PHOTOSLUT Laura Mallet

In this episode we go all around the houses, pubs and hotels with celebrity guest David Campany!
David Campany is a curator, writer, broadcaster, editor and educator.
Renowned for his smart and accessible writing, public speaking, David has worked worldwide with institutions including MoMA New York, Tate, Whitechapel Gallery London, Centre Pompidou, Le Bal Paris, ICP New York, Stedelijk Museum Amsterdam, The Photographer’s Gallery London, ParisPhoto, PhotoLondon, The National Portrait Gallery London, Aperture, Steidl, MIT Press, Thames & Hudson, and MACK.
David has also written for The New Yorker, The Times, The Telegraph, The Financial Times, Frieze, Tate Magazine, Aperture, Source, and FOAM.

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IT ONLY makes sense to have Shawn as my guest for this ‘come back’ episode, his influence was integral to the manifestation of the podcast as a concept back in the day, I hope you enjoy this BUMPER Christmas, not Christmas special with Dr Shawn Sobers!
 
Shawn-Naphtali Sobers is Professor of Cultural Interdisciplinary Practice at University of the West of England, Director of the Critical Race and Culture Research Group, and teaches photography. As a visual anthropologist he has carried out many research projects, ranging from legacies of slavery, African presence in Georgian and Victorian Britain, disability and walking, Rastafari language and culture, creative citizenship, and Rastafari and Ethiopian connections with the city of Bath. As a filmmaker and photographer his work has been exhibited and screened nationally and internationally, and has directed and produced documentaries with Firstborn Creatives for BBC1, ITV, and Channel 4.
http://www.shawnsobers.com/

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SERCHIA is a residential and not-for-profit gallery residing in a Victorian home on a hillside in Cotham, Bristol. Founded in the summer of 2021, we celebrate contemporary artists, who make visible what would otherwise never be seen. The gallery hosts an artist-in-residence programme, ‘Artwork from Home’ welcoming artists to stay with us, to create artwork unique to the space, and to interact with the community through a constellation of public and private events, artist talks, workshops, and openings.
Curated by Christine Marie Serchia, the gallery is named after her father Frank Serchia who famously built 'Serchia Drive', a driveway to their family's home in Youngstown, New York. Later, Frank built a boat dock on the Niagara River (Serchia Beach), and an outdoor dining area in the garden (Serchia Bistro).
Using the name Serchia is a reference to reimagining the idea of home and the way we understand what we see every day.
https://serchiagallery.square.site/


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For the PHOTOSLUT season one finale we go back to where it all began! Deborah King aka Mama Photoslut joins us for the final episode of an incredible season. 
We make our way through various ad agencies, The French Riviera and ye old Venice!
What more is there to say, you have to listen for yourself!

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This SILVERSTONE weekend we take a dive into the degrees of separation between motorsport and getting ones kit off!
'The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli since 1964. The calendar has a reputation for its choice of photographers and models and featured glamour photography from the 1980s until the 2010s.'
Enjoy - AND ITS LIGHTS OUT!

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We are on location! PS ventures out to the sticks on a quest to squeeze photographer, maker and educator Jamie Murray for all his wisdom. We cover everything from his debut photobook Folly to OFWGKTA. Enjoy and check out Jamie's book below!

'The photographs in Folly, the debut photobook from Jamie Murray, were born from a series of conversations with individuals who have been incarcerated. Discussions of what had led to punishment, navigating the prison environment and the transition to freedom flowed towards philosophy, ideas of discipline and punishment, intertwined with questions around natural order and spirituality. The resulting allegorical photographs in Folly refer, both directly and indirectly, to what was said and how these conversations affected Murray.'
https://photobookstore.co.uk/collections/photo-editions/products/folly


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