100 episodios

Deconstructing Comics is a podcast about the craft of comics. Tim, Kumar, Emmet, and guest reviewers discuss a variety of comics (both recent work and classics) and present interviews with a variety of comics creators -- mainstream, indy, and even international! And in our occasional "Critiquing Comics" episodes, We'll even critique YOUR comic!



Whether you’ve got a comic going and you’re trying to promote it, or you haven’t even started yet and need some help getting rolling, we hope you’ll come here for inspiration and tips. And there’s plenty of interest for the casual comic book or graphic novel fan, as well!



"Tim is probably the hardest working podcaster in the community. He's an insightful and articulate comic reviewer and somebody I always enjoy talking to." -- Jason McNamara, writer, "The Rattler"



“Some of the best interviews I’ve ever heard! You guys review the type of comics I love and that’s really hard to find. So thanks for unique and knowledgeable.” -- Jack Wallace, Disposable Fiction Comics

Deconstructing Comics Tim

    • Arte

Deconstructing Comics is a podcast about the craft of comics. Tim, Kumar, Emmet, and guest reviewers discuss a variety of comics (both recent work and classics) and present interviews with a variety of comics creators -- mainstream, indy, and even international! And in our occasional "Critiquing Comics" episodes, We'll even critique YOUR comic!



Whether you’ve got a comic going and you’re trying to promote it, or you haven’t even started yet and need some help getting rolling, we hope you’ll come here for inspiration and tips. And there’s plenty of interest for the casual comic book or graphic novel fan, as well!



"Tim is probably the hardest working podcaster in the community. He's an insightful and articulate comic reviewer and somebody I always enjoy talking to." -- Jason McNamara, writer, "The Rattler"



“Some of the best interviews I’ve ever heard! You guys review the type of comics I love and that’s really hard to find. So thanks for unique and knowledgeable.” -- Jack Wallace, Disposable Fiction Comics

    Jack Kirby's "The Eternals" 1-4: Chariots of the Superheroes?

    Jack Kirby's "The Eternals" 1-4: Chariots of the Superheroes?

    So many Jack Kirby creations focus on gods, from The Mighty Thor to New Gods; he picked up concepts from myth or elsewhere and made them his. Kirby’s The Eternals makes no bones about where its inspiration came from: Erich von Däniken’s 1968 book Chariots of the Gods?. This week Tim and Emmet discuss the first four issues, from 1976. And play along with Emmet in the ongoing game “Did someone lift this idea from Kirby?”

    Brought to you by:



    * Worst Collection Ever podcast

    * Our supporters on Patreon



     

    • 1h
    Critiquing Comics: "Clover and Cutlass" and "Coiled to Strike"

    Critiquing Comics: "Clover and Cutlass" and "Coiled to Strike"

    Clover and Cutlass is a Dungeons and Dragons-inspired fantasy YA comedy web comic by Toby Boyd. Adam joins Tim to discuss. Coiled to Strike is an anthology book from Wildstar Press, featuring numerous artists and writers, focused on the adventures of legendary wild west antihero Emory Graves. Jason joins Tim to critique.

    Brought to you by:







    * The Law of Equivalent Exchange: A Fullmetal Alchemist manga podcast

    * Our supporters on Patreon

    • 43 min
    Reviews: "Fiendish" and "Safer Places"

    Reviews: "Fiendish" and "Safer Places"

    Friend of the show Irene Strychalski, former artist of such Marvel titles as Gwenpool and Silk, has been focused on her original title Fiendish, a lushly drawn (and colored, by Carlos Nicolas Zamudio) fantasy story. This week, Tim and Patrick discuss the first two volumes.

    Also, Tim presents a mini-review of Safer Places by Kit Anderson, another book from our friends at Avery Hill.

    Brought to you by:







    * BAT 77: The ’70s Batman podcast

    * Our supporters on Patreon

    • 30 min
    "Berserk" v. 13 & 14: Is this scene necessary?

    "Berserk" v. 13 & 14: Is this scene necessary?

    Berserk volume 12 left us at a crucial point: The Band of the Hawk were to be sacrificed so that Griffith can join the Godhand. Horrified, Tim and Kumar moved quickly on to volume 13, which left us… horrified, in a less fun way. Casca is raped, in an unnecessarily long, confusing, and (ick) titillating scene (and we have to talk about it, so be warned).

    The rest of 13 and the start of 14 finally bring us up to the status quo of the first 2 1/2 volumes, and get us started on a new story of Guts and Puck which…. doesn’t seem to move the story forward at all. While there are good points, our feelings about Kentaro Miura‘s series have become more complicated. And, by the way, how necessary was this 11-volume flashback?

    Brought to you by:







    * Who’s Who podcast

    * Our supporters on Patreon

    • 1h 9 min
    "Feeding Ghosts": a story of Chinese history and family trauma

    "Feeding Ghosts": a story of Chinese history and family trauma

    This week, an interview with Tessa Hulls, author of the graphic memoir Feeding Ghosts. It’s about her Chinese grandmother’s persecution by Chairman Mao’s government, the mental illness that resulted, the effect that had on Tessa’s mother and then on Tessa herself. It’s about Chinese history, trauma, psychology, family relationships, and more. Tim interviews Tessa about the book and how she learned to make comics, and then Emmet joins Tim to review the book.

    Brought to you by:



    * To the Batpoles! podcast

    * Our supporters on Patreon



     

    • 1h
    “City of Glass”: Adapting a Novel to Comics

    “City of Glass”: Adapting a Novel to Comics

    FLASHBACK! Paul Karasik and David Mazzucchelli’s comics version of City of Glass, a 1985 novel by Paul Auster, is an amazing adaptation of an unfilmable novel. Tim and Kumar assess the herculean task of adapting it, in probably the only medium capable of doing so: comics! We re-present this episode in observance of Auster’s passing on April 30 at age 77. Originally published February 16, 2009.

    • 58 min

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