25 min
Paisley Rekdal reads Brigit Pegeen Kelly's "Black Swan" The Poet Salon
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- Books
O dear ones—hope you're staying safe and well! We're coming to you from our respective apartments for our second conversation with Paisley Rekdal, who was kind enough to bring in Brigit Pegeen Kelley's "Black Swan". We geeked. If you haven't yet, be sure to check out last week's episode and leave us a sweet review!
PAISLEY REKDAL is the author of a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019. Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021. She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.
BRIGIT PEGEEN KELLY was born in Palo Alto, California, in 1951. Her first collection of poems, To The Place of Trumpets (1987), was selected by James Merrill for the Yale Series of Younger Poets. Song (BOA Editions), which followed in 1995, was the 1994 Lamont Poetry Selection of the Academy of American Poets. Her third collection, The Orchard (2004), was a finalist for the Pulitzer Prize in Poetry, the Los Angeles Times Book Award in Poetry, and the National Book Critics Circle Award in Poetry. Her work has also appeared in several volumes of the Pushcart Prize Anthology and several volumes of The Best American Poetry. She has taught at the University of California at Irvine, Purdue University, Warren Wilson College, and the University of Illinois, Urbana-Champaign, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching. She died in October 2016.
O dear ones—hope you're staying safe and well! We're coming to you from our respective apartments for our second conversation with Paisley Rekdal, who was kind enough to bring in Brigit Pegeen Kelley's "Black Swan". We geeked. If you haven't yet, be sure to check out last week's episode and leave us a sweet review!
PAISLEY REKDAL is the author of a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019. Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021. She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.
BRIGIT PEGEEN KELLY was born in Palo Alto, California, in 1951. Her first collection of poems, To The Place of Trumpets (1987), was selected by James Merrill for the Yale Series of Younger Poets. Song (BOA Editions), which followed in 1995, was the 1994 Lamont Poetry Selection of the Academy of American Poets. Her third collection, The Orchard (2004), was a finalist for the Pulitzer Prize in Poetry, the Los Angeles Times Book Award in Poetry, and the National Book Critics Circle Award in Poetry. Her work has also appeared in several volumes of the Pushcart Prize Anthology and several volumes of The Best American Poetry. She has taught at the University of California at Irvine, Purdue University, Warren Wilson College, and the University of Illinois, Urbana-Champaign, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching. She died in October 2016.
25 min