1 hr 1 min
WCA #293 with Heidi Trefethen - Live Sound, Recording, French Horn, Struggles with The Mormon Church, Session Mindset, Sexism and Learning to Evolve Working Class Audio
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- Music Interviews
Heidi Trefethen is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland's Rock n' Roll Hall of Fame, San Francisco's Davies Symphony Hall and SFJAZZ's Miner Hall.
As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N'degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer.
As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s "Kaplansky Sings Kaplanksy," 2000, Michael Burles' currently "Untitled Recording" 2017, Nestler and Hawtin's "Duality" 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater's solo piano recording of Johann Sebastian Bach's Goldberg Variations.
In this episode, we discuss:
SF Jazz
French Horn
Freight & Salvage
Teaching
Learning to Evolve
Mentoring
Women's Audio Mission
Covid's Effect
The Audio Pro Advantage
The Importance of Recording & Music
Overdubbing at a Young Age
Education
Open Mic Nights
Live Sounds
Producing
Session Mindset
Communication Style
Struggles w/The Mormon Church
Empathy
Women in Audio
Sexism
Bay Area
Speaking Italian
Making a Living
Not Working for Free
Links and Show Notes
Heidi's Site: www.heiditrefethen.com
Linkedin Profile: https://bit.ly/39ujk1L
Instagram: https://www.instagram.com/heiditrefethen/
Twitter: https://twitter.com/heiditrefethen
WCA on Instagram: https://www.instagram.com/working_class_audio
Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/
Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/
Current sponsors & promos: https://bit.ly/2WmKbFw
Working Class Audio Journal: https://amzn.to/2GN67TP
Credits:
Guest: Heidi Trefethen
Host: Matt Boudreau
WCA Theme Music: Cliff Truesdell
Announcer: Chuck Smith
Editing: Anne-Marie Pleau & Matt Boudreau
Additional Music: The License Lab
Heidi Trefethen is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland's Rock n' Roll Hall of Fame, San Francisco's Davies Symphony Hall and SFJAZZ's Miner Hall.
As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N'degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer.
As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s "Kaplansky Sings Kaplanksy," 2000, Michael Burles' currently "Untitled Recording" 2017, Nestler and Hawtin's "Duality" 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater's solo piano recording of Johann Sebastian Bach's Goldberg Variations.
In this episode, we discuss:
SF Jazz
French Horn
Freight & Salvage
Teaching
Learning to Evolve
Mentoring
Women's Audio Mission
Covid's Effect
The Audio Pro Advantage
The Importance of Recording & Music
Overdubbing at a Young Age
Education
Open Mic Nights
Live Sounds
Producing
Session Mindset
Communication Style
Struggles w/The Mormon Church
Empathy
Women in Audio
Sexism
Bay Area
Speaking Italian
Making a Living
Not Working for Free
Links and Show Notes
Heidi's Site: www.heiditrefethen.com
Linkedin Profile: https://bit.ly/39ujk1L
Instagram: https://www.instagram.com/heiditrefethen/
Twitter: https://twitter.com/heiditrefethen
WCA on Instagram: https://www.instagram.com/working_class_audio
Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/
Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/
Current sponsors & promos: https://bit.ly/2WmKbFw
Working Class Audio Journal: https://amzn.to/2GN67TP
Credits:
Guest: Heidi Trefethen
Host: Matt Boudreau
WCA Theme Music: Cliff Truesdell
Announcer: Chuck Smith
Editing: Anne-Marie Pleau & Matt Boudreau
Additional Music: The License Lab
1 hr 1 min