All Each Other Has

Carrie Monahan, Ellie Monahan
  • ٤٫٨ (١٣٧)
  • مقابلات تتعلق بفن الكوميديا
  • يتم التحديث أسبوعيًا
All Each Other Has

Two sisters Ellie and Carrie Monahan (the former a millennial, the latter on the Gen Z cusp) analyze topics like fame by proxy, sleep-away camp in the American imagination, their adolescence of Carnegie Hill etiology, Sontag's portents of the influencer economy, dialectical thinking, cyberbullies, the enduring power of Madame Alexander dolls, and more. Done through a sometimes academic, often solipsistic lens. They love each other, and love you for listening.

  1. Memento Mori: On Discounting, Discarding & Displaying Remains

    ٢٣‏/٠٨‏/١٤٤٤ هـ

    Memento Mori: On Discounting, Discarding & Displaying Remains

    All Each Other Has

    ١ س ٢٠ د
  2. The Baddest Mormon: A Conversation with Heather Gay

    ١٠‏/٠٨‏/١٤٤٤ هـ

    The Baddest Mormon: A Conversation with Heather Gay

    All Each Other Has

    ٤٨ من الدقائق
  3. The Unmarked: Castes of Remembrance and the American Deathscape

    ٠٥‏/٠٨‏/١٤٤٤ هـ

    The Unmarked: Castes of Remembrance and the American Deathscape

    In part three of their Death and Spectacle series, Carrie and Ellie explore the inequity of American commemoration and how it deprives the marginalized, even in death. They discuss the corrupt dealings behind public works projects such as Lake Eufaula, which led to the forcible removal of native peoples and the flooding of their history. In the context of the discovery of countless children’s remains near residential schools and an official record of 9/11 fatalities that excludes the undocumented, the sisters ask – how do we choose what and who to memorialize? What makes some ground holy and others deserving of desecration or erasure? Who has the right to rest in peace? Texts discussed include: Edmund Morgan’s “American Slavery, American Freedom,” Jefferson Cowie’s “Freedom’s Dominion,” The 1965 James Baldwin - William F. Buckley Debate, Karla Cornejo Villavicencio’s “The Undocumented Americans,” Jason de Leon’s “The Land of Open Graves”, Alicia Elliott’s short story “Unearth,” and Annette Gordon Reed’s “The Hemingses of Monticello” and Walter Johnson’s “The Strange Story of Alexina Morrison: Race, Sex, and Resistance in Antebellum Louisiana.”

    ١ س ٧ د
  4. The Politics of Victimhood: Two Sisters on 9/11, National Memory, and Tragedy as a Spectacle

    ١٨‏/٠٧‏/١٤٤٤ هـ

    The Politics of Victimhood: Two Sisters on 9/11, National Memory, and Tragedy as a Spectacle

    All Each Other Has

    ١ س ٤٠ د
  5. The Memory Museum: Death and Spectacle, Part 1

    ٠٥‏/٠٧‏/١٤٤٤ هـ

    The Memory Museum: Death and Spectacle, Part 1

    CW: Sensitive content regarding 9/11, terrorism, genocide, racial violence, spectacular death, dark tourism. The sisters return from winter hiatus with an episode about atrocity, human suffering, spectacular death and how we choose to memorialize and regard the pain of others. Focusing primarily on the 9/11 Memorial and Museum, they ask — can we look back on catastrophe without becoming voyeuristic consumers? Can we honor victims without turning them into commodities? Can morbid curiosity and empathy coexist? When will tourists visit places like Ground Zero or Auschwitz in the way they visit Pompeii? Using Susan Sontag’s “Regarding the Pain of Others” (2003) as a critical framework, they dissect the role of images in memory making and the tension between private memory and public instruction. Other topics include images of torture at Abu Ghraib, Lynndie England as a specter for white women in lynching photography, Kerry James Marshall’s "Heirlooms and Accessories," and willed white innocence. Readings include works by Jacqueline Goldsby, Eduardo Cadava, Philip R. Stone & Alex Grebenar, Marita Sturken, Jennifer Senior, Mary Marshall Clark, and as always, our ultimate, Susan Sontag. Cover is Robert Capa's "Falling Soldier" (1936)

    ١ س ١٨ د

  6. ١٥‏/٠٥‏/١٤٤٤ هـ

    TS 10: 3 AM

    In the third and final episode in their Taylor Swift retrospective, Ellie and Carrie examine the seven songs that comprise the 3am Version of the Midnights album. They discuss the artistic differences between songs produced by Swift collaborators Jack Antonoff and Aaron Dessner and the merits of pop versus more naturalistic music. They pull excerpts from Taylor’s highly personal, thoughtfully constructed NYU address and consider the role Taylor continues to play in their sisterhood and young/not so young adulthood. This episode features voice notes from two loyal listeners and the discussion their reflections inspired. Topics explored include Taylor’s anglophilia, miscarriage as metaphor (TW), the role of fate versus free will, the intractability of emotional trauma, and a brief meditation on the 2020 film Promising Young Woman (spoiler alert!).

    ٤٢ من الدقائق
  7. We Knew She Was a Mastermind: The "Midnights" Breakdown

    ٠٧‏/٠٥‏/١٤٤٤ هـ

    We Knew She Was a Mastermind: The "Midnights" Breakdown

    All Each Other Has

    ١ س ١٣ د
  8. You Grew Up With Me: A Swiftie Bildungsroman

    ٢٤‏/٠٤‏/١٤٤٤ هـ

    You Grew Up With Me: A Swiftie Bildungsroman

    After a monthlong reprieve, Ellie and Carrie return to discuss their all time favorite artist, Taylor Swift, and her lasting hold over American music and popular culture. The sisters discuss their relationship with Taylor over the past twelve years, from the release of her eponymous album in 2006 to her latest studio album Midnights, which, in the month since it was dropped, has shattered records and quite literally, broken the internet. Or Ticketmaster, at least. They chart a musical history that mirrors that of Taylor — from childhood and adolescence to young and not so young adulthood. The multifaceted Taylor is examined through a variety of lenses — musical wunderkind, pop star, celebrity, icon, deity, activist, storyteller, trickster, arbiter of angst, wizard of words, and mistress of reinvention. Taken as a whole, Taylor’s discography is the ultimate bildungsroman of an artist who shirked the cloak of likability to become her own flawed and messy person. Topics discussed include Horse Girls, media witch hunts, the toxic aughts, #KanyeGate, and the cathartic power of the inimitable T.Swift bridge. Articles are: “You Belong With Me: How Taylor Swift made teen angst into a business empire” by Lizzie Widdicombe (2011), “Taylor Swift Is Confusing” by Curtis Sittenfeld (2015), Pitchfork’s “Midnights Review” (2022), “In Taylor Swift’s ‘Midnights’, The Easter Eggs Aren’t the Point” By Lauren Michele Jackson (2022).

    ٥٢ من الدقائق
مشاهدة الكل (٢٦)

٤٫٨
من ٥
‫١٣٧ من التقييمات‬

حول

Two sisters Ellie and Carrie Monahan (the former a millennial, the latter on the Gen Z cusp) analyze topics like fame by proxy, sleep-away camp in the American imagination, their adolescence of Carnegie Hill etiology, Sontag's portents of the influencer economy, dialectical thinking, cyberbullies, the enduring power of Madame Alexander dolls, and more. Done through a sometimes academic, often solipsistic lens. They love each other, and love you for listening.

المعلومات

  • صناع العمل
    Carrie Monahan, Ellie Monahan
  • سنوات النشاط
    ١٤٤٣ هـ - ١٤٤٤ هـ
  • الحلقات
    ٢٦
  • التقييم
    فاضح
  • موقع البرنامج على الويب
    All Each Other Has

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