1 hr 24 min
The Wrecking Crew See Hear
-
- Film Interviews
Most working people have that day gig – accountant, engineer, admin, hospitality. The job pays the bills and puts food on the table. We don’t tend to think of being a musician as a day job category.
Welcome to episode 110 of See Hear Podcast.
Through the 20th century, there was always some group of musicians who had that “day job” status – playing for corporate functions, teaching people to instrumental skills, and being the faceless people providing the grooves and melodies behind your favourite records. Remember the shock you felt realising that the Beach Boys weren’t playing their own instruments on Pet Sounds? Or The Monkees? The collective of Los Angeles session musicians who became known as The Wrecking Crew (via drummer Hal Blaine’s autobiography) provided the music for tons of songs that music fans consider pop pantheon. There were other collectives of course – Motown had the Funk Brothers, Stax had Booker T and the MGs, and there were the collectives in Muscle Shoals and Nashville.
Film maker Denny Tedesco is the son of Wrecking Crew guitarist, Tommy Tedesco. In the mid 90s, Denny started making a documentary that took nearly 20 years to make. Financing for licensing rights was a big part of that duration, but in the end, he created a wonderful film that opens a window to the world of that period of time when Sonny and Cher, Frank Sinatra, The Mamas and the Papas, The Ronettes, and The Beach Boys all had one thing in common – The Wrecking Crew. Even if the general public had no idea who Carol Kaye, Hal Blaine, Tommy Tedesco, Earl Palmer or Plas Johnson were, the “name” artists certainly did and revered their work.
For episode 110, Tim, Kerry and myself discussed Denny’s documentary as well as our own favourite records from that period, the difference between WC and other famous session groups, British session musicians, social context, and economics. Tim also has an interesting spin on why session musicians may not feel the need to brag about their work…….
If you want to catch up on the film, it’s currently available on Beamafilm, Prime and (in October / November 2023) SBS On Demand.
Very excitingly, we will be having Denny Tedesco on See Hear in early 2024 to talk about his new film The Immediate Family about another group of LA session musicians from the 70s.
If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....
See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.
Send us feedback via email at seehearpodcast@gmail.com
Join the Facebook group at http://facebook.com/groups/seehearpodcast
Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en
You can download the show by searching for See Hear on whatever podcast app you favour.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Most working people have that day gig – accountant, engineer, admin, hospitality. The job pays the bills and puts food on the table. We don’t tend to think of being a musician as a day job category.
Welcome to episode 110 of See Hear Podcast.
Through the 20th century, there was always some group of musicians who had that “day job” status – playing for corporate functions, teaching people to instrumental skills, and being the faceless people providing the grooves and melodies behind your favourite records. Remember the shock you felt realising that the Beach Boys weren’t playing their own instruments on Pet Sounds? Or The Monkees? The collective of Los Angeles session musicians who became known as The Wrecking Crew (via drummer Hal Blaine’s autobiography) provided the music for tons of songs that music fans consider pop pantheon. There were other collectives of course – Motown had the Funk Brothers, Stax had Booker T and the MGs, and there were the collectives in Muscle Shoals and Nashville.
Film maker Denny Tedesco is the son of Wrecking Crew guitarist, Tommy Tedesco. In the mid 90s, Denny started making a documentary that took nearly 20 years to make. Financing for licensing rights was a big part of that duration, but in the end, he created a wonderful film that opens a window to the world of that period of time when Sonny and Cher, Frank Sinatra, The Mamas and the Papas, The Ronettes, and The Beach Boys all had one thing in common – The Wrecking Crew. Even if the general public had no idea who Carol Kaye, Hal Blaine, Tommy Tedesco, Earl Palmer or Plas Johnson were, the “name” artists certainly did and revered their work.
For episode 110, Tim, Kerry and myself discussed Denny’s documentary as well as our own favourite records from that period, the difference between WC and other famous session groups, British session musicians, social context, and economics. Tim also has an interesting spin on why session musicians may not feel the need to brag about their work…….
If you want to catch up on the film, it’s currently available on Beamafilm, Prime and (in October / November 2023) SBS On Demand.
Very excitingly, we will be having Denny Tedesco on See Hear in early 2024 to talk about his new film The Immediate Family about another group of LA session musicians from the 70s.
If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....
See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.
Send us feedback via email at seehearpodcast@gmail.com
Join the Facebook group at http://facebook.com/groups/seehearpodcast
Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en
You can download the show by searching for See Hear on whatever podcast app you favour.
Learn more about your ad choices. Visit megaphone.fm/adchoices
1 hr 24 min