1 hr 5 min

POP ART: Episode 82-Scott Pilgrim vs. the World/Kind Hearts and Coronets POP ART

    • Film History

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

ONE DOWN AND…: Join me and animator/writer Glenn Dion (King of the Hill/Big Mouth/Human Resources) while we talk two films about people eliminating one’s enemies one by one.

“Don’t you talk to me about grammar.” We all have obstacles in our lives. Roadblocks that keep us from achieving our goals. But how do we deal with them? Do we work around them? Outsmart them? Manipulate them to our advantage? Or do we do everything to completely obliterate them, destroy their utter existence, ground them to complete dust, so they no longer pose the remotest impediment to our journey?

Sounds like it’s time for Episode 82 of Pop Art, the podcast where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. This time round, I am happy to welcome as my guest, animator and writer Glenn Dion, who has chosen as his film the graphic novel and video game influenced Scott Pilgrim v. The World, while I have chosen the classic Ealing comedy, Kind Hearts and Coronets, both films about someone needing to eliminate a series of people who are stopping them from achieving their goal.

And in this episode we answer such questions as: Why are comic book/graphic novels so popular to adapt to films today? What is it about serial killer comedies? What is transmedia storytelling? Why are the 40s and 50s in film much more cynical than people think? What changes were made to the endings of both films and why? What problematic element of Kind Hearts… had to be changed for US distribution? Who are the unsung heroes of Scott Pilgrim…? What was difficult about the special effects in both films? Why did Scott Pilgrim… bomb? From where do we get the phrase, Revenge is a dish best served cold? What is it about that light switch?

Check out Glenn’s IMDB page at https://www.imdb.com/name/nm0227916/?ref_=nv_sr_srsg_0and his shows King of the Hill, Big Mouth and Human Resources.

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss


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Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

ONE DOWN AND…: Join me and animator/writer Glenn Dion (King of the Hill/Big Mouth/Human Resources) while we talk two films about people eliminating one’s enemies one by one.

“Don’t you talk to me about grammar.” We all have obstacles in our lives. Roadblocks that keep us from achieving our goals. But how do we deal with them? Do we work around them? Outsmart them? Manipulate them to our advantage? Or do we do everything to completely obliterate them, destroy their utter existence, ground them to complete dust, so they no longer pose the remotest impediment to our journey?

Sounds like it’s time for Episode 82 of Pop Art, the podcast where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. This time round, I am happy to welcome as my guest, animator and writer Glenn Dion, who has chosen as his film the graphic novel and video game influenced Scott Pilgrim v. The World, while I have chosen the classic Ealing comedy, Kind Hearts and Coronets, both films about someone needing to eliminate a series of people who are stopping them from achieving their goal.

And in this episode we answer such questions as: Why are comic book/graphic novels so popular to adapt to films today? What is it about serial killer comedies? What is transmedia storytelling? Why are the 40s and 50s in film much more cynical than people think? What changes were made to the endings of both films and why? What problematic element of Kind Hearts… had to be changed for US distribution? Who are the unsung heroes of Scott Pilgrim…? What was difficult about the special effects in both films? Why did Scott Pilgrim… bomb? From where do we get the phrase, Revenge is a dish best served cold? What is it about that light switch?

Check out Glenn’s IMDB page at https://www.imdb.com/name/nm0227916/?ref_=nv_sr_srsg_0and his shows King of the Hill, Big Mouth and Human Resources.

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss


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Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

1 hr 5 min