1 hr 1 min
The Sound of Westworld - Susan Cahill, Benjamin Cook, Keith Rogers SoundWorks Collection
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- TV & Film
In season 3, the Emmy-award winning Westworld leaves the parks behind for the sounds of the “real” world, circa 2057. In this episode, the sound team behind the remarkable show discusses showrunner Jonah Nolan’s design concept that noise-reduction technology has progressed to the point that the world seems quiet and peaceful...until the climactic end when all technology fails and the world devolves into chaos. The conversation also includes a discussion of mixing the show natively in Dolby Atmos, and the challenges of finishing postproduction as the world went into Covid-19 lockdown.
Susan Cahill — Supervising Sound Editor
Benjamin Cook — Sound Designer/Re-recording Mixer
Keith Rogers — Re-recording mixer
SUBSCRIBE NOW: bit.ly/Subscribe_Dolby
LEARN MORE: dolbylabs.co/33NNrgw
About Dolby:
Dolby transforms the science of sight and sound into spectacular experiences. Through our innovative research and engineering, we develop breakthroughs that we share with the world through collaborations that span artists, businesses, and consumers worldwide. These breakthroughs deliver incredibly vivid experiences in the cinema, at home, at work, and on the go — experiences so lifelike that people feel as if they’ve been transported into a cinematic story or a pulsing sphere of music, a distant conference room or an action-packed game. In both entertainment and communications, through audio and imaging, we give everyone the power to see, hear, and feel the spectacular.
Full video discussions will be on Dolby Youtube page and audio podcasts will be featured on our website or the SoundWorks Collection channels on Apple Podcasts, Soundcloud, Stitcher and Spotify!
In season 3, the Emmy-award winning Westworld leaves the parks behind for the sounds of the “real” world, circa 2057. In this episode, the sound team behind the remarkable show discusses showrunner Jonah Nolan’s design concept that noise-reduction technology has progressed to the point that the world seems quiet and peaceful...until the climactic end when all technology fails and the world devolves into chaos. The conversation also includes a discussion of mixing the show natively in Dolby Atmos, and the challenges of finishing postproduction as the world went into Covid-19 lockdown.
Susan Cahill — Supervising Sound Editor
Benjamin Cook — Sound Designer/Re-recording Mixer
Keith Rogers — Re-recording mixer
SUBSCRIBE NOW: bit.ly/Subscribe_Dolby
LEARN MORE: dolbylabs.co/33NNrgw
About Dolby:
Dolby transforms the science of sight and sound into spectacular experiences. Through our innovative research and engineering, we develop breakthroughs that we share with the world through collaborations that span artists, businesses, and consumers worldwide. These breakthroughs deliver incredibly vivid experiences in the cinema, at home, at work, and on the go — experiences so lifelike that people feel as if they’ve been transported into a cinematic story or a pulsing sphere of music, a distant conference room or an action-packed game. In both entertainment and communications, through audio and imaging, we give everyone the power to see, hear, and feel the spectacular.
Full video discussions will be on Dolby Youtube page and audio podcasts will be featured on our website or the SoundWorks Collection channels on Apple Podcasts, Soundcloud, Stitcher and Spotify!
1 hr 1 min