42 min

Rayka Zehtabchi & Sam Davis on Choosing Story Over Script Musicbed Podcast

    • TV & Film

In this episode of the Musicbed Podcast, Rayka Zehtabchi and Sam Davis take us back to their kismet encounter in film school, why the story should always top the script, and what it’s really like to win an Oscar.



Talking Points:


The excitement (and anxiety) of winning an Oscar
Exploring the changing landscape of short film
Sharpening your skills with short films
Why documentary filmmaking demands discomfort
Prioritizing good storytelling over a solid script
Navigating narrative with a documentary approach



Show Notes:


University of Southern California Cinematic Arts — https://cinema.usc.edu/
Period. End of Sentence. (2018) — https://www.imdb.com/title/tt6939026/
Sundance Institute — https://www.sundance.org/
SXSW Film Festival — https://www.sxsw.com/festivals/film/
Tribeca Festival — https://tribecafilm.com/festival
Cleveland International Film Festival — https://www.clevelandfilm.org/
AFI Fest — https://fest.afi.com/
Moiz Tarwadi — https://www.imdb.com/name/nm10533814/
The Pad Project — https://thepadproject.org/
Christian Bale — https://www.imdb.com/name/nm0000288/
Rami Malek — https://www.imdb.com/name/nm1785339/
Frances McDormand — https://www.imdb.com/name/nm0000531/
Are You Still There? (2021) — https://www.imdb.com/title/tt13281862/



Brought to you by Musicbed, the filmmaking industry's music licensing platform of choice. Learn more: ⁠musicbed.com⁠.

About Musicbed:Musicbed is the leading sync licensing platform for authentic music from relevant artists. We’re a one-stop licensing agency representing a curated roster of authentic artists, bands, and composers for film, TV, and advertising. From leading composers to tour-tested bands, and rising singer/songwriters, we believe music brings emotion and has the power to amplify your story.

In this episode of the Musicbed Podcast, Rayka Zehtabchi and Sam Davis take us back to their kismet encounter in film school, why the story should always top the script, and what it’s really like to win an Oscar.



Talking Points:


The excitement (and anxiety) of winning an Oscar
Exploring the changing landscape of short film
Sharpening your skills with short films
Why documentary filmmaking demands discomfort
Prioritizing good storytelling over a solid script
Navigating narrative with a documentary approach



Show Notes:


University of Southern California Cinematic Arts — https://cinema.usc.edu/
Period. End of Sentence. (2018) — https://www.imdb.com/title/tt6939026/
Sundance Institute — https://www.sundance.org/
SXSW Film Festival — https://www.sxsw.com/festivals/film/
Tribeca Festival — https://tribecafilm.com/festival
Cleveland International Film Festival — https://www.clevelandfilm.org/
AFI Fest — https://fest.afi.com/
Moiz Tarwadi — https://www.imdb.com/name/nm10533814/
The Pad Project — https://thepadproject.org/
Christian Bale — https://www.imdb.com/name/nm0000288/
Rami Malek — https://www.imdb.com/name/nm1785339/
Frances McDormand — https://www.imdb.com/name/nm0000531/
Are You Still There? (2021) — https://www.imdb.com/title/tt13281862/



Brought to you by Musicbed, the filmmaking industry's music licensing platform of choice. Learn more: ⁠musicbed.com⁠.

About Musicbed:Musicbed is the leading sync licensing platform for authentic music from relevant artists. We’re a one-stop licensing agency representing a curated roster of authentic artists, bands, and composers for film, TV, and advertising. From leading composers to tour-tested bands, and rising singer/songwriters, we believe music brings emotion and has the power to amplify your story.

42 min

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