Episode 20: Eric Horner - The Key To Surviving The Music Business YOU CAN Make a Living In The Music Industry Podcast

 
This week I’m talking with my old friend Eric Horner. We are both from Paducah, KY and grew up learning to play guitar at Chapman Music. Eric has worked with country music legends Lee Greenwood, Brad Paisley, Wynonna Judd and Shania Twain. He is now in full time music ministry and we discuss the behind the scenes aspects of landing gigs, what is expected of you as a session player, immersing yourself in the music scene you want to part of and the importance of you guessed it…relationships!
Show notes:
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Talking Points:
*The whole key to this business is relationships.
*Go to a music city and be a part of the grape vine. Build friendships.
*Very seldom do artists have what’s called an “open cattle call” audition. Somebody knows somebody and they get the private audition because you’ve had a relationship.
*Steven Curtis Chapman and I grew up together and he taught me to play guitar. We were in a band together in college. When he moved to Nashville and worked at Opryland Theme Park, he worked with some girls who had gotten record deals and had some hits and they needed a bass player and he called me asking if I wanted to audition and I got the gig. They ended up opening for Lee Greenwood and when I heard through the grapevine that he had an opening coming up in his band, I was able to go to him because I made friends with his crew and band and they took me to him and he gave me an audition.
*Hanging out with people that are in bands is a good way to hear about opportunities.
*You need to come immerse yourself and go to any event that puts you in front of people.
*I’ve known Brad Paisley since he was 12 years old. He played guitar at smaller version of the Grand Ole Opry in Virginia. We would play there once or twice a year and we got to be buddies. He would come to the bus and we play songs together.
*He called me out of the blue and said he got a record deal on Arista Records and they were going to introduce him at Fan Fair (CMA Fest) and he asked if I would be in his band.
*I sang with Shania Twain on tv because her drummer used to be my drummer when I was pursuing a solo career. He gave them my name and they called me. There was no audition at all. I just showed up to rehearsal and did it.
*Be able to recognize people’s abilities because if you recommend someone, you’re neck is on the line.
*I pursued a solo career and had written some songs and Lee Greenwood signed me to a publishing deal and began pitching me as an artist.
*I toured with a band but never landed a big record deal.
*I started a production company called Makin’ Tracks Productions and we worked around the clock for years. Having built relationships with great players, we would use them on sessions for people who had been ripped off by other companies previously.
*Larry Rogers who owned Studio 19 and produced hit records for many country artists took me under his wing and told me to go into his studio and learn. All of those tools were at my disposal. He taught me what to do and not to do in making a record.
*Whatever you do, get up out of bed everyday and do something for your career. Regardless if it’s booking a date, writing a song, getting in the studio, etc.
*As an indie artist, you have to create your own niche.
*I became a session player because I was ready to get off the road. There is a stigma that road players can’t be a session player and vice versa. You can do it, it’s a matter of conditioning and thinking differently.
*On the road you can get away with a lot. You might be taking a 5 piece band and trying to make them sound like an 8 piece band. You can’t do that in the studio. In the studio you have to stay out of the way.
*The most important things in the studio: Time and Taste.
*You have to know when to play