Politics and Podcasts

This week we talk about Joe Rogan, Call Her Daddy, and podcast monetization.

We also discuss Kamala Harris, Donald Trump, and double-haters.

Recommended Book: You Sexy Thing by Cat Rambo

Transcript

In the world of US politics, double-haters are potential voters who really just don’t like the candidate from either major political party, and thus they decide whether and how to vote based on who they dislike least—or in some cases who they would like to hurt, the most.

This isn’t a uniquely American concept, as voters in many global democracies face similar situations, but it seems to be an especially pressing issue in this year’s upcoming US Presidential election—and election day is a week away as of the day this episode goes live—because the race is just so, so close, according to most trusted polls.

In that same context, swing states are states that could swing either way, theoretically at least, in terms of who their votes go to, and because these swing states contain enough electoral college votes to allow even the candidate who doesn’t win the popular vote to win the presidency, that makes them especially vital battlegrounds.

So there’s a scramble going on right now, for both parties, to muster their existing bases, to shore-up some of the demographic groups they’re relying upon in this election, and to get their messaging in front of as many of those double-haters and other undecideds as possible so as to maybe, possibly swing this neck-and-neck race in their direction.

Toward that end, we’ve seen simply staggering sums of money pulled in and spent by both major parties’ campaigns: it’s looking likely that this will be the most expensive election season in US history, with just under $16 billion in spending across federal races, alone—which is up from just over $15 billion in 2020, according to nonpartisan group Open Secrets; that actually means this election will probably end up being just a smidgeon cheaper than 2020’s election, if you adjust for inflation, rather than comparing in absolute dollar terms, but both of these races will have been several times as expensive as previous elections, weighing in at about double 2016’s cost, and triple what these races tended to cost previously, in the early 2000s.

For perspective, too, US elections were already quite a lot more expensive than elections held in other wealthy countries.

According to a rundown by the Wall Street Journal, Canada’s 2021 election only cost something like $69 million in inflated-adjusted dollars, and US elections tend to cost about 40-times more, per person—so this is a population-scaled figure—than elections in the UK and Germany.

The cost of local elections in the US have been increasing, as well, in some cases substantially, and that’s part of why unpaid exposure and promotion is becoming increasingly valuable: it takes a lot of communications oomph to puncture the hubbub of commercial marketing messages in the US, and while pulling in a lot of money to buy ads and fund other promotional efforts is one way to do that, it’s also possible to approach the problem asymmetrically, going to people where they already are, basically, and getting some of that valuable face-time without having to spend a cent on it.

And that’s what I’d like to talk about today—specifically, efforts by candidates to get on popular podcasts, and why this medium in particular seems to be the go-to for campaigns at a moment in which the electoral stakes are historically high.

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Podcasts, by traditional definition, are audio files delivered using an old-school, open technology called RSS.

In the years since they first emerged, beginning in the early days of the 2000s, the transmission mechanisms for these audio files have become a bit more sophisticated, despite being based on essentially the same technology. They’ve been joined, though, by utilities that allow folks to stream undownloaded audio content, to ping the servers where these audio files are stored more regularly, and to attach all kinds of interesting and useful metadata to these files, which add more context to them, while also providing the fundaments of basic micropayment schemes and the capacity to include video versions of an episode, alongside audio.

That video component has been pushed forward in part by the success of content-makers on YouTube, where for a long while podcasters have promoted their audio shows with visualized snippets, behind-the-scenes videos, and other such add-on content. Over the past handful of years, though, it has also become a hotbed of original video podcast content, some podcasters even using YouTube as their native distribution client—and that, combined with Spotify’s decision to start offering video podcasting content alongside audio podcasting content, in part to compete with YouTube, has pushed video-podders to the forefront of many charts.

Multi-person conversational and interview shows have maybe benefitted most from that shift toward video, as being able to see the people recording these shows, and to watch their body language, all the little microexpressions and other components of conversation and social dynamics that are left out of pure audio shows, has helped them attract more listeners / viewers, while also making these shows an even more potent source of parasocial camaraderie—which was especially valuable during the lockdown-heavy phase of the covid-19 pandemic, but which is also arguably a valuable thing to provide at a period in which a lot of people across all demographics are suffering from intense loneliness and a perceived lack of connection; the sense of familiarity that folks felt listening to a familiar voice in their ear on a regular basis has been emphasized still-further by the ability to see those people on their phones, TVs, and laptops in the same way, and at the same regular cadence.

The business model of podcasting has also contributed to the expansion of this type of show, as while podcasting has never been as big and spendy an industry as comparable broadcast mediums, it has been growing, with most shows leaning on some combination of ads, sponsorships, memberships, patronage models, and subscriptions to keep their operations in the black.

Some shows make use of many or all of these income-generation approaches, and many of them have varied their business models based on the boom and bust phases the industry has seen over the years; so when ad revenue plummets, formerly ad-heavy shows will pivot to memberships, and when the listener membership well grows shallow, they might shift to some kind of featured sponsor model.

As of early 2024, there are more than half a billion regular podcast listeners, globally, and ad spending in this space, globally, reached over $4 billion for the first time this year.

That aforementioned shift toward video has tilted a lot of listening in that direction, with about a third of all podcast listeners in the US also watching at least one podcast, rather than just listening to it.

That watchability component has also nudged YouTube and Spotify into the lead in terms of podcast delivery, alongside Apple, which didn’t invent the podcast, even though the medium is named after their iPod product, but they did bring it to the forefront and make it widely available—Apple’s relative lack of investment in this space, for years, left the doors open for those other competitors, and again, their decision to feature video podcast content alongside pure audio shows has shifted the landscape of this industry substantially, raising questions about what a podcast even is, if any old YouTube show could also theoretically be categorized as such; it’s a blurry distinction at this point, a bit like the debate over whether audiobooks should be considered books, or if only written, visual versions should bear that label.

Also worth noting here is that nearly half, about 47%, of all US citizens ages 12 and up listen to a podcast at least once a month, and 34% listen every week.

11% of that demographic’s daily audio-time is spent listening to podcasts, which is quadruple the figure a decade ago, in 2014, and 23% of weekly podcast listeners in the US spend 10 or more hours with these shows each week, though the average listening time each week is also pretty high, weighing in at 7.4 hours.

Podcasts have diverse audiences and hit a range of economic classes and people of varying education levels—though it leans slightly higher than the average in terms of both educational attainment and income—and interestingly, folks seem to be especially influenced by podcast recommendations, 46% of weekly podcast listeners reporting that they purchased something based on a recommendation or advertisement they heard on a show.

All of which points at why podcasts, and especially interview podcasts, and even more especially video-heavy interview podcasts, have become such highly desired media real estate in this year’s US presidential election; these sorts of shows aren’t always the most desired medium for brands, because tracking return on investment, money earned per dollar spent, is difficult with podcasts compared to, for instance, buying ads on streaming TV shows or social media, but they’re great for raising awareness and general brand-building efforts, which is exactly what these candidates and their parties are aiming for.

So more people are listening to these things, people tend to trust what they hear on podcasts more than on other types of media, and the demographics these shows reach are highly desirable, politically.

This is why, over the past few weeks, candidates Kamala Harris and Donald Trump have appeared on s