The Archers

BBC Radio 4
The Archers

Contemporary drama in a rural setting.

  1. HÁ 3 DIAS

    19/11/2024

    Chelsea’s ill, so Emma takes round a home-made remedy from Clarrie. Emma struggles to get much info from Brad about how George is doing in prison - she’s so grateful to Brad for keeping in touch with George. As Brad gets ready to do a video job for George’s business, Tracy’s worried about Brad being distracted from his studies at a crucial time. Emma implores Brad to keep in touch with George – Brad’s her only connection to her son. Kirsty and Brad work together to make his promotional video at the rewilding site, and she even offers to help anxious Brad with the edit, and he’s so grateful. But later as Kirsty treats Brad to a drink at the Bull, Tracy’s concern increases, as Brad has now spent a whole day away from his studies – and the video still isn’t finished. Fallon is busy in Ruth’s kitchen getting everything ready for the big event she’s catering at Brookfield. It’s not ideal for busy Ruth, who gives Fallon strict instructions from Jill, who she has managed to make disappear with Leonard for the day. With helper Chelsea off sick, Fallon’s up against it. But Emma surprises Fallon by arriving to help. Fallon accepts the offer and Ruth thinks Emma’s a lifesaver. After a successful event, everyone’s shattered, and over a cup of tea Ruth is brutally honest with Fallon – Fallon needs to get herself properly set up before they can do business again. Fallon understand and agrees – she’s determined to get her business on to a proper footing.

    13min
  2. HÁ 5 DIAS

    17/11/2024

    Ruth gets a last minute request to use the Events Barn for a party on Tuesday, but thinks it’s too short notice, especially as they’ve already got other commitments coming up. Jolene tells Ruth not to cancel the booking just yet though, suggesting Fallon could cater the event for Brookfield. Ruth then asks Fallon, who agrees to do it, but the job quickly becomes bigger than originally briefed. Fallon’s kitchen at Woodbine is too small for the preparation needed and the Bull’s kitchen is unavailable. But Fallon reckons that if she can use the kitchen at Brookfield and get Chelsea to assist her it might be doable, so long as Ruth’s okay with that. Otherwise the whole thing’s off. Tracy thinks Fallon looks stressed , but Jolene’s positive it’s a good thing for Fallon to take on new challenges. Ruth isn’t keen on giving up her kitchen though, but Fallon manages to persuade Ruth that she can make it work without interfering too much in the farm’s routine. At Number 6 The Green Tracy worries that Brad is becoming too distracted from his University work by George, especially now Brad’s the only person George will talk to. Brad denies it’s a problem, before he gets a call - it’s George. Meanwhile, Justin wants Brad to make a video for him, showing the suitability of Ambridge and the Rewilding Site for the introduction of beavers. Brad isn’t sure he’s up to the task, but Justin railroads him into agreeing to have it done by Friday.

    13min
  3. 15 DE NOV.

    15/11/2024

    Fallon’s working a shift at The Bull while Jolene laments the fact Lynda’s not putting on a Christmas show. Fallon hopes people won’t pry into why she’s working there, but Jolene reassures Fallon she made the right decision to give up the Charging Station Café. Justin is sympathetic that it didn’t work out for Fallon, cautioning her not to go back to the Tearoom, but to look forward instead. He mentions his bankruptcy, suggesting it was the making of him, having to start afresh. He offers to help Fallon if he can and she appreciates him taking her more seriously as a businesswoman than she does herself. Fallon then decides she won’t go back to her old job and Jolene agrees, she can do much better than that. At Beechwood Helen has Tom and Natasha over for dinner. They reflect on a happy day, celebrating Peggy’s 100th birthday. Seren and Nova were particularly charming. They share a moment, remembering their brother, John, then mention Emma being upset this morning after George let it be known he doesn’t ever want his family to visit him again. Helen then explains how difficult it would be for her to afford the mortgage on Kirsty’s house and Natasha tells her not to take the risk, in that case. Later, going home, Natasha suggests to Tom that if Helen doesn’t go for the Beechwood house they could buy it instead. Tom’s not keen, for several reasons, including upsetting Helen, but Natasha concludes that Helen doesn’t really want to live there, whereas she does.

    13min
  4. 14 DE NOV.

    14/11/2024

    On their way to Handale Prison Neil and Susan are both feeling nervous, but pleased George has agreed to see them. When they get there though George is bitter and distant, seemingly more concerned about what other prisoners will think if he’s too friendly with his grandparents. Neil and Susan struggle finding a subject George doesn’t twist into an angry response. When Neil raises how worried they are about bad influences on him, George makes it clear he only invited them out of pity and wants them to go. Neil then has a go at George about how much it has cost Susan in particular coming on this visit, but George responds by guilt tripping them over what could happen to him in prison - and it will be all their fault. On their way home Neil and Susan admit the visit was awful and George was horrible. They wonder what they’re going to tell Emma, who texts, then rings. They consider glossing over the whole experience, but in the end it might be better to just tell Emma the truth. At Bridge Farm Pat and Tony are pleased with the handsome new buck that’s arrived, hopeful that serious Henry won’t turn out anything like George. When Pat expresses her frustration that Helen hasn’t just gone ahead and bought Kirsty’s Beechwood house Tony tells her about his idea of building an eco-house. He admits they’d have to okay everything with Helen, Tom and Natasha, but Pat thinks they’re too old to make such a big change. However, Tony isn’t giving up on his dream just yet.

    13min
4,4
de 5
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Contemporary drama in a rural setting.

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