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Episode 63 on NBC Radio starring Douglas Fairbanks, Jr. Screen Directors Playhouse was a popular American radio and television anthology series which brought leading Hollywood actors to NBC Radio beginning in 1949. The radio program broadcasts adaptations of films frequently with the original directors of the films. The radio version ran for 122 episodes and aired on NBC from January 9, 1949, to September 28, 1951, under several different titles: NBC Theater, Screen Directors Guild Assignment, Screen Directors Assignment and, as of July 1, 1949, Screen Directors Playhouse. Douglas Elton Fairbanks Jr. (December 9, 1909 – May 7, 2000) was an American actor, producer, and decorated naval officer of World War II. He is best-known for starring in such films as The Prisoner of Zenda (1937), Gunga Din (1939), and The Corsican Brothers (1941). The son of Douglas Fairbanks and stepson of Mary Pickford.

Aired July 11, 1948 on NBC Radio with Howard Duff as Spade. Sam meets a mystery woman with no memory and a corpse that's been killed by a buzz saw! Sandra Gould replaces Lurene Tuttle as Effie, Sam's secretary. Poppy O'Farrell walks into Sam's office. She has lost her memory and wants Sam to try and trace who she is. All she is aware of is that she was on a cable car that morning and a man came and sat next to her, viciously grabbed her arm and told her that someone called Leverett wanted to see her.

Aired June 3, 1951 on NBC Radio. Tom Conway stars as The Saint. The Saint agrees to meet a woman’s husband on the train and ends up investigating the husband’s murder. Tom Conway (born Thomas Charles Sanders, 15 September 1904 – 22 April 1967) was a British film, television, and radio actor remembered for playing detectives (including The Falcon, Sherlock Holmes, Bulldog Drummond, and The Saint) and psychiatrists, among other roles. Conway played "The Falcon" in 10 episodes of the series, taking over from his brother, George Sanders, in The Falcon's Brother (1942), in which they both starred. He also appeared in several Val Lewton films.

Aired March 16, 1954 on NBC Radio. Frank Sinatra stars as his character Rocky witnesses the execution of the will of a wealthy woman who thinks that she's going insane. She believes that she's going to kill her husband. Rocky visits Perry Shane at his Law office. He wants Rocky to be a witness for Mrs. Biggolo's Will. Whilst they are going through the formalities of the Will Mrs. Biggolo tells Rocky that she is afraid that she is going to kill her husband. Perry is quite disturbed by this and later asks Rocky to go over to her home and keep an eye on her for a few days.

Dick Powell stars as Private Detective Richard Diamond in his Ralph Chase case on NBC Radio aired May 15, 1949.
Richard Diamond, Private Detective is an American detective drama, created by Blake Edwards, which aired on radio from 1949 to 1953, and on television from 1957 to 1960.

Described as “a modern Robin Hood". Richard Diamond, Private Detective radio series features a wisecracking former police officer turned private detective. Episodes typically open with a client visiting or calling cash-strapped Diamond's office and agreeing to his fee of $100 a day plus expenses, or Diamond taking on a case at the behest of his friend and former partner, Lt. Walter Levinson. Diamond often suffers a blow to the head in his sleuthing pursuits. Most episodes end with Diamond at the piano, singing a standard, popular song, or showtune from Powell's repertoire to Helen Asher (his girlfriend) in her penthouse at 975 Park Avenue.

Levinson was played variously by Ed Begley, Arthur Q. Bryan, Ted DeCorsia and Alan Reed. Helen was played by Virginia Gregg and others. Another regular cast member was Wilms Herbert as Walt's bumbling sergeant, Otis, who also "doubled" on the show as Helen's butler, Francis.

Many of the shows were either written or directed by Edwards. Its theme, "Leave It to Love", was whistled by Powell at the beginning of each episode.

(Wikipedia)

A collection of happenings in radio that touched our lives from the twenties through the sixties.

Ben Gross, The dean of American radio and television editors turns the dials back and forth
and summons, with a wealth of anecdotes, his own remembrance of the events
and personalities of the air waves, past and present.

For twenty-nine years, from the time of the first crystal sets to the moment when

United States Senators are the featured actors at microphones and cameras,

Ben Gross has conducted his column in the New York Daily News.