Writers' Guild of Alberta Podcast Writers' Guild of Alberta

This recording is from an online reading featuring finalists for the 2024 Alberta Literary Awards.
Antoinette Bekker
Astrid Blodgett
Kate Boorman
Jennifer Bowering Delisle
Natasha Deen
Julie Sedivy
Josée Thibeault

*Note. The audio volume drops at the end of the recording during Astrid Blodgett's reading. Apologies for the inconvenience*

Does bias exist in the literary world where age is concerned? Writing is hard enough in the first place, do writers also have to worry about the continued relationship with their publisher, agent, readers, and other writers in the industry as they get older? If so, in what ways? Additionally, are writers in certain genres prone to be more successful if they fall under a particular age group? Less successful? Our panelists will examine these questions and other age-related industry issues during our April Controversy @ Noon Panel.

About The Panelists
Norma Dunning – Moderator
Norma Dunning (PhD) is a Padlei Inuk writer, professor and grandmother. Dr Dunning has published in poetry, prose, fiction and nonfiction.

Kinauvit? (what’s your name?) a work of nonfiction shortlisted for the Shaughnessy Cohen prize for political writing in 2023 and Tainna (the unseen ones) received the Governor General’s Award in literary fiction in 2021. Annie Muktuk and Other Stories (2017) received the Danuta Gleed in 2018, as well as several other literary awards. Her books have been translated into French, Greek and Amharic. Aput! (snow), a children’s book, will be released in the fall of 2024.

Dunning lives in Regina where she teaches at the First Nations University of Canada.

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Rona Altrows – Panelist
Rona Altrows is a fiction writer, essayist, editor, and playwright. She believes literature plays a critical role in the fight for social justice. Her books of short fiction are A Run on Hose, Key in Lock, and At This Juncture, and her work has appeared in Queen’s Quarterly, The Prairie Journal, and many other magazines and e-zines in Canada and the US. She has edited or co-edited three anthologies, including You Look Good for Your Age, an exploration of women, aging, and ageism. Honours she has received include the W.O. Mitchell Book Prize, the Jon Whyte Memorial Essay Award, and two Independent Book Publishers awards.

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Sharon Butala – Panelist
Butala is the author of 22 books of both fiction and nonfiction and for nearly fifty years, at 83, has been writing and publishing with both major publishers and smaller companies. She has been agented since the eighties and has appeared at many festivals in Canada and the USA and made presentations in, besides Canada, the USA, Mexico, Ireland and the Czech Republic. Her many awards and prizes include the Marian Engel Award, the W.O. Mitchell/City of Calgary Award and the Glengarry Book Prize Award. She was recently shortlisted for the Writers’ Trust Fiction Prize. Her memoir, The Perfection of the Morning, was on the Canadian bestseller list for a year.

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Tololwa Mollel – Panelist
Edmonton-based Tololwa M. Mollel writes books, plays, and stories for performance for all ages in English and Kiswahili, the national language of Tanzania where he was born. He has published 24 books for the young in both languages. Some of the books are translated into various African, Asian, and European languages. Tololwa also performs stories, solo or with other performers or artists. He has been spreading his passion for story, performance and writing to the young and old through story workshops, performances and presentations in Alberta schools and communities.

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With book banning in Alberta and Canada seemingly on the rise, it’s left many wondering what this means for writers, for readers, and for the community at large. What are the ways in which censorship affects and/or impedes the literary world, and what can we do to maintain the creative freedom to read and to write what we choose to?

The ethics of writing on social issues can be a complicated topic of conversation for writers: What does it mean, really? Are certain issues off-limits for particular writers? What are the types of issues that fall under this very broad theme? How can we strive to write characters and narratives that feel meaningful, informed, and appropriate to the story we’re trying to tell? Join our group of panellists as they discuss the ethics of writing on social issues during our first Controversy @ Noon panel in 2024.

About The Panellists
Dr. Jenna Butler (she/her)
www.jennabutler.com

Dr. Jenna Butler (she/her) is an award-winning poet, essayist, mentor, and editor.

She is the author of three books of poetry, Seldom Seen Road, Wells, and Aphelion; a collection of ecological essays, A Profession of Hope: Farming on the Edge of the Grizzly Trail; and the Arctic travelogue Magnetic North: Sea Voyage to Svalbard. Her book, Revery: A Year of Bees, essays about beekeeping, climate grief, and trauma recovery, was a finalist for the 2021 Governor General’s Literary Award in Non-Fiction and a longlisted title for CBC Canada Reads 2023.

Butler teaches creative writing at the University of Saskatchewan and serves as the Environmental Writing Fellow for the Spring Creek Project and Oregon Wild. She teaches for Calgary’s Alexandra Writers’ Centre as their outgoing Writer in Residence, focusing on ecological writing. Her work has its roots in the off-grid organic farm she runs with her husband in northern Treaty 6, Alberta.

Natasha Deen
natashadeen.com

Recent works: The Spooky Sleuths series, Book three, Don’t Go Near the Water!

Guyanese-Canadian NATASHA DEEN is a best-selling author, with novels for kids, teens, and adults, and she’s a recipient of the Queen Elizabeth II Platinum Jubilee Medal. Her novel, In the Key of Nira Ghani, won the Amy Mather Teen Book Award and her most recent YA title, The Signs and Wonders of Tuna Rashad was a Globe & Mail‘s Top 100 Books for 2022. When she’s not writing, she teaches Introduction to Children’s Writing with the University of Toronto’s SCS and spends an inordinate amount of time trying to convince her pets that she’s the boss of the house.

Uchechukwu Peter Umezurike
www.instagram.com/uche_peter_umez/

Uchechukwu Peter Umezurike is the author of literary works such as there’s more (2023), Double Wahala, Double Trouble (2021), Wish Maker (2021), and a co-editor of Wreaths for a Wayfarer (2020).

Rayanne Haines (she/her)
www.rayannehaines.com/

Rayanne Haines is an award-winning author, educator, and cultural producer. She is the creator and host of the literary podcast Crow Reads, is the President of the League of Canadian Poets, and teaches at MacEwan University. Her hybrid poetry collection, Tell the Birds Your Body is Not a Gun won the 2022 Stephan G. Stephansson Alberta Literary Award and was shortlisted for both the Robert Kroetch Award and the ReLit Award. She’s been published in the Globe and Mail, Minola Review, Fiddlehead, Prairie Fire and others. A CNF poetry and essay collection exploring grief, identity, and gendered trauma is forthcoming from Frontenac House September 2024

Bibliography:
1 - https://bookriot.com/mistreatment-of-women-in-game-of-thrones/
2 - https://www.vulture.com/2019/02/kosoko-jackson-a-place-for-wolves.html#
3 - https://www.texasmonthly.com/arts-entertainment/american-dirt-book-controversy/
4 -https://lareviewofbooksorg/article/my-taco-laughs-at-you-on-death-threats-aimed-at-women-of-color-who-dont-fellate-white-supremacy/

We are thrilled to present the latest episode of the Canadian Literature Centre podcast. In this episode, also part of the “Air and Fire” series of readings and conversations this year, Hari Alluri, Alice Major, and Michelle Porter explore the literal and metaphorical significance of fire in a brilliant, wide-ranging reading and conversation.

As the presence of Artificial Intelligence evolves and its reach continues to expand, writers are forced to ask themselves: What does this mean for me and my work? The topic of AI is multi-faceted, and while AI promises endless possibilities for artists and writers alike, it also brings with it fear and uncertainty. What lines have been drawn between AI as a supplemental tool and AI as the career-crushing thief many believe it could be?