Failure to Franchise Trev & Chris

"Summer Sweeps" rolls on, with our look at Michael Mann's 2006 adaptation of his classic '80s detective series, Miami Vice. Coming back to the property that played a big part in making his Hollywood career, and doing so with a recently minted movie star in Colin Farrell and recent Academy Award winner Jamie Foxx, probably seemed like a can't-lose scenario for Mann. But the movie version of Miami Vice was a notoriously chaotic and even dangerous production, before the film itself was released to lackluster box-office and confused reactions from audiences and critics alike, many of whom seem befuddled the film was so different than the show that inspired it. In recent years, the movie has been reclaimed by a devoted cult of fans who say it was simply ahead of its time. So who's right - the Vice-heads, or the original detractors? 
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Our "Summers Sweep" look at failed movie adaptations of classic TV series continues, with one of the more "movies that time forgot" entries we've ever covered: the 1999 update of the late 60s/early 70s, "youth-delinquents-turned-undercover-cops" detective series, The Mod Squad. Despite an impressive cast - including Claire Danes, Omar Epps, Giovanni Ribisi, Dennis Farina, Josh Brolin, and Richard Jenkins - the Mod Squad movie still failed to make much of an impact with critics or audiences at the time of its release...or in the years since. Could it be that trying to update a premise so inextricably tied to a particular time-period and youth movement was a bad idea? We ponder this question and more, while also discussing the importance of exposition in origin stories, the value of commercial tie-ins with Levis Jeans, and the risks of "going Full Ribisi." So take a listen, if you can dig it, daddy-o.
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May is here, and that means it's time for "Summer Sweeps," a five-episode look at failed cinematic adaptations of classic television series. First up, The Avengers. No, not those Avengers! We're talking about the 1998 attempted-blockbuster, starring Ralph Fiennes, Uma Thurman, and Sean Connery, based on the cult-classic British spy action-comedy series of the '60s. While the original show - which had a fascinating development history - was popular in both the UK and North America, and made stars out of both Patrick Macnee and Diana Rigg, the '98 movie was, well, less well-received. But what went wrong? Does the movie manage to capture the campy-charm of its source material? Can the entirety of a decade-spanning, ever-evolving series really be encapsulated in a 90-minute movie? And is there a potentially more successful longer-cut of the film, waiting to be seen? We discuss all this, and more! 
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"Evil Easter" concludes, with a look at 2013's Evil Dead...uhhh, remake? Reboot? Re-imagining? Look, whatever you want to call it, it's another movie where a bunch of kids in a cabin get murdered by demonic forces, okay? The question is, without the franchise's beloved, iconic leading man, Bruce Campbell, and with series director Sam Raimi now just in a producer role instead of in the director's chair, could new director Fede Alvarez and a brand new cast manage to capture the bloody-good-time spirit of the original trilogy? And what tone would the 2013 entry even aim for, given the tonal smorgasbord of the first three movies? Come with us as we head to the cabin, stupidly read from the obviously evil book, and seek to answer these questions, and more.
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Our "Evil Easter" month kicks off with Evilspeak, from 1981...or, uh, 1982. Look, we'll explain. All you need to know is this a Satanic Panic-fueled story of a bullied young cadet at a military academy who uses an Apple II computer to translate the Latin passages in a mysterious old book he finds, in the process allowing demonic forces to take over the computer, and - eventually - him, as well. Yeah, yeah, a really common story, but this one has Clint Howard in his first movie leading role! A gory cult classic that was intense enough to end up on the infamous UK "Video Nasties" list, Evilspeak still didn't manage to earn any sequels, even in a decade quick to create supernatural-slasher franchises when it could. So, what happened? We discuss this, as well as our thoughts on the film, and Clint Howard as a performer, in general.
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"Monster March Madness" concludes with our look at 2007's totally-normal-named Dragon Wars: D-War, the first South Korean film to receive a wide theatrical release in North America! Wow, with a fact like that, it must be something special, right? Well, yeah, sorta...just not in the way you might think. Join us as we discuss the film's, uh, interesting writer/director, Shim Hyung-rae, before delving into Dragon Wars' FX, characters, and narrative decisions. Take our word for it...this is a wild one.
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