Octopus Podcast black mirror institute // khm

TIMES OF HANDS – GAMIFICATION VS PLAY - Symposium
Introduction into the Gamification v Play Symposium and into Gamification in general by Sam Hopkins and Hans Bernhard.

One of the many effects of digitalization is the growing presence and significance of games. On the one hand we see them on mobile phones and laptops, as recreational activities and as a career, as a global practice. On the other hand gamification is used as a means of increasing productivity and efficiency and as a tool for learning. Considering how ubiquitous it is as a practice, it raises the question of whether games and gaming are not less a consequence of digitalization as they are much more a precondition for its success: is it possible to imagine contemporary digital fields – whether economic, social, cultural, or political – without playful, game-like features?

Defining the framework of the symposium are a broadened concept of digital work – i.e. every work that is produced through digitalization is digital work – and a new perspective on games. Nairobi is both a source of inspiration and the focus of these investigations. As an African tech hub, embedded in global finance and knowledge networks and rich in idiosyncratic digital practices, Nairobi is a space with complexity and contradictions in abundance.

The symposium examines themes like the global influence and local practices of Silicon Valley rhetoric, the presence of Chinese tech ideologies in the South and the North, the practice of offline file sharing in Nairobi, the emergence of the transcontinental professional gaming industry and the explosion of the ride-hailing industry in East Africa.

A presentation by Kagonya Awori about her PHD research about Educational Games, the use of 360 video and AI in learning and more, followed by a talk with Sam Hopkins. Kagonya Awori proposes a lens for game design that is based on indigenous African ways of knowing. Based on a study with elders in Kenya and diaspora youth in Australia, this talk proposes a lens that can motivate the design of games that can better mediate learning for African communities. The People-Place-Praxis lens is based on the view that knowledge is developed, shared and stored over time through situated face-to-face interactions with people and indigenous epicentres. The P-P-P lens views People as knowledge, Place as knowledge and Praxis as knowledge. This triad view of knowledge asserts that immersive learning involves supporting social, situated and physical interactions among members, and in close association with indigenous epicentres.

DR. KAGONYA AWORI is a Human-Computer Interaction (HCI) researcher. She has over 10 years experience in User Experience Research and Design having worked across the globe in countries including Kenya, United Kingdom, and Australia, with companies such as iHub Kenya, Microsoft Research, National Australia Bank and Safaricom PLC. She holds a dual Masters in Human-Computer Interaction from Carnegie Mellon University (USA), a Bachelors in Business Information Technology from Strathmore University (Kenya), and a PhD in Computer Engineering from the University of Melbourne, (Australia)

A presentation by Bethuel Muthee about debt, loans, sports betting apps, financial speculation and gambling and how it messes up our perception of time, using the trick game pata potea as a metaphor. Kenyan social media has been in uproar over the country’s burgeoning debt and its concomitant strain on citizens through taxation. This comes against a backdrop of a decade of massive government borrowing and the exponential growth of fintech services that have increased personal debt of numerous households. Credit is ubiquitous and has been theorised by scholars such as Arjun Appadurai and Maurizio Lazzarato, to be a fundamental social relation of Western societies. Happening contiguously has been the rise of sports betting, either online via betting apps, or through USSD codes for those without smartphones. Nairobi has a number of betting shops set up by betting companies where one can watch and keep up with a variety of games. Both credit and gambling are happening on digital platforms that exemplify what Armen Avanessian and Suhail Malik refer to as the “speculative time-complex” in which the future determines the present. This presentation seeks to think through how notions of the future shape sociality that is increasingly virtual and what, if any, solutions there might be to reclaim the present

BETHUEL MUTHEE is a poet living and working in Nairobi. He is a member of Maasai Mbili artists’ collective. He was series editor for Down River Road’s inaugural issue Place. As a member of Naijographia he has co-curated three exhibitions Naijographia (2017, Goethe-Institut Nairobi), Wanakuboeka Feelharmonic (2018, British Institute in Eastern Africa) and From Here to When (2019, Goethe-Institut Nairobi).

A talk with Nestor Siré, Steffen Köhn and Sam Hopkins, followed by a video essay by Nestor Siré and Steffen Köhn about the (lack of) internet in Cuba and the offline sharing alternative to it: El Paquete Semanal, a country-wide offline data sharing network. With online access heavily restricted, Cuba has one of the lowest inter#net penetration rates in the world. Yet, Cuban citizens have found a way to distribute all kinds of media content in the form of El Paquete Semanal, a one terabyte collection of data that is compiled by a network of people with various forms of privileged internet access and then circulated nationwide on USB sticks and external hard drives via an elaborate network of deliverymen. In this presentation we want to describe how El Paquete has come to constitute a nested media ecosystem that facili#tates the publication of independent local media content such as video games or pdf magazines, hosts several digital marketplaces, and offers an otherwise non-existing space for advertisement.

NESTOR SIRÉ (b. 1988) lives and works between Havana and Camagüey, Cuba. Siré’s artistic practice intervenes directly in specific contexts in order to analyze social and cultural phenomena. His artistic methodology consists in expanding social structures so as to find more effective ways through which art can intervene in the complex relationships between official and informal networks. His works have been shown in the Museo Nacional de Bellas Artes (Havana), Queens Museum (New York), Rhizome (New York), New Museum (New York), Hong-Gah Museum (Taipei), Museo de Arte Contemporáneo (Mexico City), and Museo de Arte Contemporáneo, Santa Fe (Argentina), among other places.

STEFFEN KÖHN (b. 1980) lives and works in Berlin. He is a filmmaker, anthropologist and video artist who uses ethnography to understand contemporary sociotechnical landscapes. For his video and installation works he engages in local collaborations with artists, software developers and science fiction writers to explore viable alternatives to current distributions of technological access and arrangements of power. His works have been shown at the Academy of the Arts Berlin, Kunsthaus Graz, Vienna Art Week, Hong Gah Museum Taipei, Lulea Biennial and the ethnographic museums of Copenhagen and Dresden. His films have been screened at the Berlinale, Rotterdam International Film Festival and the Word Film Festival Montreal, among others.

Discussion Day 1 of the Symposium TIMES OF HANDS – GAMIFICATION VS PLAY with Cynthia Chepkemoi, Nestor Siré, Steffen Köhn, Sam Hopkins and Hans Bernhard.

Discussion Day 1 of the Symposium TIMES OF HANDS – GAMIFICATION VS PLAY with Bethuel Muthee, Oscar Peña, Sam Hopkins and Hans Bernhard