2 episodes

The Red Bull Theater Podcast (previously know as RemarkaBULL Podversations) are informal, online conversations will investigate approaches to essential passages from the Shakespearean and Jacobean canon―and beyond. These programs are hosted by Nathan Winkelstein. Guests have included Michael Urie, Kate Burton, Patrick Page, Chukwudi Iwuji, Raphael Nash Thompson, André De Shields and Ismenia Mendes.

Red Bull Theater Podcast Red Bull Theater

    • Arts
    • 4.3 • 4 Ratings

The Red Bull Theater Podcast (previously know as RemarkaBULL Podversations) are informal, online conversations will investigate approaches to essential passages from the Shakespearean and Jacobean canon―and beyond. These programs are hosted by Nathan Winkelstein. Guests have included Michael Urie, Kate Burton, Patrick Page, Chukwudi Iwuji, Raphael Nash Thompson, André De Shields and Ismenia Mendes.

    Patrick Page | Red Bull Theater Podcast

    Patrick Page | Red Bull Theater Podcast

    Celebrated Shakespearean actor and Tony Award-nominee PATRICK PAGE  joins host NATHAN WINKELSTEIN, Red Bull’s Associate Artistic Director,  for a conversation exploring Iago, focused on his speech from the first act Shakespeare’s OTHELLO. Part of #OTHELLO2020. Details at https://www.redbulltheater.com/i-hate-the-moor-patrick-page. (October 5, 2020)

    • 1 hr 13 min
    Michael Stuhlbarg | Red Bull Theater Podcast

    Michael Stuhlbarg | Red Bull Theater Podcast

    Multi Emmy and Tony Award nominee MICHAEL STUHLBARG joins host NATHAN WINKELSTEIN, Red Bull’s Associate Artistic Director, for a conversation focused on how a great actor approaches a text cold. Together they explore Angelo's speech in Measure for Measure, Act 2 Scene 4: “When I would pray and think.” 

    • 1 hr 8 min

Customer Reviews

4.3 out of 5
4 Ratings

4 Ratings

back row center ,

meh

Nathan is informative, curious, and comes to the exercise with enthusiasm. Micheal is honest and open to parsing the verse… and we come to understand the language, the imagery and baked-in ideas along with both of them. Sadly though… Michael’s vocal cadences border on the sing-song-y; he colors his tones with an “actor-y” preciousness that’s insufferable. Not a single ‘curtain line’ (grave, declarative, confident) was spoken by this famous actor. He appears too busy enjoying the sound of himself and his grace notes.

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