Renaissance Man - Philip Brunelle and Music Tim Brunelle

This episode features Philip speaking with Plymouth Church's "Engaging with Aging" group about his childhood and early career, his relationship with his mother, and the importance of gratitude, providence and curiosity in establishing a remarkable career and life.

When we proposed this podcast episode to define a theoretical "MBA of Philip Brunelle," his response was, "good luck." Turns out there's plenty to reveal. And it all starts with that most important trait/skill/characteristic: Curiosity. "It must be your north star," Philip replies. We began at the beginning: 55 years ago Philip founded an arts organization. We discuss where the name VocalEssence came from. And we talk about what constitutes his approach—as a startup going from zero to "n." Philip details a deliberate mindset, a vision which informed how VocalEssence (at the time called the Plymouth Music Series) operated. We discuss consistent Philip's approach to managing, hiring, budgets, rehearsing and board relations. Then we talked about the importance of truly understanding your audience. As Philip puts it, VocalEssence's audience is, "always willing to hear new things, provided they are produced top notch. They know they will be challenged (by the repertoire) but they also know the performance will be world class." Finally, we dive into Philip's reaction to a non-profit fundraising challenge articulated by the author and educator Seth Godin. This episode ends with "The Earth Adorned" by performed by the Plymouth Congregational Church in Minneapolis choir from the album Praise And Thanksgiving—Music And Spoken Word.

Here's an episode for anyone curious about how a 55+ year old choral arts organization continues to thrive through its operational leadership. This Thanksgiving weekend we're turning our gratitude to VocalEssence Executive Director Mary Ann Aufderheide to celebrate her 20+ years helping lead the organization. So much to uncover in this episode, including her journey to VE, decades of lessons learned, insights around arts leadership, the evolution of arts management, and the challenges and joys of evolving a leadership role alongside an organization co-founder. Philip, Tim and Mary Ann discuss the balance of executive versus artistic leadership, the evolving role of an arts org board, and Mary Ann's highlights over the past 20 years. Thanks for your remarkable era of leadership, Mary Ann!

Philip loves jokes and puns. So let's start there as a prelude to describing the 55th seasons at both VocalEssence and Plymouth Congregational Church in Minneapolis. Turns out various choir members have given Philip books of jokes and riddles, along with many other trinkets over the decades so we discussed that tradition. Then we worked through the many highlights of VocalEssence's 55th season, noting numerous new choral commissions, various collaborations, the challenge of selecting just 90 minutes of "favorites" from 55 years of curating and commissioning, and the return (in March) of Melanie DeMore—listen to Philip's interview with Melanie from episode 09 (link below). The second half of this episode focuses on the diverse repertoire selected for Plymouth from September to June, again highlighting lots of new commissions. The episode ends with a 2010 VocalEssence recording of the American folks song "Oh Dear! What Can the Matter Be" arranged by Norman Luboff.

NOTES

VocalEssence's 55th Season
https://www.vocalessence.org/event/subscribe-vocalessence-2023-2024-season/

Melanie DeMore Interview (episode 9)
https://soundcloud.com/renaissanceman-352514445/09-protest-music-with-melanie-demore

We're each a product of our times and experiences. In this episode Philip retraces some historic moments to uncover insights across 80 years of choral direction, church music and artistic leadership. We discuss his favorite church organs around the world. That moment at the New York Philharmonic in June 1968 holding the score to Gunther Schuller's Concerto for Doublebass and Chamber Orchestra, while sitting between Leonard Bernstein and Aaron Copland. And the opportunities and challenges when shifting from performer to leader. We get Philip's perspective on the word "retirement," to wit, "I'm not going to." And his advice to signers, conductors, organizational leaders and audiences.

23 - St Olaf ACDA Interview by Tim Brunelle