590 episodes

The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion

Lost in Criterion Lost in Criterion

    • TV & Film
    • 3.0 • 45 Ratings

The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion

    Spine 588: Three Colors - Blue

    Spine 588: Three Colors - Blue

    This week we kick off Krzysztof Kieślowski's Three Colors trilogy with Blue. Each of the three colors, drawn from the colors of the French flag, are also used in the films to represent one of the ideals of the French Revolution: Blue is associated with Liberty, White with Equality, and Red with Fraternity. Ultimately, as we'll discuss in the coming weeks, the films make an argument that without Fraternity, Liberty and Equality are meaningless and even hellish. In Blue we see a woman who has embraced solitude in response to grief.  She believes solitude is liberation from pain, but the film shows that to heal she needs human connection. It's a beautiful and brilliant film, and a masterpiece of synthesizing message and form.

    • 1 hr 51 min
    Spine 586: The Island of Lost Souls

    Spine 586: The Island of Lost Souls

    Erle C. Kenton's The Island of Lost Souls is a pre-code adaptation of H.G. Wells' The Island of Dr. Moreau, and the Criterion release contains quite possibly the most seemingly erratic and certainly esoteric collection of bonus features to ever be put on one of their discs. The movie itself is a wonder of early make-up effects, but among other things the additional materials bring us commentary from someone involved with a famously bad different adaptation of the work, a band loosely inspired by the film (but not the other band), and a two minute clip of a certain Northern Ohio television goofball interviewing himself.

    • 1 hr 42 min
    Spine 585: Identification of a Woman

    Spine 585: Identification of a Woman

    Listen, we don't get Michelangelo Antonioni. We admit it. Maybe someday we'll watch Blow-Up and kinda like it, but for now we're not there yet. This week we get Identification of a Woman (1982), Antonioni's entry into one of our most hated genres: male film director directs a movie about a male film director's search for a new lover/star/muse. This one is even arguably - and we do! - more self-aware and less misogynistic than others in that genre. It's certainly no less elliptical and enigmatic than previous films of Antonioni we've seen.

    • 1 hr 37 min
    Spine 584: Kuroneko

    Spine 584: Kuroneko

    Years after watching the fantastic Onibaba, we once again get an atmospheric horror film from Kaneto Shindo with Kuroneko (1968). Shindo continues to impress with this tale of feline and feminine justice. I just wish we didn't have to wait so long for his next film in the collection.

    • 1 hr 47 min
    Spine 583: The Four Feathers

    Spine 583: The Four Feathers

    With their 1939 adaptation of The Four Feathers Zoltan Korda seems to have wanted to make a movie critical of British imperialism, while his brother, the film's producer Alexander Korda, seems to have wanted to make a movie in praise of their adopted British homeland. What we end up with is a beautifully shot film that is sometimes biting satire and sometimes unironic Islamophobic white saviorism.

    • 1 hr 56 min
    Spine 582: Carlos Part 3

    Spine 582: Carlos Part 3

    We finish up Olivier Assayas' Carlos with the final episode of the 3-part miniseries. While the original idea for a film about Ilich Ramírez Sánchez was to focus on his ultimate arrest and life just before that, Carlos Part 3 covers that time period with what amounts to a montage of scenes that end in ellipses. Our bonus features this week also reveal some surprises about Assayas' sources, and show that at least Edgar Ramírez understands he's playing a character even as Assayas continues to equivocate whether or not this work is historically accurate.

    • 1 hr 49 min

Customer Reviews

3.0 out of 5
45 Ratings

45 Ratings

But the bots?! ,

Eh

It's an interesting idea, mediocre execution

Money $teve ,

Good Show; Too Much Banter

Guys I like the show but you are surely losing a lot of listeners with your pre-film banter. Your strength is the review and analysis. If this whole endeavor is for you then don’t change a thing. If it is for the audience (or both), then improve the banter or drastically cut it or eliminate it or use chapter indexing so we can skip right to the movie content.

This is all intended as constructive criticism.

I appreciate you doing criterion films.
One podcast I think would help you as a model is The Magic Lantern.

Tswizzle3 ,

Rambling

Great subject matter. Unfortunately these guys can’t keep a thought together without drifting off topic. Only heard the Ikiru episode but I won’t return to this pod.

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