58 min

True Field Test 1: Anamorphic Lenses for Mirrorless Cameras + Budgeting for Production Distribution The Harold and Maudecast

    • TV & Film

Welcome to the inaugural episode of the True Field Test podcast brought to you by The HMC Network.

True Field Test is a podcast from creatives for creatives -- filmmakers, cinematographers, editors, post production supervisors, and other storytellers putting gear through real-world tests, reviewing products and workflows and talking industry insights, news and forecasts.

On this episode filmmaker Sergio Pinheiro will be discussing Anamorphic Lenses for Mirrorless Cameras, the challenges he faces both budgetary and production quality and the new company that may change everything for only $500.

Workflow Engineer, Cutter Stevens discusses on the changing landscape of production distribution -- different deliverables for different outlets, where does it need to go, what do we need to budget for YouTube, Amazon, Netflix, theatrical, DCP or IMF, or just ProRes. He delivers solid tips on how to make sure you can cover the cost of distribution at the end of your production.

Producer Sarah Mason discusses Award season -- Network TV shut out of the Golden Globes, what does this mean for their future. In a rare move the ASC Cinematography union nominates two women cinematographers for the ASC Awards honors are things really changing?

For over 10 years The HMC has been producing award-winning, popular podcasts, digital content and events . Visit The HMC at thehmcnetwork.com for more episodes and other podcasts

Welcome to the inaugural episode of the True Field Test podcast brought to you by The HMC Network.

True Field Test is a podcast from creatives for creatives -- filmmakers, cinematographers, editors, post production supervisors, and other storytellers putting gear through real-world tests, reviewing products and workflows and talking industry insights, news and forecasts.

On this episode filmmaker Sergio Pinheiro will be discussing Anamorphic Lenses for Mirrorless Cameras, the challenges he faces both budgetary and production quality and the new company that may change everything for only $500.

Workflow Engineer, Cutter Stevens discusses on the changing landscape of production distribution -- different deliverables for different outlets, where does it need to go, what do we need to budget for YouTube, Amazon, Netflix, theatrical, DCP or IMF, or just ProRes. He delivers solid tips on how to make sure you can cover the cost of distribution at the end of your production.

Producer Sarah Mason discusses Award season -- Network TV shut out of the Golden Globes, what does this mean for their future. In a rare move the ASC Cinematography union nominates two women cinematographers for the ASC Awards honors are things really changing?

For over 10 years The HMC has been producing award-winning, popular podcasts, digital content and events . Visit The HMC at thehmcnetwork.com for more episodes and other podcasts

58 min

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