ridiculousness writers and new Writers Guild members Erin Conroy and Greg Edwards about the fight to achieve their first-ever WGA contract, the power of solidarity, and more. (41:14)

    • 57 min
    Ep. 371 - Jen D'Angelo | Chris Keyser & David A. Goodman's Morgan Cox Acceptance Speeches

    Ep. 371 - Jen D'Angelo | Chris Keyser & David A. Goodman's Morgan Cox Acceptance Speeches

    In this episode WGAW member Susie Singer Carter talks with 2024 Writers Guild Award-winning writer Jen D’Angelo (01:10) about crafting films such as Quiz Lady and Totally Killer, how her improv comedy experience informs her creative process, and more. For the Union Town segment (31:31), 2023 WGA Negotiating Committee Co-Chairs and past WGAW Presidents David A. Goodman and Chris Keyser receive WGAW’s Morgan Cox Award at the recent 2024 Writers Guild Awards, honoring their outstanding Guild service and leadership which played a key role in the WGA achieving unprecedent gains during last year’s MBA negotiations and 148-day writers’ strike.

    • 46 min
    - Brit Marling | AFM Local 47 President Stephanie O’Keefe

    - Brit Marling | AFM Local 47 President Stephanie O’Keefe

    In this episode’s Union Town segment (01:03), WGAW member “Jazz” Peck talks with American Federation of Musicians Local 47 President Stephanie O’Keefe about representing musicians in the industry, the power of solidarity, and the magic that both musicians and writers create with their work. Then, WGAW member Aaron Fullerton talks with A Murder at the End of the World co-creator-showrunner-writer and co-star Brit Marling (23:26) about telling stories that blend real emotions with big ideas, the unique pitching process she has with her writing partner, and more.

    • 1 hr
    - Francesca Sloane | Many Crafts, One Fight Recap

    - Francesca Sloane | Many Crafts, One Fight Recap

    In this episode’s Union Town segment (1:00), Writers Guild members turn out in force to show solidarity at the recent Many Crafts, One Fight rally to kick off crew unions IATSE, Teamsters, and Hollywood Basic Crafts’ negotiations with the AMPTP. Then, host Josephine Green Zhang talks with Mr. and Mrs. Smith co-creator and showrunner Francesca Sloane (9:45) about her new Amazon series, creative process, career, and more.

    • 42 min
    - Albert Kim | Matt Pearce on Organizing in the Newsroom

    - Albert Kim | Matt Pearce on Organizing in the Newsroom

    This year has seen multiple newsroom strikes, massive lay-offs, and sudden closures. In this episode’s Union Town segment (1:01), WGAW Asian American Writers Committee Chair Kristina Woo talks with Media Guild West President and former Los Angeles Times writer Matt Pearce about how reporters are organizing the newsroom to push back against corporate greed and protect good jobs. Kristina then speaks with writer and former journalist Albert Kim, developer and showrunner of Avatar: The Last Airbender, about crafting his new hit Netflix series, how Asian representation matters, and more. (31:51)

    • 1 hr 13 min
    Gina Yashere | Second City Educators Discuss Tentative Deal

    Gina Yashere | Second City Educators Discuss Tentative Deal

    In this episode’s “Union Town” segment (1:05), host Andra Whipple speaks with Rebekah Walendzak Slepski & Bina Martin about how educators at the Second City Training Center in Chicago, members of the Association of International Comedy Educators, reached a tentative deal with the iconic comedy company after a marathon, 11-hour bargaining session, thwarting a planned strike and ending a two-year fight for their first contract. Then host Monique Sorgen talks with writer-actor-comedian Gina Yashere (25:18) about her Nigerian-British  roots and her unique path from stand-up to co-creating and co-starring on CBS’ hit comedy series Bob Hearts Abishola.

    • 50 min

Customer Reviews

4.4 out of 5
67 Ratings

67 Ratings

jagonzalez220 ,

Good podcast

Provides good insight into the life of writers with great interviews. The only reason I can’t give it 5 stars is because Hilliard Guess is a horrible interviewer. He cusses for no reason (even if the guests are not cussing) so I can’t listen to the podcast in the car when my kids are there. And he can’t simply ask a question without throwing in some random remark.

The Garden Lady ,

I Want to LOVE This but…

I love and look forward to the content. This is an interesting, smart and informative podcast. But why is the sound quality so bad? You guys are in the heart of the entertainment business yet the audio often sounds like you’re recording in a tin can at the end of a long hallway. Please figure this out because right now these are often too painful to listen to.

Watermark is huge ,

Good access, poor preparation by hosts and production

I wish a podcast that has a group behind it like the WGA West would put a few bucks into production. Listening to tinny sound for an hour is fine for the folks starting out, but come on WGA! I also wish these hosts would prepare more, and talk less about themselves. Especially for the one host I’ve looked up one, and they (being vague not to call out anyone too intensely) don’t seem to have any significant screenwriting credits, so I’m not sure why they are a host? Anyway, it’s not too late to put a little money into this so a sound engineer can help, and a host can get a producer to prep them.

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