198 episodes

INTERVIEWING THE LEGENDS is devoted to promoting musicians worldwide. We spotlight exclusive in-depth interviews with both legendary and up and coming music artists and celebrities. We also feature the movers and shakers of the music and publishing industries.  

WHERE HAVE ALL THE ROCK STARS GONE?

Rock and Roll, the Blues, and Jazz are America’s contribution to the arts, so why are we not fighting to preserve our own musical legacy and culture?

With roots from the early blues pioneers, the longevity of rock and roll is second to none. But strangely enough, those legendary rock heroes that we were so accustomed to hearing every time we turned our radios on, had mysteriously vanished from the mainstream. The music of the 1960s, 70s, and even the 80s was an important juncture in all of our lives. So many of us timeline life’s precious moments with the music we remember, when the music was so great, when the music mattered. The baby boomer generation is financially imperative to many, yet many of its entertainment standards have been renounced.

One day, the plug was pulled on those legendary music artists. Hackers began stealing music across the internet. Online music stores popularized cheap digital singles and neglected to promote full-length albums. Radio stations changed formats to accommodate talk show radio jocks, while rappers and electronic dance music menaced the airwaves. Notorious record companies began folding in droves. Record companies and radio stations that were once owned and operated by visionaries, were now run by accountants and lawyers, and the music world began promoting untalented wannabes. The economy plummeted, and radio stations became more concerned about how many consecutive commercials they could run instead of providing quality radio programming and entertainment value. Radio stations became corporate machines leaving no room for innovation. Throughout the 2000s, recording studios and live performances began using an audio processor called “Auto-Tune” to disguise off-key inaccuracies in vocal tracks. The device allowed virtually anyone without music skills to become a singer and new waves of mainstream radio stars were instantly fabricated. The business of music became stronger and more important than the art of music.

For more than a decade, I’ve been on a rock and roll pilgrimage to help promote and save the greatest music the world has ever known. Before the internet and Napster, virtuoso musicians traditionally introduced their music by way of mainstream radio stations while anxious music enthusiasts hurried to their favorite record stores and purchased a copy of the artist’s latest release. Talk radio wasn’t popular because there was way too much great music to play over the airwaves. Advertisers didn’t rule the airwaves, the music did. Rock legends toured the world to promote their latest albums and prices of concert tickets were extremely affordable. Proficient musicians, singers, and songwriters are what made the music so great.

 

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Interviewing the Legends: Rock Stars & Celebs Rock Raymond

    • Music

INTERVIEWING THE LEGENDS is devoted to promoting musicians worldwide. We spotlight exclusive in-depth interviews with both legendary and up and coming music artists and celebrities. We also feature the movers and shakers of the music and publishing industries.  

WHERE HAVE ALL THE ROCK STARS GONE?

Rock and Roll, the Blues, and Jazz are America’s contribution to the arts, so why are we not fighting to preserve our own musical legacy and culture?

With roots from the early blues pioneers, the longevity of rock and roll is second to none. But strangely enough, those legendary rock heroes that we were so accustomed to hearing every time we turned our radios on, had mysteriously vanished from the mainstream. The music of the 1960s, 70s, and even the 80s was an important juncture in all of our lives. So many of us timeline life’s precious moments with the music we remember, when the music was so great, when the music mattered. The baby boomer generation is financially imperative to many, yet many of its entertainment standards have been renounced.

One day, the plug was pulled on those legendary music artists. Hackers began stealing music across the internet. Online music stores popularized cheap digital singles and neglected to promote full-length albums. Radio stations changed formats to accommodate talk show radio jocks, while rappers and electronic dance music menaced the airwaves. Notorious record companies began folding in droves. Record companies and radio stations that were once owned and operated by visionaries, were now run by accountants and lawyers, and the music world began promoting untalented wannabes. The economy plummeted, and radio stations became more concerned about how many consecutive commercials they could run instead of providing quality radio programming and entertainment value. Radio stations became corporate machines leaving no room for innovation. Throughout the 2000s, recording studios and live performances began using an audio processor called “Auto-Tune” to disguise off-key inaccuracies in vocal tracks. The device allowed virtually anyone without music skills to become a singer and new waves of mainstream radio stars were instantly fabricated. The business of music became stronger and more important than the art of music.

For more than a decade, I’ve been on a rock and roll pilgrimage to help promote and save the greatest music the world has ever known. Before the internet and Napster, virtuoso musicians traditionally introduced their music by way of mainstream radio stations while anxious music enthusiasts hurried to their favorite record stores and purchased a copy of the artist’s latest release. Talk radio wasn’t popular because there was way too much great music to play over the airwaves. Advertisers didn’t rule the airwaves, the music did. Rock legends toured the world to promote their latest albums and prices of concert tickets were extremely affordable. Proficient musicians, singers, and songwriters are what made the music so great.

 

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    Kim Wilson and The Fabulous Thunderbirds Celebrate 50 Years w/Critically Acclaimed Release!

    Kim Wilson and The Fabulous Thunderbirds Celebrate 50 Years w/Critically Acclaimed Release!

    THE FABULOUS THUNDERBIRDS CELEBRATE 50TH ANNIVERSARY 

    WITH NEW ALBUM ‘STRUCK DOWN’

    ZOOM SPECIAL EVENT WITH FRONTMAN KIM WILSON ON INTERVIEWING THE LEGENDS

     

    Hello everyone and welcome to another edition of Interviewing the Legends I’m your host Ray Shasho.

    The Fabulous Thunderbirds, who will celebrate their 50th anniversary with the release of their first studio album in eight years, Struck Down, on June 28th. The album’s first single, “Payback Time,” featuring Billy Gibbons, is out now.

    Struck Down also features special guests Bonnie Raitt, Taj Mahal, Keb’ Mo’ and Mick Fleetwood on the album’s lone cover song, a scintillating take on Memphis Minnie’s “Nothing in Rambling.” Additional contributions on the new disc come from Elvin Bishop, Terrance Simien and Canadian blues guitar ace Steve Strongman, who co-wrote with Kim Wilson nine of the album’s 10 tracks.

    Formed in 1974, The Fabulous Thunderbirds is a familiar name for anyone into contemporary blues and blues rock.  This is the band that created classic albums like T-Bird Rhythm and Tuff Enuff. Powered by hits like the title track and “Wrap It Up,” Tuff Enuff went platinum, selling more than one million copies. Led by founding member Kim Wilson, The Fabulous Thunderbirds have been nominated for Grammy Awards six times and for Blues Music Awards more than 20 times.  The Fabulous Thunderbirds continue to tour internationally, selling out venues and headlining festivals with the current line-up of Kim Wilson on vocals and harmonica, Johnny Moeller on guitar, Bob Welsh on keyboards and guitar, Rudy Albin on drums and Steve Kirsty on bass.

    Please welcome American blues singer and harmonica player, best known as the frontman and band leader of the Fabulous Thunderbirds KIM WILSON to Interviewing the Legends …

     

    PREORDER

     THE NEW ALBUM

    BY

    THE FABULOUS THUNDERBIRDS

    Entitled

    ‘STRUCK DOWN’

    The Fabulous Thunderbirds Celebrate 50th Anniversary with the Release of First Studio Album in Eight Years, Struck Down, Coming June 28th on Stony Plain Records

    Listen to the first single “Payback Time.”

    (featuring Billy Gibbons)

    Pre-Order/Pre-Save the Album

    https://stonyplainrecords.com/fabulousthunderbirds/

     

    “The Very Best Fabulous Thunderbirds album to date! Grammy worthy! This album has it all…

    legendary guest artists, and every track is a great track! Several may already be considered classics.”

    5 stars

    … By Music Journalist Ray Shasho

     

    FOR MORE INFORMATION

    ABOUT

    KIM WILSON

    AND

    THE FABULOUS THUNDERBIRDS

    VISIT

    https://fabulousthunderbirds.com/

    Official website

    https://www.facebook.com/fabulousthunderbirds/

    Facebook

    https://www.instagram.com/fabuloustbirds/

    Instagram

    https://twitter.com/ThunderFabulous

    Twitter

    https://www.youtube.com/channel/UCfAXkyD5vxFXypN4ZqcF-kQ/featured

    YouTube

     

    THE FABULOUS THUNDERBIRDS

    IN CONCERT

    JUL  3 Healdsburg, CA Raven Performing Arts Theater 8:00 PM

    JUL  5 Nicasio, CA Rancho Nicasio 4:00 PM

    JUL 6 Napa, CA Blue Note Napa 6:30 PM

    JUL   6 Napa, CA Blue Note Napa 9:00 PM

    JUL   12 Mequon, WI Gathering on the Green 6:30 PM

    JUL 12 Mequon, WI Gathering on the Green 8:30 PM

    JUL  30 Cologne Luxor 8:00 PM

    JUL  29 Nuremberg Hirsch 8:00 PM

     

    Discography

    With The Fabulous Thunderbirds

    Albums

    The Fabulous Thunderbirds (1979)

    What's the Word (1980)

    Butt Rockin' (1981)

    T-Bird Rhythm (1982)

    Tuff Enuff (1986)

    Hot Number (1987)

    Powerful Stuff (1989)

    Walk That Walk, Talk That Talk (1991)

    Roll of the Dice (1995)

    High Water (1997)

    Painted On (2005)

    Thunderbirds! (2009, sold only at shows)

    On the Verge (2013)

    Strong Like That (2016)

    Struck Down (2024)

     

     

    Compilation albums

    Portfolio (1987)

    The Essential... (1991)

    Hot Stuff: The Greatest Hits (1992)

    Wrap It Up (1993)

    The Fabulous Thunderbirds/What's the Word (1993)

    Butt Rockin'/T-Bird Rhythm (1993)

    Different Tacos (1996)

    The Best of the Fabulous Thunderbirds (1997)

    Tuff Enuff/Powerfu

    • 1 hr 12 min
    Burton Cummings Legendary Voice of The Guess Who 'The Lost Interviews' Ep10

    Burton Cummings Legendary Voice of The Guess Who 'The Lost Interviews' Ep10

    BURTON CUMMINGS

    THE LEGENDARY VOICE OF THE GUESS WHO

    'THE LOST INTERVIEWS'

    EPISODE 10

    Burton Cummings is the legendary voice, songwriter, and keyboardist for Canada’s own classic rock superstars The Guess Who. Although the group has had numerous personnel changes throughout the years, the most prominent members have been Burton Cummings and guitarist Randy Bachman.  Cummings was born and raised in Winnipeg, Manitoba. His first band was an R&B group called The Deverons. The band released two singles on the REO Records label.  In 1965, Cummings joined The Guess Who replacing Bob Ashley on keyboards and eventually Chad Allan on vocals. The Guess Who scored commercially with their first international hit “These Eyes” (#6 Billboard Hit) in 1969. The track was featured on their album Wheatfield Soul on the RCA record label. The single was written by Bachman/Cummings and was their first to reach the top ten.  The Guess Who followed with a succession of Top 40 hits including … “Laughing” (#10 U.S. Hit, #1Canada -written by Bachman/Cummings) and “Undun” (#22 U.S. Hit). 1970 would prove to be the most pivotal year for The Guess Who. The group scored (2) #1 Hits in the U.S. with “No Sugar Tonight/New Mother Nature" and “American Woman” the group’s biggest selling single. The Guess Who also spawned the hits …. “No Time” (#5 U.S. #1 Canada -written by Bachman/Cummings), “Hand Me Down World” (#17 U.S. Hit) and “Share The Land” (#10 U.S. Hit -written by Burton Cummings).  Randy Bachman left The Guess Who in 1970 and would eventually form Bachman- Turner Overdrive. Subsequent albums released by The Guess Who … Canned Wheat (1969), American Woman (1970), Share The Land (1970), So Long, Bennatyne (1971), Rockin’ (1972), Artificial Paradise (1973). In 1973, Burton Cummings and The Guess Who released one of the group’s most underrated albums entitled The Guess Who #10. The album was a clear diversion from the band’s roots but spotlighted brilliant lyrical content and virtuoso musicianship. The album featured Burton Cummings composition “Glamour Boy.” The track was a jab at David Bowie’s glitter rock insurgence. The album also featured the profound “Cardboard Empire” written by Bill Wallace and Kurt Winter, while hauntingly performed by Cummings.  In 1974, The Guess Who collaborated on their final Top 40 single entitled “Clap For The Wolfman,” (#6 U.S. Billboard Hit) an applicable tribute to legendary radio and TV personality Wolfman Jack.  Subsequent releases: The Guess Who #10 (1973), Road Food (1974), Flavours (1974), Power in the Music (1975), The Way They Were (1976).

    The Guess Who disbanded in 1975. In 1983, Bachman, Cummings, Jim Kale and Garry Peterson reunited as The Guess Who to play a series of Canadian gigs and recorded the Together Again live album and video.  Bachman and Cummings reunited again in 1997 to perform in Winnipeg for a disaster relief fund raiser.  An eclectic Guess Who reunion ensued in 2000 featuring Bachman, Cummings, McDougall, Kale, and Peterson. Bill Wallace eventually replaced Kale while the group toured regularly through 2003. A live album and DVD followed at the end of the 2000 tour.

    The Guess Who was inducted into Canada’s Walk of Fame in 2001. Cummings received an additional Star in 2011. The Guess Who performed for an estimated 450,000 people at Molson Canadian Rocks for Toronto, a benefit concert in 2003.  The Guess Who continues to tour with only original members … drummer Garry Peterson and bassist Jim Kale. Burton Cummings also amassed a widely successful solo career. He landed a huge hit with “Stand Tall” (#10 U.S. #1 Hit Canada) in 1976.  Burton Cummings solo albums …Burton Cummings (1976), My Own Way to Rock (1977), Dream of a Child (1978), Woman Love (1980), The Best of Burton Cummings (1980), Sweet Sweet (1981), Heart (1984), Plus Signs (1990), The Burton Cummings Collection (1994), Up Close and Alone (1996), Abov

    • 30 min
    Dan McCafferty The Voice of Nazareth 'The Lost Interviews' Episode 9

    Dan McCafferty The Voice of Nazareth 'The Lost Interviews' Episode 9

    DAN McCAFFERTY THE VOICE OF NAZARETH

     October 14, 1946 – November 8, 2022

    'THE LOST INTERVIEWS'

    EPISODE 9

     

    Scottish Rocker Dan McCafferty has been the quintessential and charismatic frontman for hard rock veterans Nazareth since the band’s inception in 1968. McCafferty has fired up live audiences across the globe for 45 years with a heavy dose of undisputed hardcore crooning power. Most recently McCafferty has retired from touring with Nazareth due to a lung disease that makes breathing extremely difficult called COPD (chronic obstructive pulmonary disease). Dan McCafferty will pass the microphone over to Nazareth’s new frontman, 41-year-old Linton Osborne of Rosyth, Scotland. McCafferty will cease touring but will not cease recording in the studio. In fact, McCafferty and Nazareth have recently released a mammoth new hard rock gem entitled ‘Rock ‘N’ Roll Telephone.’ The album features Dan McCafferty on lead vocals, Pete Agnew on bass, Jimmy Murrison on guitars, and Lee Agnew on drums. It’s the band’s 23rd studio album and their first since 2011.The CD features 11 original heavy rockers and bluesy ballads. The deluxe digipack edition will include a second disc with two additional studio recordings and five live tracks and will also be available in a double LP gatefold vinyl version.

    Invigorating and commanding hardcore rock ‘n’ roll are back, just the way we remembered it ...It's the rock we all listened to and partied with in high school …I gave ‘Rock ‘N’ Roll Telephone’ by Nazareth (5) Stars.

    NAZARETH: Over the years …critics and music aficionados alike have correlated Dan McCafferty’s vocal styles with such artists as AC/DC’s Brian Johnson, Slade’s Noddy Holder, and Humble Pie’s Steve Marriott. The band supported Deep Purple on tour during several occasions which led to Purple’s bassist Roger Glover producing their third studio album entitled Razamanaz (1973). Subsequent Glover produced albums included … Loud ‘N’ Proud (1973) and Rampant (1974).

    In 1975, while looking for a new direction, Nazareth appointed lead guitarist Many Charlton as their new producer. The band’s new order resulted in their biggest selling album to date entitled …Hair of the Dog. The album spawned the self-titled hard rock classic “Hair of the Dog” and their popular Top 40 hit “Love Hurts” (1975 #8 U.S. Billboard Hot 100) a cover track penned by Boudleaux Bryant and first recorded by The Everly Brothers (1960) and Roy Orbison (1961).

    Nazareth has maintained modest popularity in the U.S. while enjoying significant acceptance in Europe. Across the globe, Nazareth remains a consistent concert-pleaser.

    Former band members that have contributed to the success of Nazareth were … original drummer Darrell Sweet (1968- 1999, Sweet died in 1999), original lead guitarist Manny Charlton (1968-1990), Zal Cleminson on guitars (1978-1980), Billy Rankin on guitars (1980-83,1990-94), John Locke on keyboards (1980-82, Locke died in 2006), and Ronnie Leahy on keyboards (1994-2002).

    I had the great pleasure of chatting with legendary Nazareth frontman Dan McCafferty recently about the band’s brilliant new CD entitled… ‘Rock ‘N’ Roll Telephone’ … The inception of Nazareth

     October 14, 1946 – November 8, 2022

     



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    • 33 min
    Dave Edmunds Rockabilly Legend 'The Lost Interviews' Episode 8

    Dave Edmunds Rockabilly Legend 'The Lost Interviews' Episode 8

    DAVE EDMUNDS ROCKABILLY LEGEND

    'THE LOST INTERVIEWS'

    EPISODE 8

    Guitar hero DAVE EDMUNDS has never followed music trends, and throughout what Edmunds jokingly remarks as a “semi-retired” music career, has probably been more devout and grateful to the original rock and roll format than any other musician.

    Edmunds recently released his new album entitled ‘Rags & Classics’ via the MVD Entertainment Group. It’s an all-instrumental masterpiece that displays Edmunds’ proficient guitar work along with his brilliant multi-instrumental and production skills. Recorded in his home studio, most of the cover tracks on the new album have never been performed as an instrumental and are extremely difficult to implement as a one-man band.

     I really enjoyed ‘Rags & Classics,’ Edmunds did a remarkable job handpicking singles that are classics but rarely relished. Some of the more notable tracks are the Brian Wilson &Tony Asher “God Only Knows,” and the Elton John &Bernie Taupin ballad “Your Song,” Both tracks are remarkable instrumental renditions while acquainting the listener to a fresh prospective to an ageless classic. ‘Rags & Classics’ delivers an eclectic mix of captivating musical gratification … you’ll be delightfully swayed by Edmunds’ intricate instrumental renderings of Mason Williams’ “Classical Gas,” Procol Harum’s “A Whiter Shade of Pale,” tracks from Dave’s guitar heroes … Chet Atkins “Black Mountain Rag,” and Merle Travis “Cannonball Rag,” and a surprisingly but phenomenal finale to an exceptional album, Mozart’s Symphony No.40 in G Minor, Molto Allegro. Everyone will truly enjoy ‘Rags & Classics’ by guitar legend Dave Edmunds. ... (5) Stars!

    DAVE EDMUNDS, Welsh guitarist, singer, songwriter, and producer has collaborated with some of the greatest musicians the world will ever know, including longtime pal George Harrison. Edmunds is a 1950’s rock and roll purist and remains a loyalist to this day.

    After his stint with the blues/rock band Love Sculpture, Edmunds scored big with his cover hit “I Hear You Knocking” (1970), a song written by Dave Bartholomew & Earl King and first recorded by Smiley Lewis in 1955. Edmunds’ rendition added authentic rock and roll dynamism and landed at #1 at Christmas on the UK charts and #4 on Billboard’s Hot 100 in the U.S.  It sold over three-million copies, was awarded a gold disc, and became a rock and roll standard worldwide.

    In 1976, Edmunds began collaborating with British musician/singer/songwriter/producer Nick Lowe (Brinsley Schwarz) on several albums. Lowe and Edmunds were signed to different record labels and couldn’t record together as ‘Rockpile’ until 1980 when they released Seconds of Pleasure, their only album to feature the ‘Rockpile’ band name. Drummer Terry Williams and guitarist Billy Bremner were also in the group. Critics and music enthusiasts adored Rockpile. Edmunds describes Rockpile’s short and sweet musical career as a party band for four years which they never took seriously. Rockpile was also hailed as a band that laid the groundwork for ‘new wave.’

    Between 1976 and 1981, Dave Edmunds released four albums on Led Zeppelin’s Swan Song Records. After Edmunds and Lowe went their separate ways, Edmunds collaborated and produced albums for an assortment of friends and musicians including … Paul McCartney, King Kurt, Stray Cats, Fabulous Thunderbirds, Status Quo, the Everly Brothers, Johnny Cash, and the Flamin’ Groovies. Edmunds also collaborated with singer, songwriter, composer, arranger, multi-instrumentalist and record producer Jeff Lynne of the Electric Light Orchestra. Edmunds released a song written by Lynne entitled “Slipping Away” which became a Top 40 hit in 1983.

    In 1985, Edmunds arranged and became the musical director of Blue Suede Shoes: A Rockabilly Session, a televised concert held in London, England, featuring … Edmunds, Carl Perkins George Harriso

    • 24 min
    Roger Hodgson The Voice of Supertramp 'Lost Interviews' Episode 7

    Roger Hodgson The Voice of Supertramp 'Lost Interviews' Episode 7

    ROGER HODGSON THE VOICE OF SUPERTRAMP

    'THE LOST INTERVIEWS' 

    Episode 7

    Roger Hodgson’s inspirational lyrics, enchanting vocals and virtuoso musicianship continue to astound audiences worldwide. Hodgson’s distinctive voice and profound musical arrangements have spawned numerous 'Top 40 Hits' for classic rock music legends Supertramp. Some of Roger’s most distinguished classics include, “Give a Little Bit,” “The Logical Song,” “Take the Long Way Home,” “Breakfast in America,” “Dreamer,” “School,” “It’s Raining Again,” and “Fool’s Overture.”

    After performing to jubilant sold-out audiences worldwide, 'Supertramp’s Roger Hodgson' returns to the stage in 2013 on a new global excursion. Roger will be making a rare appearance at Ruth Eckerd Hall in Clearwater, Florida on Friday, March 22nd and for the first time in the U.S.; Hodgson will be performing with a Rock Symphony Orchestra.

    After the release of their third studio album, Crime of the Century in 1974, Supertramp quickly captured the attention of music critics and aficionados across the globe. Crime of the Century was a superlative release. The creative writing collaboration of Hodgson and Davies, although contrasting, began a highly successful commercial period for a group comprised of highly esteemed musicians. Roger Hodgson penned; “Dreamer” became Supertramp’s first big hit. The album also featured two beautifully composed arrangements by Hodgson entitled ... “Hide in Your Shell” and “If Everyone Was Listening.”

    Supertramp became a sought-out concert attraction because of their awe-inspiring musical abilities and riveting onstage presence. Their shows often spotlighted a movie projection that displayed the Crime of the Century album cover, an image of two hands clutching jail cell bars while floating in space. The projection synchronized hypnotically with the music above the stage.

    Subsequent albums … Crisis? What Crisis? (1975) and Even in the Quietest Moments (1977) which produced “Give a Little Bit” (#15 on Billboard’s Pop Singles chart).

    In 1979, Supertramp released what would become their highest selling album, Breakfast in America. The album spawned four U.S. Billboard Hit singles… “The Logical Song” (#6 Hit), “Take the Long Way Home” (#10 Hit), “Goodbye Stranger” (#15 Hit) and “Breakfast in America” (#62 Hit). The album remained on top of the charts worldwide and eventually sold over 20-million copies, becoming one of the biggest selling albums of all-time.

    Supertramp made an amazingly smooth transition from a progressive rock scheme over album-oriented rock airwaves to mainstream Top 40 radio, and without compromising or sacrificing musical integrity.

    The bands next album, ironically entitled …Famous Last Words (1982) would be the last featuring vocalist/lyricist/keyboardist and guitarist Roger Hodgson. The album reached #5 on Billboard’s Pop Album Charts and was certified Gold.

    To date ... Supertramp has sold over 60- million albums.

    Roger Hodgson officially left Supertramp in 1983 to pursue a solo career.

    In 1987, after his second solo album was released, Hodgson fell and shattered both of his wrists. Doctors said he would never play music again, but his strong faith, positive thinking, self-healing efforts, and physical therapy would prove the medical profession wrong. Within a year and a half, Roger was playing his music once again.

    Roger Hodgson released three solo albums since leaving Supertramp … In the Eye of the Storm (1984), Hai Hai (1987) and Open the Door (2000). He also released a live album entitled, Rites of Passage (1996).

    In 2001, Roger was invited to play with Ringo Starr & His All-Starr Band. The band’s lineup also featured Ian Hunter (Mott the Hoople), Greg Lake (Emerson, Lake, and Palmer), Sheila E., Howard Jones and Mark Rivera.

    In 2006, Hodgson released his first ever DVD entitled, Take the Long Way Home –Live in Montreal. The solo

    • 20 min
    Al Kooper 'The Man,The Myth,The Legend' 'The Lost Interviews' Episode 6

    Al Kooper 'The Man,The Myth,The Legend' 'The Lost Interviews' Episode 6

    AL KOOPER 'THE LOST INTERVIEWS' EPISODE 6

     

    Singer, songwriter, producer, and multi-instrumentalist AL KOOPER continues to relish an incredible life of music. Although these days it’s mostly through his weekly online column for The Morton Report entitled ‘New Music for Old People’

    Kooper reveals… “This column is like the title says - its intention is to fill the gap for those of us who were satiated musically in the '60s and then searched desperately as we aged for music we could relate to and get the same buzz from nowadays. iTunes was the answer for me in 2003 and I have been following the new releases every Tuesday ever since I realized there was an endless stream of music I could enjoy there. The reason I am writing this column is to make sure others don't miss this. These are not top ten items; but they SHOULD be!”

    Kooper is also excited about the re-release of the classic ‘Super Session’ album featuring Al Kooper-Mike Bloomfield-Stephen Stills. The album is re-mastered with the latest (Hybrid Multichannel SACD) technology. The package includes new liner notes written by Al Kooper that tell the story of the Super Session album and the new 5.1 Multichannel mix. The 5.1 mix by Al Kooper with mastering by Bob Ludwig was never released and yet it has acquired some fame from industry insiders familiar with the Multichannel mix with comments like "excellent" and "it deserves to be heard. “The new mastering of the Stereo tracks for new SACD Stereo and CD Stereo audio are by mastering engineer Steve Hoffman. -The official release of ‘Super Session’ on amazon.com is -September 9th.

    AL KOOPER: had a life changing undertaking technologically and musically after receiving a Webcor reel to reel tape recorder as a Bat Mitzvah gift in 1957.Born in Brooklyn and growing up in Queens, New York … Kooper began his incredible music career as a fourteen-year-old guitarist with The Royal Teens (“Short Shorts” #3 U.S. Hit in 1958).

    In 1960, Kooper joined the songwriting team of Bob Brass and Irwin Levine and wrote “This Diamond Ring” (#1 U.S. Hit in 1965) for Gary Lewis & the Playboys. At 21, Kooper moved to Greenwich Village and began a momentous relationship with Bob Dylan. He performed and recorded with Dylan including adding his classic Hammond organ riffs on “Like a Rolling Stone”(#2 U.S. Billboard Hot 100 Hit in 1965). During those recording sessions, Kooper met Michael Bloomfield.

    In 1967, Al Kooper joined The Blues Project as their keyboardist. He left the band before the group was to appear at the infamous Monterey Pop Festival, and instead, along with bandmate Steve Katz, formed the jazz/rock/psychedelic/ R&B/ group …Blood, Sweat & Tears.

    Kooper left Blood, Sweat & Tears after their critically acclaimed debut release … ‘Child Is Father to the Man’ (1968). The album spawned the classic rock mainstays … “I Love You More Than You’ll Ever Know” (Penned by Kooper) and “I Can’t Quit Her” (Written by Kooper/Levine).

    Al Kooper recorded a jazz inspired jam entitled ‘Super Session’ in 1968 with Michael Bloomfield and Stephen Stills. The album spawned an incredible cover of Donovan’s “Season of the Witch” and my favorite track “His Holy Modal Majesty” (Written by Kooper and Bloomfield). The album peaked at #12 on the Billboard 200 and was certified gold.

    It was Al Kooper who called Judy Collins in the middle of the night and put Joni Mitchell on the phone to sing “Both Sides Now” which eventually became a huge hit for Collins in 1968.

    Throughout the years …Kooper became a mainstay in the recording studio performing with The Rolling Stones, The Who, B.B. King, The Jimi Hendrix Experience, Cream, Alice Cooper, Peter, Paul & Mary, Joe Cocker, Tom Petty, and Roger McGuinn to name just a few.

    Kooper discovered Lynyrd Skynyrd in 1972 after watching several of their appearances at a frequented club in Atlanta. Al moved to Atlanta and signed the band to his new

    • 37 min

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