We Love Canadian Music Canada’s National Arts Centre

Inspired by her deep connection to the North, Dene singer-songwriter Leela Gilday shares a very personal vision of life as a northern woman. During her conversation with Heather Gibson they explore topics of social justice, the challenges of being an Indigenous artist and her latest album North Star Calling. (Recorded with a live audience.)


Links:

We Love Canadian Music podcast: https://nac-cna.ca/en/podcasts/show/we-love-canadian-music

NAC Presents: https://nac-cna.ca/en/presents

About the National Arts Centre: https://nac-cna.ca/en/about

More NAC Podcasts: https://nac-cna.ca/en/podcasts

This episode is guaranteed to cure your post holiday blues with laughter. Heather and the Good Lovelies do their best to keep things professional as they chat about performing their 13th annual Christmas tour, bringing their kids along for the ride and mastering social media. The Good Lovelies are unanimous in their vote for favourite tour location but there is dissent in the roller coasters vs waterslides poll. Also… tambourine pants.

Amanda Martinez is a singer-songwriter whose music exultingly blends her Mexican father and South African mother’s roots with Latin soul and folklore. Her sultry, bright vocals and upbeat sound get entire audiences on their feet around the world.


Amanda chats with Heather about her work with SOS Children's Villages and the inspiration for her fourth album Libre.

With over 10 years and 4 albums to their name, Ottawa’s Amos the Transparent are a long-standing staple in the independent Canadian folk-rock world. They have performed at SXSW, WayHome, The Strombo Show, CBC’s Q, and the Big Sound Festival in Australia. Amos the Transparent are best known for their dense instrumental arrangements, layered sounds and lush harmonies. Heather speaks with the band about taking on side projects, how they approach music writing and things to do on a 15 hour drive to Halifax.

Born in a tent and raised in a cabin on the shores of a glacial lake in the Kluane region of Canada’s Yukon, country-roots artist Diyet is a seamless amalgam of cultures. Via folk music and Aboriginal forms, she channels her various linages (Southern Tutchone, Japanese, Tlingit and Scottish) into stories and melodies deeply rooted in her Indigenous world view, and northern reality.

Megan Bonnell has never been easily pigeon-holed into the predictable mold of the singer-songwriter and her new album Separate Rooms embraces this edict, turning traditional musical genres on their heads. With her hallmark honesty, Bonnell effortlessly tackles such intense subject matter as mental illness, early pregnancy loss, and the dissolution of love.