Short Hand: A guide to making a short film BFI NETWORK x Film Hub South East

In the tenth and final episode of Short Hand, we’re getting into the edit and calling upon the expertise of film editors Rebecca Lloyd (Cow, The Power, For Love), Mdhamiri Á Nkemi (The Last Tree, Ear for Eye, Femme), Ami Aripin (Strawberry Cheesecake, Exhale) and director and animator Renee Zhan (O Black Hole, Soft Animals) to shed light on their processes.n  
Topics covered include: how editors decide which short film projects to work on, tailoring an editing style to the vision of the director, trusting an emotional response to an edit, eliminating dialogue, the particular challenges of cutting an animated short, intention, efficiency and the value of the editor.
 
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SHOW NOTES & RESOURCES
10 Lessons from Top Film Editors 
Understanding the Power of Film Editing 
MA in Editing at NFTS 
 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.

In the ninth episode of Short Hand, we’re thinking about how to make your short film set a productive, inclusive and safe space. You’ll hear from filmmakers Katie Sinclair (The Last Days, Signs), Ella Glendining (Octopus) and Jessi Gutch (Octopus, The Forgotten C) and psychologist and consultant Michelle White. 
Topics covered include: how to support your film crew and keep morale high on set, establishing rules for good communication between the director and producer, things you might need to consider as the producer to make sure everyone has their requirements met, why good coffee is a must, the role of the wellbeing facilitator and psychological safety.
 
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SHOW NOTES & RESOURCES
6ft From The Spotlight 
The Whole Picture Toolkit 
Bectu 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.

In the eighth episode of Short Hand, we’re going in for a close-up on working with actors and speaking to actor and filmmaker Romola Garai (Amulet, Scrubber) and director Stella Corradi (Sitting in Limbo, Killing Eve, Trigonometry) about trust, collaboration and cultivating performance. 
Topics covered include: what defines a good performance, how to honour different approaches to acting, why perfection is a myth, working with child actors, how to be flexible and playful, effective communication, figuring out subtext and giving notes. 
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SHOW NOTES & RESOURCES
Acting teacher Judith Weston’s website  
Also watch a masterclass with Judith Weston via Sundance Collab 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.

In the seventh episode of Short Hand, we’re focusing our lens on cinematography and speaking to DoPs Evelin van Rei (Farewell She Goes, Petra), Olan Collardy (The Chippie, Signs, They Heard Him Shout Allahu Akbar), Anna MacDonald (My Sweet Prince, Good Thanks, You?, V) and director Jimmy Dean (V, Suzie) to get their perspective on communication, collaboration and all things cameras. 
Topics covered include: prepping for a shoot, choosing your kit, finding a shared cinematic language, thinking on your feet, lighting, recces and understanding space, embracing the emotional aspect of cinematography and how you know you’ve shot what you need. 
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SHOW NOTES & RESOURCES
British Cinematographer 
Filmmaker Magazine 
Team Deakins podcast 
Kodak’s Filmmaker Resources 
The Kit Room 
Emmyland 
Notes on Cinematography, by Robert Bresson 
Colour Theory 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.

In the sixth episode of Short Hand, we’re thinking about how to crew up your short film. Hear from producer Ameenah Ayub Allen (Rocks, Ali & Ava), Alice Whittemore, a Development & Production Executive at Film4 and Anna Ginsburg, an animator and director (What Is Beauty?) about finding, hiring and paying people. 
Topics covered include: what roles you need on set and where you might be able to think outside the box, getting references for your crew, looking after them and keeping morale high on set, getting HoDs approved by execs, what to do if members of your crew drop-out at the last minute, crewing up an animation and how different types of animations might affect who you need. 
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SHOW NOTES & RESOURCES
Tools for finding crew 
The Mandy Network 
Freelance Rate Cards 
ScreenSkills Freelance Toolkit 
ScreenSkills Job Profiles 
BAFTA crew directory, 2020-21 
Look Beyond The List 
Pact Toolkit on Finding Diverse Talent 
Short Film Festivals
Glasgow Short Film Festival
Aesthetica
Leeds
Encounters
Norwich 
London Short Film Festival
Where to watch short films…
Vimeo  
Short of the Week 
Omeleto 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.
 

In the fifth episode of Short Hand, we’re delving into the casting process and asking casting director Hannah Marie Williams (Dawn in the Dark, The Last Days), directors Nadia Latif (White Girl, They Heard Him Shout Allahu Akbar) and Fateme Ahmadi (Chandra, Bitter Sea) and Independent Talent agent Deborah Willey for their perspectives on how to cast your short film.  
Topics covered include: at what stage you should be bringing on a casting director, finding chemistry with your casting director, how long the audition process takes, how you approach agents, how you know you’ve found the right actor, how hands-on the director is and working with younger or child actors. 
 
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SHOW NOTES & RESOURCES
Hannah Marie Williams casting
Equity, the performers & creative practitioners union in the UK
Bitter Sea (dir. Fateme Ahmadi)
White Girl (dir. Nadia Latif)
Isabella Odoffin casting 
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Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.