7 min

"INTERRUPTIONS" WE INSIST/IT COULD HAVE BEEN MY SON RainJive Live From Chicago

    • Arte

In BAM, The Black Arts Movement, the idea of the ASE, or the vital force, is released through the music, and vocalizations or utterances; these elements permeate the poetry and music of black artists and poets of the 1960's.  The civil rights movement was gathering momentum by the end of the 1960's. But it seemed to be still starting and stopping. Desegregation began with the sit-in movement at a Woolworth's lunch counter in Greensboro, NC. July 25, 1960.  Dr. King was arrested for trespassing along with 51 other followers at Rich's restaurant in Atlanta, an all white establishment. Early in 1961, the Freedom Fighters and the Student Non-Violent Coordinating Committee met for the first time. These activities took place on April 15, 1961. Max Roach was about to create the most overt political jazz recording made up to that date. He brought in his quintet and several other guest artists. The "Freedom Now Suite" was recorded at the Nola studios in New York. (McMichael 1998)

There is a relationship between The Black Arts Movement and the direction that experimentation occurred in the jazz community in the 1960's. There were innovative uses of vocalizations, sounds, meanings that were interpretative. It was through poetry and music. These were the sites where the artist began to talk back to the power structure. There was not just one single cohesive philosophy regarding the Black Arts Movement and the music of that era. (Roach 2012)



WE INSIST/IT COULD HAVE BEEN MY SON                               patricia rain gianneschi/monica guidry kelsie


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Send in a voice message: https://podcasters.spotify.com/pod/show/patricia-rain-gianneschi/message

In BAM, The Black Arts Movement, the idea of the ASE, or the vital force, is released through the music, and vocalizations or utterances; these elements permeate the poetry and music of black artists and poets of the 1960's.  The civil rights movement was gathering momentum by the end of the 1960's. But it seemed to be still starting and stopping. Desegregation began with the sit-in movement at a Woolworth's lunch counter in Greensboro, NC. July 25, 1960.  Dr. King was arrested for trespassing along with 51 other followers at Rich's restaurant in Atlanta, an all white establishment. Early in 1961, the Freedom Fighters and the Student Non-Violent Coordinating Committee met for the first time. These activities took place on April 15, 1961. Max Roach was about to create the most overt political jazz recording made up to that date. He brought in his quintet and several other guest artists. The "Freedom Now Suite" was recorded at the Nola studios in New York. (McMichael 1998)

There is a relationship between The Black Arts Movement and the direction that experimentation occurred in the jazz community in the 1960's. There were innovative uses of vocalizations, sounds, meanings that were interpretative. It was through poetry and music. These were the sites where the artist began to talk back to the power structure. There was not just one single cohesive philosophy regarding the Black Arts Movement and the music of that era. (Roach 2012)



WE INSIST/IT COULD HAVE BEEN MY SON                               patricia rain gianneschi/monica guidry kelsie


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Send in a voice message: https://podcasters.spotify.com/pod/show/patricia-rain-gianneschi/message

7 min

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