Westdoc Online Chuck Braverman

Showbiz is famous for siblings — the Coen brothers, the Marx Brothers, the Jackson 5, Warner Bros — but Bill and Turner Ross, have been gaining momentum with feature films like ”Nose Bleed and Empty Pockets,” and have created a unique format with Gasoline Rainbow: semi-scripted narrative with a documentary style. Speaking to Westdoc on our latest episode published today, they discussed sharing the director’s chair, working with five, first-time actors, a long prep and a short shooting schedule, and capturing acceptable audio on the fly.

ANDREW JARECKI, producer director of THE JINX - The Life and Deaths of Robert Durst, is even more interesting than the subjects of his films. Which is saying something, considering that his subjects include a convicted three-time murderer and family with multiple accused pedophiles (Capturing the Friedmans). He speaks to Westdoc at length about his privileged background, an accidental entrance into filmmaking, creating and running Moviefone, and a curious incident involving Harvey Weinstein.
THE JINX II is in release now on HBO MAX.

A video of a young boy in Nigeria dancing barefoot in the dirt goes viral. Soon he has a seven year scholarship at the prestigious Elmhurst Ballet School in England. Westdoc moderator Chuck Braverman interviews co-directors Matt Ogens and Joel “Kachi” Benson about their new Disney+ feature documentary MADU, shot on two continents with post-production on three. They touch on film style, point of view, social impact, budget, and the sheer joy of following Anthony Madu’s story. This is a real life “Billy Elliot” story.

n HENDRIE, comics and producers including Judd Apatow, Bill Hader, and Henry Rollins, talk about Phil Hendrie, a comic genius whose satirical radio show rocked the airwaves in the 1990s. Patrick Reynolds produced, directed, shot, and edited Hendrie on a mini budget, but his path to filmmaking was somewhat curvy; he published a boating magazine, worked as a photographer, made sizzle reels and art films. He spoke frankly with Westdoc about representation, distribution, festivals (they’re not right for every film), and budgets. Hendrie is available now on most video on demand platforms.

Available now on Westdoc, our new episode # 148 with renowned cinema vérité filmmakers Joan Churchill and Alan Barker spoke to us from the cozy living room of their Ojai, California home. We covered a wide range of subjects: improv; traditional camera gear vs iPhones; being “in the circle” when filming; the FBI, IRS, and HUAC; the historic value of cinema vérité; and their documentary workshops. The couple has four short films coming out about Oscar winning cinematographer Haskell Wexler. The conversation reveals a rich history of two people who have devoted their lives to filmmaking.

Young filmmaker Ben Proudfoot went searching for the process behind student instrument repair in the vast Los Angeles City school system, but his Oscar nominated short, The Last Repair Shop, uncovered instead a warehouse filled with human tales of struggle, endurance, and success. Proudfoot speaks to Westdoc about magic, funding, and a wealth of future projects. His wonderful short is available free on YouTube.