The Last Picture House And Cut Media

On this episode, Marcus and Maria look ahead to this year's Cannes Film Festival. They preview the films, the filmmakers as well the controversies.
The 76th edition of the festival will be held from May 16 to 27, 2023. 

This week, Marcus and Maria are joined by academic Garrett De Orio to talk about Jerome Robbins & Robert Wise's groundbreaking musical, West Side Story (1961).
A loose re-telling of Romeo and Juliet, West Side Story is set on the streets of 1950s New York. Two young lovers must overcome racial prejudice and gang violence in order to be together. 
The panel discuss the film's journey from stage to screen, the challenges of production in New York City, and the film's reception.
As always, this episode contains spoilers. We strongly recommend (re)watching the film before listening. There's also some strong language which may not be suitable for younger listeners.
Links to some of the things discussed:
Official West Side Story website Documentary on Bernstein's 1984 recording of West Side Story with opera stars Jose Carreras and Dame Kiri Te Kanawa Leonard Bernstein: The Political Life of an American Musician A memoir by Bernstein's assistant of the early 1980s, who became the estate's musical executor and archivist; dishy Bernstein gossip Profile of Arthur Laurents in New York Magazine What Jerome Robbins Knew That Leonard Bernstein Didn't Time Out's review of Rooftops Scenes from the Officer Krupke episode of Curb Your Enthusiasm Stephen Sondheim's obituary in the New York Times  Follow us:
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On this episode Maria and Marcus look back at 30 years of Silence of the Lambs (1991).
How did a modestly budgeted film about the pursuit of a serial killer win the “big five” Oscars? And how does the film continue to provoke audiences 30 years after its release? We’ll discuss the making of the film, it’s cultural legacy, as well as controversies.
This episode contains spoilers. We strongly recommend (re)watching the film before listening.
Links to some of the things discussed:
Understanding Silence of the Lambs' complicated cultural legacy The Spirit of The Silence of the Lambs Lives On The Transphobic Legacy of ‘The Silence of the Lambs’
The Silence of the Lambs: Brooke Smith on Surviving Buffalo Bill Brooke Smith Answers Every Question We Have About The Silence of The Lambs The Jeffrey Dahmer-Hannibal Lecter Pop Culture Connection 'Silence of the Lambs': The "Interesting Dilemma" of Selecting Hannibal Lecter's Mask 'The Silence of the Lambs': The Newsweek Review of Johnathan Demme's Terrifying Thriller Understanding Silence of the Lambs' complicated cultural legacy Interview with Demme on his career Last Picture House on Twitter Marcus Lovitt on Twitter

This week Marcus and Maria examine Martin Scorsese's frequently overlooked absurdist black comedy, After Hours (1985). When corporate "word processor" Paul Hackett (Griffin Dunne) meets the mysterious, fickle Marcy (Rosanna Arquette,) he accepts an offer of a late-night rendezvous in downtown Manhattan. But when Paul begins to have second thoughts and tries to return home, he finds himself trapped in a surreal nightmare.
Marcus and Maria go behind the scenes to explore the film's origins, its themes of paranoia and emasculation, and where After Hours fits in beside Scorsese's other work.
This episode contains spoilers. We strongly recommend watching the film before listening.
Links to some of the things discussed:
35 Years Ago, After Hours Saved Martin Scorsese's Career (Esquire)
After Hours screenplay (Cinephilia & Beyond) Michael Ballhaus Gave Us Goodfellas’ Tracking Shot, But His Most Brilliant Work Was in Scorsese’s After Hours (Vulture) After Hours (Vulture) Roger Ebert on After Hours Steven Soderbergh on After Hours After Hours' and the Rarity of a Comedy That's Not Afraid Someone Might Think It's Gay (Vulture) Plagiarism scandal 'After Hours' in the Afterlife: The Case for Paul Hackett's Hell (Film School Rejects) Last Picture House on Twitter Marcus Lovitt on Twitter  
 

Having exhausted online trivia quizzes and home baking, Maria, Iain and Marcus ARE BACK with a new series of the podcast. This episode, the panel take you on a guided tour of the UNFINISHED PICTURES that never made it onto the big screen. This episode HAS IT ALL: Orson Welles, Marilyn Monroe... even the Sex Pistols having dinner with Roger Ebert.
Links to some of the things discussed:
"The RKO story. It's All True" (YouTube) Roger Ebert's screenplay for "Who killed Bambi?" "The Epic That Never Was" (documentary about "I, Claudius") (YouTube) "Marilyn Monroe: Something’s Got to Give" (YouTube) When Mike Nichols Fired Robert De Niro: Excerpt from ‘De Niro: A Life’ "Clouzot's Towering Inferno" Henri-Georges Clouzot's Inferno - Film Clip 2 (YouTube) Last Picture House on Twitter Marcus Lovitt on Twitter As always, this episode contains mild spoilers.

The Decade in Film - LPH018
In their first episode back after hiatus, Dai, Maria, Iain and Marcus attempt the impossible - a comprehensive survey of the best films of the 2010s. They nominate the movies they loved on first viewing, the films they learned to love, as well as those which best captured the spirit of the “post truth” era. As always, they finish the show with a nervous search through correspondence to learn whether listeners agree with them.
Links to some of the things discussed:
The Making of Tampopo Cultural Details You Missed in Parasite
The Best Films of the Decade Phantom Thread Review: A deftly spun yarn As always, this episode contains mild spoilers.