34 min

The Three of Seven (At the conclave of oaks‪)‬ Nighttime on Still Waters

    • Personal Journals

Tonight, the clouds are racing and the young moon has already dipped below the horizon. Spring comes roaring on the back of a raging southwesterly. Join the Erica on a windy March night as, with the help of Rory's favourite book, we explore the significance of the conclave of oaks on the hill top. 
Journal entry:
21st March, Tuesday.

“Long day.
 Darkness has long since fallen.
 On the bank, the two swans emerge,
 Glowing ghostly white.
 Their beaks quietly nibbling the grass.
 Night-time snacks.
 They are my harbour lights
 That guide me home.”


Episode Information:
In this episode I read an extract from Shel Silverstein’s (1964) The Giving Tree now republished in 2010 by Particular Books. 
I also read a very short passage from Suzanne Simard’s (2022) Finding the Mother Tree: Uncovering the wisdom and intelligence of the forest published by Penguin Books.    
With special thanks to our lock-wheelers for supporting this podcast:

Mary Keane.
 Arabella Holzapfel.
 Rory and MJ.
 Narrowboat Precious Jet.
Linda Reynolds Burkins.
Richard Noble.
Carol Ferguson.
Tracie Thomas
Mike and Tricia Stowe
Madeleine Smith
General Details
In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.

Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. 
Piano and keyboard interludes composed and performed by Helen Ingram.
For more information about Nighttime on Still Waters
You can find more information and photographs about the podcasts and life aboard the Erica on our website at
Support the Show.
Become a 'Lock-Wheeler'
Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

Contact
For pictures of Erica and images related to the podcasts or to contact me, follow me on:
Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

For more information about Nighttime on Still Waters
You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Tonight, the clouds are racing and the young moon has already dipped below the horizon. Spring comes roaring on the back of a raging southwesterly. Join the Erica on a windy March night as, with the help of Rory's favourite book, we explore the significance of the conclave of oaks on the hill top. 
Journal entry:
21st March, Tuesday.

“Long day.
 Darkness has long since fallen.
 On the bank, the two swans emerge,
 Glowing ghostly white.
 Their beaks quietly nibbling the grass.
 Night-time snacks.
 They are my harbour lights
 That guide me home.”


Episode Information:
In this episode I read an extract from Shel Silverstein’s (1964) The Giving Tree now republished in 2010 by Particular Books. 
I also read a very short passage from Suzanne Simard’s (2022) Finding the Mother Tree: Uncovering the wisdom and intelligence of the forest published by Penguin Books.    
With special thanks to our lock-wheelers for supporting this podcast:

Mary Keane.
 Arabella Holzapfel.
 Rory and MJ.
 Narrowboat Precious Jet.
Linda Reynolds Burkins.
Richard Noble.
Carol Ferguson.
Tracie Thomas
Mike and Tricia Stowe
Madeleine Smith
General Details
In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.

Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. 
Piano and keyboard interludes composed and performed by Helen Ingram.
For more information about Nighttime on Still Waters
You can find more information and photographs about the podcasts and life aboard the Erica on our website at
Support the Show.
Become a 'Lock-Wheeler'
Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

Contact
For pictures of Erica and images related to the podcasts or to contact me, follow me on:
Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

For more information about Nighttime on Still Waters
You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

34 min