Quintus Curtius Quintus Curtius

The world recently learned that the estate of British author Roald Dahl actually allowed a team of censors to purge words and phrases from the author's works that they deemed "offensive." This is a terrifying escalation in the left's war on the literary record and on artistic expression in general. The idea that censors could reach back into old books and rewrite them would have been unthinkable even a decade ago. It is communist thought-policing, pure and simple. Every writer or artist should be taking steps now to protect their work from tampering by potential future vandals.

A reader who is living abroad in France is finding it difficult to meet new people. He has no desire to hang around with expats. People always revert to English when dealing with him, when he is trying to learn French. It is frustrating for him, and he wants to know if there are ways to get out of this dynamic.

This is a reading of Edgar Allan Poe's poem "The Haunted Palace."

A reader asks a question. He has just been assigned to a new position of great responsibility. The previous occupant of this position was a man much older than he. Our friend feels slightly intimidated and inadequate for the new job. To complicate things, the previous holder of the position has not helped our friend, and has implied that he's too young. Our friend asks for some advice.

A young woman from a conservative culture asks a relationship question. She is very fond of her boyfriend, an American man. She wants to move things in the direction of marriage, but the young man is ambivalent. He keeps putting her off. She wants to know what she can do to deal with the situation.

A reader asks a question about the 1982 movie "First Blood." Why, he asks, was Sheriff Teasle so hostile to John Rambo? What could have been his reasons? We offer some explanation. We then move into another related subject: an opossum in my backyard, and how I dealt with it.