The Literary Life Podcast Angelina Stanford Thomas Banks

For this week’s “Best of The Literary Life” series episode, we revisit a conversation about George Orwell’s essay “Why I Write.” Angelina and Cindy kick off the discussion about how much they each identify with Orwell’s description of his childhood. In his story of learning to write, we see many aspects of a good education, even his inclination to imitate other authors. An important point Angelina brings up is Orwell’s own struggle against the calling he felt to write, in contrast to having an ambition to do so. Angelina brings up a related story about musician Gregory Alan Isakov, and Cindy reiterates the idea of why we need leisure in order to find our vocation.
Cindy and Angelina also bring out some of the qualities Orwell possessed that make a good writer. Maturity as a human being and as a master of a craft are crucial to certain forms of writing, as Orwell points out about his own work. Other topics of conversation include truth-telling in writing, the motives for writing according to Orwell, and the growing process of writers.
If you want to find replays of the 2019 Back to School online conference referenced in this episode, you can purchase them in Cindy’s shop at MorningTimeforMoms.com. For replays of the How to Love Poetry webinar with Thomas, you can find those at HouseofHumaneLetters.com.
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
Commonplace Quotes: Never had she seen it so clearly as on this evening — what destiny had demanded of her and what it had given her in return with her seven sons. Over and over again joy had quickened the beat of her heart; fear on their behalf had rent it in two. They were her children, these big sons with their lean, bony, boy’s bodies, just as they had been when they were small and so plump that they barely hurt themselves when they tumbled down on their way between the bench and her knee. They were hers, just as they had been back when she lifted them out of the cradle to her milk-filled breast and had to support their heads, which wobbled on their frail necks the way a bluebell nods on its stalk. Wherever they ended in the world, wherever they journeyed, forgetting their mother– she thought that for her, their lives would be like a current in her own life; they would be one with her, just as they had been when she alone on this earth knew about the new life hidden inside, drinking from her blood and making her cheeks pale.
Sigrid Undset, from Kristen Lavransdatter Orwell was a poet who happened to find his medium in prose, a poet not so much in his means of expression as in the nature of his vision, which could strip the sprawling tangle of the world around him down to its core with the simplicity of a timeless flash of intuition.
C. M. Wodehouse, from the introduction to Animal Farm Veni, Creator Spiritus by John Dryden
Creator Spirit, by whose aid
The world’s foundations first were laid,
Come, visit ev’ry pious mind;
Come, pour thy joys on human kind;
From sin, and sorrow set us free;
And make thy temples worthy Thee.
O, Source of uncreated Light, 
The Father’s promis’d Paraclete! 
Thrice Holy Fount, thrice Holy Fire, 
Our hearts with heav’nly love inspire; 
Come, and thy Sacred Unction bring 
To sanctify us, while we sing! 
Plenteous of grace, descend from high, 
Rich in thy sev’n-fold energy! 
Thou strength of his Almighty Hand, 
Whose pow’r does heav’n and earth command: 
Proceeding Spirit, our Defence, 
Who do’st the gift of tongues dispence, 
And crown’st thy gift with eloquence! 
Refine and purge our earthly parts; 
But, oh, inflame and fire our hearts! 
Our frailties help, our vice control; 
Submit the senses to the soul; 
And when rebellious they are grown, 
Then, lay thy hand, and hold ’em down. 
Chase from our minds th’ Infernal Foe; 
And peace, the fruit of love, bestow; 
And, lest our feet should step astray, 

This week on The Literary Life we return to the podcast vault for a re-airing of Episode 11, in which Cindy Rollins and Angelina Stanford enjoy a discussion of the short story “Araby” by James Joyce.
Delving into “Araby,” Angelina talks about the history and development of the short story form. Cindy gives a little of her own background with reading James Joyce and why she loves his short stories. Angelina and Cindy also discuss the essential “Irishness” of this story and all the tales in The Dubliners. Angelina walks us through the story, highlighting the kinds of questions and things we should look for when reading closely. Themes discussed in this story include: blindness and sight, light and darkness, romanticism, religious devotion, the search for truth, money, courtly love, and the knight’s quest.
If you want to find replays of the 2019 Back to School online conference referenced in this episode, you can purchase them in Cindy’s shop at MorningTimeforMoms.com.
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
Commonplace Quotes: Whoever wants to become a Christian must first become a poet.
St. Porphyrios of Kafsokalyvia A ritual for letting a son or daughter go free, handing them over under the protection of God, is not something that we naturally include as part of growing up today in the West. Yet we are here reminded of one of the most important steps of all of the transitions in life, moving from the confines of the family into freedom and maturity.
Esther de Waal Huxley Hall by John Betjemen
In the Garden City Cafe‚ with its murals on the wall
Before a talk on “Sex and Civics” I meditated on the Fall.

Deep depression settled on me under that electric glare
While outside the lightsome poplars flanked the rose-beds in the square.

While outside the carefree children sported in the summer haze
And released their inhibitions in a hundred different ways.

She who eats her greasy crumpets snugly in the inglenook
Of some birch-enshrouded homestead, dropping butter on her book

Can she know the deep depression of this bright, hygienic hell?
And her husband, stout free-thinker, can he share in it as well?

Not the folk-museum’s charting of man’s Progress out of slime
Can release me from the painful seeming accident of Time.

Barry smashes Shirley’s dolly, Shirley’s eyes are crossed with hate,
Comrades plot a Comrade’s downfall “in the interests of the State”.

Not my vegetarian dinner, not my lime-juice minus gin,
Quite can drown a faint conviction that we may be born in Sin.
Book List: To Pause on the Threshold by Esther de Waal
The Dubliners by James Joyce
Ulysses by James Joyce
A Portrait of the Artist as a Young Man by James Joyce
Angela’s Ashes by Frank McCourt
The Abbot by Sir Walter Scott
The Memoirs of Vidocq by Eugene Françios Vidocq
Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!
Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/
Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!
Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week on The Literary Life, we are dipping back into the archives for one of our “Best of” series of episodes. In this week’s remix from Season 1, Angelina Stanford and Cindy Rollins discuss Guy de Maupassant’s short story “The Necklace.” Before getting into the short story discussion, Cindy and Angelina chat about what a “commonplace book” is and how they each go about recording quotes and thoughts, including the QuoteBlock app.
First off, Angelina gives us a little background on the author Guy de Maupassant and some information on French naturalism. Then she digs into her thoughts on how this story is a fairy tale in reverse and what that might mean in context. Cindy points out the perfection of de Maupassant’s writing and his economy of style. They also bring up some of the formal elements of the story, particularly the key role the reversal takes in the plot. The main themes they find in “The Necklace” touch on common human struggles with ambition, discontentment, loss, suffering and gratitude.
If you want to find replays of the 2019 Back to School online conference referenced in this episode, you can purchase them in Cindy’s shop at MorningTimeforMoms.com.
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
Check out the brand new publishing wing of House of Humane Letters, Cassiodorus Press! You can sign up for that class or any of the HHL Summer Classes here. Sign up for the newsletter at HouseofHumaneLetters.comto stay in the know about all the exciting new things we have coming up!
Commonplace Quotes: If you trust in yourself, and believe in your dreams, and follow your star, you’ll still get beaten by people who spent their time working hard and learning things and weren’t so lazy.
Terry Pratchett, from Wee Free Men “A vocation is a gift,” said Dame Ursula. “If it has been truly given to you, you will find the strength.”
Rumer Godden, from In This House of Brede On First Looking Into Chapman’s Homer by John Keats
Much have I travell’d in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow’d Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star’d at the Pacific—and all his men
Look’d at each other with a wild surmise—
Silent, upon a peak in Darien.
Books Mentioned: Wee Free Men by Terry Pratchett
Kristen Lavransdatter by Sigrid Undset
In This House of Brede by Rumor Godden
Gustave Flaubert
O. Henry
Somerset Maugham
Henry James
Kate Chopin
Anton Chekhov
Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!
Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/
Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!
Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

On The Literary Life Podcast this week, Angelina and Thomas wrap up their series on Anne Brontë’s Agnes Grey. In this final episode on this beautiful Victorian novel, our hosts begin with their commonplace quotes which lead into the book discussion and the Victorian ideas about the supernatural. They talk about the major plot points here at the end of this book, contrasting the way Jane Austen dealt with these sorts of stories in contrast with Anne Brontë’s treatment of Agnes Grey. Some highlights of the conversation include thoughts on the world of education, the rebirth and reversal scene, and the question of how this story rates in terms of art versus didacticism.
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
Check out the brand new publishing wing of House of Humane Letters, Cassiodorus Press! You can sign up for that class or any of the HHL Summer Classes here. Sign up for the newsletter at HouseofHumaneLetters.comto stay in the know about all the exciting new things we have coming up!
Commonplace Quotes: Praise is a cripple; blame has wings to fly.
La louange est sans pieds et le blame a des ailes.
Victor Hugo The idea of the supernatural was perhaps at as low an ebb as it had ever been–certainly much lower than it is now. But in spite of this, and in spite of a certain ethical cheeriness that was almost de rigueur–the strange fact remains that the only sort of supernaturalism the Victorians allowed to their imaginations was a sad supernaturalism. They might have ghost stories, but not saints’ stories. They could triple with the curse or unpardoning prophecy of a witch, but not with the pardon of a priest. They seem to have held (I believe erroneously) that the supernatural was safest when it came from below. When we think (for example) of the uncountable riches of religious art, imagery, ritual and popular legend that has clustered round Christmas through all the Christian ages, it is a truly extraordinary thing to reflect that Dickens (wishing to have in The Christmas Carol a little happy supernaturalism by way of a change) actually had to make up a mythology for himself.
G. K. Chesterton, The Victorian Age in Literature A Selection from Rabbi Ben Ezra By Robert Browing
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith "A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!' Book List: God’s Funeral by A. N. Wilson
Grace Abounding to the Chief of Sinners by John Bunyan
Jane Eyre by Charlotte Brontë
Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!
Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/
Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome back to The Literary Life Podcast and the continuation of our series on Anne Brontë’s Agnes Grey. Angelina and Thomas open with their commonplace quotes which lead into the book discussion. Angelina kicks it off with a comparison between the work of the Brontës and Jane Austen’s writing which will continue throughout the conversation. Thomas and Angelina also look at the expectations of Victorians for courtship and marriage, the ways Anne Brontë weaves this tale as a variation on other themes, the true woman versus the false woman, and more!
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
In August, Angelina Stanford will guide us through the world of Harry Potter as she shows us its literary influences and its roots in the literary tradition. You can sign up for that class or any of the HHL Summer Classes here. Sign up for the newsletter at HouseofHumaneLetters.com to stay in the know about all the exciting new things we have coming up!
Commonplace Quotes: The ideal of education is that we should learn all that it concerns us to know, in order that thereby we may become all that it concerns us to be. In other words, the aim of education is the knowledge not of facts but of values. Values are facts apprehended in their relation to each other, and to ourselves. The wise man is he who knows the relative value of things.
William Ralph Inge, from The Church in the World But while Emily Brontë was as unsociable as a storm at midnight, and while Charlotte Brontë was at best like that warmer and more domestic thing, a house on fire–they do connect themselves with the calm of George Eliot, as the forerunners of many later developments of the feminine advance. Many forerunners (if it comes to that) would have felt rather ill if they had seen the things they foreman. This notion of a hazy anticipation of after history has been absurdly overdone: as when men connect Chaucer with the Reformation; which is like connecting Homer with the Syracusan Expedition. But it is to some extent true that all these great Victorian women had a sort of unrest in their souls. And the proof of it is that… it began to be admitted by the great Victorian men.
G. K. Chesterton, The Victorian Age in Literature The Recommendation By Richard Crashaw
These houres, and that which hovers o’re my End,
Into thy hands, and hart, lord, I commend.

Take Both to Thine Account, that I and mine
In that Hour, and in these, may be all thine.

That as I dedicate my devoutest Breath
To make a kind of Life for my lord’s Death,

So from his living, and life-giving Death,
My dying Life may draw a new, and never fleeting Breath. Book List: Mansfield Park by Jane Austen
Jane Eyre by Charlotte Brontë
Pride and Prejudice by Jane Austen
Emma by Jane Austen
Antony and Cleopatra by William Shakespeare
The Taming of the Shrew by William Shakespeare
Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!
Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/
Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB
 

On this week’s episode of The Literary Life Podcast, Angelina and Thomas continue their series of discussions on Anne Brontë’s novel Agnes Grey. They open the conversation about this novel with some thoughts on the differences between Agnes Grey and Jane Eyre and Anne and Charlotte Brontë. Angelina poses the question as to whether this novel crosses the line into didacticism or if it stays within the purpose of the story and the art.
In discussing the education of Agnes’ charges in these chapters, Angelina has a chance to expand upon the upbringing of Victorian young women. She and Thomas discuss the position of the curate and Agnes’ spiritual seriousness, as well as the characters of Weston and Hatfield as foils for each other. Thomas closes out the conversation with a question as to whether Agnes Grey is as memorable a character as Jane Eyre or Catherine Earnshaw and why that is.
Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.
In July, Dr. Jason Baxter will be teaching a class titled “Dostoyevsky’s Icon: Brothers Karamazov, The Christian Past, and The Modern World”, and you can sign up for that or any of the HHL Summer Classes here. Sign up for the newsletter at HouseofHumaneLetters.com to stay in the know about all the exciting new things we have coming up!
Commonplace Quotes: In wit, as nature, what affects our hearts/ Is not the exactness of peculiar parts;/ ‘Tis not a lip, or eye, we beauty call,/ But the joint force and full result of all.
Alexander Pope, from “An Essay on Criticism” In any case, it is Charlotte Brontë who enters Victorian literature. The shortest way of stating her strong contribution is, I think, this: that she reached the highest romance through the lowest realism. She did not set out with Amadis of Gaul in a forest or with Mr. Pickwick in a comic club. She set out with herself, with her own dingy clothes and accidental ugliness, and flat, coarse, provincial household; and forcibly fused all such muddy materials into a spirited fairy-tale.
G. K. Chesterton, The Victorian Age in Literature My Heart Leaps Up By William Wordsworth
My heart leaps up when I behold
A Rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the man;
And I wish my days to be
Bound each to each by natural piety. Book List: Ten Novels and Their Authors by W. Somerset Maugham
1984 by George Orwell
The Jungle by Upton Sinclair
Charlotte Mason
Hugh Walpole
George Eliot
Wuthering Heights by Emily Brontë
Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!
Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/
Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB